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| Author | : Dennis Hamilton |
| Publisher | : Lulu.com |
| Total Pages | : 398 |
| Release | : 2015-05-24 |
| Genre | : Religion |
| ISBN | : 132916136X |
A book with specific insight into the mysteries of this ancient myth, both its psychological ramifications and, modern day recurrence . . . Retail Paperback
| Author | : Dennis B. Hamilton |
| Publisher | : |
| Total Pages | : |
| Release | : 2021-08-17 |
| Genre | : |
| ISBN | : 9781639727094 |
The Advent of Dionysus - A book with specific insight into the mysteries of this ancient myth, both its psychological ramifications and, modern-day recurrence.
| Author | : Russell Roberts |
| Publisher | : Mitchell Lane Publishers, Inc. |
| Total Pages | : 52 |
| Release | : 2008-06 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1612284132 |
Dionysus, the Greek god of wine, was a figure of many different personalities. Was he the mellow, smiling youth who gaily spread his gift of wine all over the world . . . or was he the fierce warrior who subjugated entire nations to his unbending will? Even his gift of wine reflected his dual nature. Wine could make people feel happy and good about themselves. Yet it could also turn them into mindless beasts who acted without thought or reason. The only god with a mortal mother, hated by Hera and driven mad by her, Dionysus figures in some of the most well-known tales of all time, such as the story of King Midas. His influence is vast and his importance to modern cultures remains strong, even while some of the other Olympians have faded into the pages of history. Dionysus has survived for thousands of years. He will likely survive for thousands of years to come.
| Author | : Robert Parker |
| Publisher | : Oxford University Press |
| Total Pages | : 401 |
| Release | : 1996-03-28 |
| Genre | : History |
| ISBN | : 0191657042 |
This book is an attempt to take seriously the cliche that Greek religion is an eminently social phenomenon. It differs from `Histories of Greek Religion' by focusing on a particular Greek city with particular social structures. It treats a much broader range of phenomena than do books on `Athenian festivals'. It seeks to bridge the gap that usually divides studies of Greek religion from studies of Greek history and society. Among the topics discussed are the actual dates and circumstances of foundation of many temples, festivals, and cults at Athens, the historical development of the social structures within which religious activities took place, and the effects in the religious sphere of the radical shift in Athens' political life from tyranny to democracy and the acquisition of an empire. Robert Parker investigates the relation between religion and political prestige, considers the introduction of new cults, and looks in detail at such key personalities and events in the religious history of Athens as Lycurgus the Eteoboutad and his religious policies, and the trial of Socrates. The period covered is roughly that from 750 to 250 BC.
| Author | : Benjamin Apthorp Gould Fuller |
| Publisher | : |
| Total Pages | : 340 |
| Release | : 1923 |
| Genre | : Philosophy |
| ISBN | : |
| Author | : Rosemarie Taylor-Perry |
| Publisher | : Algora Publishing |
| Total Pages | : 218 |
| Release | : 2003 |
| Genre | : History |
| ISBN | : 0875862306 |
The most widely acclaimed and influential religious cult in the ancient Greek world, for almost 2000 years, was the Eleusinian Mysteries, the Mystery Rites of Dionysos and associated Hellenic deities. Drawing participants from Rome, Egypt and all around the Mediterranean, the Mysteries influenced and inspired many of the greatest minds including Aristotle, Homer and Plutarch. But initiates were sworn to secrecy; and with the advent of Christianity, the Roman Empire stamped out this "cult." How did adherents of Hellene Mystery Deities performed their worship? What was the symbolism of the sacred objects and the actions performed? The God Who Comes is a meticulously researched exploration of how and why these rites were performed, based upon archaeological, scholarly and iconographic evidence -- a refutation of facile New Age inventions. Cicero said, "Athens never created anything nobler than those sublime Mysteries through which we became gentler and have advanced from a barbarous and rustic life to a more civilized one, so that we not only live more joyfully but also die with a better hope." The author traces how the rituals were related chronologically; why it seems that many aspects of ritual action are unclear or appear transposed; and why no scholar intent upon probing the hows and wherefores of ancient Mystery rites had ever presented them in any sort of chronological, easily-understood manner. She examines parallels in diverse civilizations including the use of hallucinogens in religious rites, and archetypal deities such as shape-changers (like the Navajo Coyote). The book includes an index, Greek-to-English glossary, extensive footnotes and bibliography
| Author | : James M. Scott |
| Publisher | : Vandenhoeck & Ruprecht |
| Total Pages | : 170 |
| Release | : 2015-08-19 |
| Genre | : Religion |
| ISBN | : 3647540455 |
James M. Scott examines a denarius minted in Rome in 55 bce which is visually fascinating but conceptually enigmatic. On its obverse, around the head of a female figure with turreted crown, appears the name A. Plautius, who held the office of aedilis curulis in that year; on its reverse is a camel, in front of which a male figure kneels on his right leg, holding the camel's reins in his left hand and extending a branch in his right hand; the legend reads: BACCHIVS IVDAEVS.Scott's study argues that the oft-suggested connection between Aristobulus' gift of the golden vine (from the Temple) and the Bacchius Iudaeus denarius does seem to merit further investigation. To that end,he examines, first, Pompey's own agenda in having the coin minted. It is shown that the year the denarius appeared, 55 bce, was the same year in which Pompey dedicated his spectacular theater-temple in Rome, and, furthermore, that these very public displays are related as expressions of Pompey's Dionysian pretensions. Second, Scott examines each element of the denarius in question, looking for clues as to the meaning of Bacchius Iudaeus. It is shown that the Latin inscription refers first and foremost to the god Bacchus/Dionysus via an interpretatio Romana. Finally, he explores the possible implications of his investigation for the precise date of the fall of Jerusalem in 63 bce. Scott's study delves deeply into Judaism at the beginning of the Roman era, using the Roman coin to highlight the complex interface between Greco-Roman and Jewish religiocultural institutions of the period.
| Author | : Esther Eidinow |
| Publisher | : Cambridge University Press |
| Total Pages | : 443 |
| Release | : 2016-08-03 |
| Genre | : History |
| ISBN | : 1316715213 |
Studied for many years by scholars with Christianising assumptions, Greek religion has often been said to be quite unlike Christianity: a matter of particular actions (orthopraxy), rather than particular beliefs (orthodoxies). This volume dares to think that, both in and through religious practices and in and through religious thought and literature, the ancient Greeks engaged in a sustained conversation about the nature of the gods and how to represent and worship them. It excavates the attitudes towards the gods implicit in cult practice and analyses the beliefs about the gods embedded in such diverse