The American Gothic Cookbook
Author | : Joan Liffring-Zug |
Publisher | : Penfield Press |
Total Pages | : 62 |
Release | : 1986-06-01 |
Genre | : |
ISBN | : 9780941016339 |
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Author | : Joan Liffring-Zug |
Publisher | : Penfield Press |
Total Pages | : 62 |
Release | : 1986-06-01 |
Genre | : |
ISBN | : 9780941016339 |
Author | : |
Publisher | : Penfield Press |
Total Pages | : 72 |
Release | : 1978 |
Genre | : |
ISBN | : 9780960385805 |
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 2003 |
Genre | : Cooking |
ISBN | : |
Author | : Joan Liffring-Zug Bourret |
Publisher | : |
Total Pages | : 0 |
Release | : 2003-06 |
Genre | : |
ISBN | : 9781932043525 |
A revised edition of Penfield's popular American Gothic Cookbook, in the recipe-card-size format, includes artist Grant Wood?s mother?s recipe for stew, his housekeeper?s recipe for salad dressing, and his own cabbage rolls. It is chock-full of Grant Wood lore and illustrations, both his whimsical Farm on the Hill illustrations and his evocative lithographs. One recipe for old-fashioned tomato soup runs on for seven pages; excuse him, but the cook is a Pulitzer Prize-winning writer, just making sure the saying gets said right. These are recipes for honest, hard-working, Midwestern fare, such as potato salad, whole-wheat bread, wild rice casserole, cooked peppers, apple butter, ham roll, and apple cake. There are lots of picnic dishes. Grant Wood loved a picnic.
Author | : Joan Liffring-Zug |
Publisher | : |
Total Pages | : 0 |
Release | : 1996-09 |
Genre | : |
ISBN | : 9781572160040 |
Author | : Beth M. Howard |
Publisher | : |
Total Pages | : |
Release | : 2021-06-14 |
Genre | : |
ISBN | : 9781732672543 |
Beth M. Howard knows about pie. She made pies at California's Malibu Kitchen for celebrities including Barbra Streisand (lemon meringue), Dick Van Dyke (strawberry rhubarb), and Steven Spielberg (coconut cream) before moving back home to rural Iowa. She now lives in the famous American Gothic House (the backdrop for Grant Wood's famous painting) and runs the hugely popular Pitchfork Pie Stand. With full-color photos throughout, Ms. American Pie features 80 of Beth's coveted pie recipes and some of her own true tales to accompany them. With chapters like Pies to Heal, Pies to Seduce, and Pies to Win the Iowa State Fair, Beth will divulge her secret for making a killer crust without refrigerating the dough and will show you how to break every rule you've ever learned about making delicious, homemade pie.
Author | : Darryl Hattenhauer |
Publisher | : State University of New York Press |
Total Pages | : 247 |
Release | : 2012-02-01 |
Genre | : Literary Criticism |
ISBN | : 0791487423 |
Best known for her short story "The Lottery" and her novel The Haunting of Hill House, Shirley Jackson produced a body of work that is more varied and complex than critics have realized. In fact, as Darryl Hattenhauer argues here, Jackson was one of the few writers to anticipate the transition from modernism to postmodernism, and therefore ranks among the most significant writers of her time. The first comprehensive study of all of Jackson's fiction, Shirley Jackson's American Gothic offers readers the chance not only to rediscover her work, but also to see how and why a major American writer was passed over for inclusion in the canon of American literature.
Author | : Catherine Lanone |
Publisher | : Presses Univ. du Mirail |
Total Pages | : 310 |
Release | : 2004 |
Genre | : |
ISBN | : 9782858167166 |
Author | : Daughters of the American Revolution |
Publisher | : |
Total Pages | : 1120 |
Release | : 1981 |
Genre | : Genealogy |
ISBN | : |
Author | : Fred Botting |
Publisher | : Manchester University Press |
Total Pages | : 349 |
Release | : 2013-07-19 |
Genre | : Literary Criticism |
ISBN | : 1847797164 |
Horror isn’t what it used to be. Nor are its Gothic avatars. The meaning of monsters, vampires and ghosts has changed significantly over the last two hundred years, as have the mechanisms (from fiction to fantasmagoria, film and video games) through which they are produced and consumed. Limits of horror, moving from gothic to cybergothic, through technological modernity and across a range of literary, cinematic and popular cultural texts, critically examines these changes and the questions they pose for understanding contemporary culture and subjectivity. Re-examining key concepts such as the uncanny, the sublime, terror, shock and abjection in terms of their bodily and technological implications, this book advances current critical and theoretical debates on Gothic horror to propose a new theory of cultural production based on an extensive discussion of Freud’s idea of the death drive. Limits of horror will appeal to students and academics in Literature, Film, Media and Cultural Studies and Cultural Theory.