The Aesthetics Of Ethical Subjectivity Microform Ethics And Aesthetics In The Work Of Immanuel Kant Friedrich Nietzsche And Theodor Adorno PDF Download

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The Aesthetics of Ethical Subjectivity [microform] : Ethics and Aesthetics in the Work of Immanuel Kant, Friedrich Nietzsche and Theodor Adorno

The Aesthetics of Ethical Subjectivity [microform] : Ethics and Aesthetics in the Work of Immanuel Kant, Friedrich Nietzsche and Theodor Adorno
Author: Tanja Mirjana Juric
Publisher: Library and Archives Canada = Bibliothèque et Archives Canada
Total Pages: 312
Release: 2005
Genre:
ISBN: 9780494029091

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This project examines the effect that aesthetic reflection can have on the formation of ethical subjects and the development of reciprocal relations between individuals. In particular, it investigates whether aesthetic judgement, precisely because it encourages the development of a critically self-reflexive subject, provides a valuable model for ethics. Theodor Adorno's dialectical approach, on the other hand, interprets the subject as intersubjectively developed, which acknowledges the importance of reciprocal relations with others. Adorno's constant reference to the generic subject and object, however, does not differentiate between various types of subjects and objects and their relationships and in so doing, threatens to negate the agency of individuals. In order for Adorno's approach to be a viable means through which ethical subjectivity can be formulated, it needs to be able to acknowledge that ethical interaction occurs between socially embedded individuals because it is through these relationships that individuals can be challenged and exercise their agency as ethical subjects. The groundwork for this investigation is laid by Immanuel Kant who depicts the individual as an autonomous, rational agent that is capable of, and indeed responsible for, determining his or her own judgement. Kant's insight regarding the autonomy of the subject enables him to create a system of ethics that is upheld by imperatives, which he argues command respect because they are universally valid for all rational beings. Friedrich Nietzsche and Theodor Adorno build upon Kant's claim concerning the subject's autonomy to put forward two very different interpretations of what it means to be or become an ethical subject. Nietzsche encourages individuals to create or shape their identity as highly individualised, dynamic subjects akin to living works of art, rather than universalised and disembodied subjects. Nietzsche's emphasis on the subject's flourishing and growth provides important insights into the formation of oneself as an ethical subject, but it provides little in terms of recognising and developing reciprocal, ethical relations with others.


The Marriage of Aesthetics and Ethics

The Marriage of Aesthetics and Ethics
Author: Stéphane Symons
Publisher: BRILL
Total Pages: 313
Release: 2015-08-25
Genre: Philosophy
ISBN: 9004298819

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In The Marriage of Aesthetics and Ethics, fifteen authors reflect on the nature of friendship and love and on the complex relation between art and morality. Karl Verstrynge, Vincent Caudron, Anne Christine Habbard, and Walter Jaeschke draw from authors from Aristotle to Derrida, Montaigne to Kierkegaard, and Hegel to Blanchot to discuss friendship and love. Andreas Arndt, Paul Cobben, Paul Cruysberghs, Gerbert Faure, Simon Truwant, and Margherita Tonon focus on the connection between aesthetics and ethics in the works of Kant, Schiller, Hegel, Schleiermacher, Kierkegaard, Cassirer, and Adorno. Baldine Saint Girons, Stéphane Symons, Marlies De Munck, Stijn De Cauwer, and Willem Styfhals explore the connection between ethical and aesthetic issues in photography, film, music, literature, and the visual arts.


The Relation to Oneself and the Other - Ethics in Michel Foucault

The Relation to Oneself and the Other - Ethics in Michel Foucault
Author: Abhilash G Nath
Publisher: GRIN Verlag
Total Pages: 15
Release: 2011-02-15
Genre: Philosophy
ISBN: 3640829581

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Essay from the year 2011 in the subject Philosophy - Philosophy of the 20th century, Jawaharlal Nehru University (New Delhi), language: English, abstract: In the later years of his life, Foucault associates his genealogical studies of discourse, institutions and practices to the Kantian ‘ontology of ourselves,’ insisting that they, like Kantian ontology, are focused on something within our present in order to initiate change from within. His reflections on the question of “what our present is?” provide an experience of modernity precisely that aspect of it which is mostly fragile or sensitive at the present time, to permit us to emerge from it as transformed. To put differently, the point is to show that what appears obvious to us from the standpoints of modern scientific, legal and moral discourses is not at all so obvious. This fragility of the present beliefs and practices, Foucault argues, must be grasped in the question “what it is?” and should be attempted to transform by using the desire for freedom. In a similar line, Kant argues that “have courage to use your own understanding” is the motto of enlightenment.


The Possibility of Culture

The Possibility of Culture
Author: Bradley Murray
Publisher: John Wiley & Sons
Total Pages: 155
Release: 2015-04-22
Genre: Philosophy
ISBN: 1118950674

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The Possibility of Culture: Pleasure and Moral Development in Kant’s Aesthetics presents an in-depth exploration and deconstruction of Kant’s depiction of the ways in which aesthetic pursuits can promote personal moral development. Presents an in-depth exploration of the connection between Kant’s aesthetics and his views on moral development Reveals the links between Kant’s aesthetics and his anthropology and moral psychology Explores Kant’s notion of genius and his views on the connections between the social aspects of taste and moral development Addresses aspects of Kant’s ethical theory that will interest scholars working in ethics and moral psychology


The Intertwining of Aesthetics and Ethics

The Intertwining of Aesthetics and Ethics
Author: Jadranka Skorin-Kapov
Publisher: Lexington Books
Total Pages: 217
Release: 2016-04-21
Genre: Philosophy
ISBN: 1498524575

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The Intertwining of Aesthetics and Ethics: Exceeding of Expectations, Ecstasy, Sublimity analyzes the common experiential ground for both aesthetics and ethics by considering experiential environment (both nature and art), the precedents to desire, the notion of experience incorporating a break, and the reverberations of surprise leading to the intertwining of aesthetics and ethics. Jadranka Skorin-Kapov discusses different philosophical positions on the relationship between nature and art, in conversation with Kant, Hegel, Goethe, Gadamer, and Adorno. She argues that Kantian sublimity can carry over from nature to art. As part of the discussions of expectations and authenticity, the author interprets Husserl’s view on expectations, Heidegger’s view on death and authenticity, Blanchot’s view on death, and Arendt’s view on natality. As for understanding the aesthetic experience as the paradigmatic experience, Skorin-Kapov is informed by Dewey’s work on art as experience, Gadamer’s work on experience of art, and Jauss’s work on the aesthetics of reception and the horizon of expectations. After our sensibility and representational capability are broken, recuperation then leads to sublimity and the subsequent feelings of admiration and/or responsibility, allowing for the intertwining of aesthetics and ethics. Additionally, elements of Kantian morality, Foucault’s ethics, and Kierkegaard’s work on interactions between aesthetics and ethics together help to characterize the relation between aesthetics and ethics. Since we often encounter surprise due to unexpectedness in comedy, Skorin-Kapov also interprets philosophical views on the comedy and laughter (including Aristotle, Kierkegaard, Meredith, and Bergson), using the theatrical work of Dario Fo as an example. The novel analysis in The Intertwining of Aesthetics and Ethics will be of particular interest to students and scholars working or teaching in aesthetics, phenomenology, art history, cultural studies, and ethics.


Aesthetic Judgment and the Moral Image of the World

Aesthetic Judgment and the Moral Image of the World
Author: Dieter Henrich
Publisher: Studies in Kant and German Idealism
Total Pages: 99
Release: 1992
Genre: Philosophy
ISBN: 9780804720540

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In the second essay, Henrich analyzes the interrelations between Kant's aesthetics and his cognitive theories, concluding that though Kant has opened up an important and fruitful avenue of questioning, the problems he addresses are not yet resolved. Henrich is convinced that "even after two hundred years it remains promising to pursue such a ?Kantian? program." The third essay argues that the justification of the claim that human rights are universally valid requires reference to a moral image of the world. To employ Kant's notion of a moral image of the world without ignoring the insights and experiences of this century requires, to be sure, drastic changes in the content of such an image, but Henrich explains, at least in part, what its content might be for our time


Ethical Philosophy

Ethical Philosophy
Author: Immanuel Kant
Publisher: Hackett Publishing
Total Pages: 328
Release: 1994-01-01
Genre: Philosophy
ISBN: 9780872203204

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This expanded edition of James Ellington's preeminent translations of Grounding for the Metaphysics of Morals and Metaphysical Principles of Virtue includes his new translation of Kant's essay On a Supposed Right to Lie Because of Philanthropic Concerns, in which Kant replies to one of the standard objections to his moral theory, as presented in the main text of Grounding, that it requires us to tell the truth even in the face of harmful consequences.


Aesthetics and Subjectivity

Aesthetics and Subjectivity
Author: Andrew Bowie
Publisher:
Total Pages: 284
Release: 1993
Genre: Aesthetics, German
ISBN:

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The Aesthetic in Kant

The Aesthetic in Kant
Author: James Kirwan
Publisher: A&C Black
Total Pages: 210
Release: 2006-02-22
Genre: Philosophy
ISBN: 1847142427

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Kant's Critique of the Power of Judgment is widely held to be the seminal work of modern aesthetics. In recent years it has been the focus of intense interest and debate not only in philosophy but also in literary theory and all disciplines concerned with the aesthetic. The Aesthetic in Kant is a new reading of Kant's problematic text. It draws upon the great volume of recent philosophical work on this classic text and on the context of eighteenth century aesthetics. Kant's work is used as a basis on which to construct a radical alternative to the antinomy of taste - the basic problem of the aesthetic. In Kant's account is a theory of the aesthetic that, far from establishing its 'disinterested' nature, instead makes it symptomatic of what Kant himself describes as the ineradicable human tendency to entertain 'fantastic desires'.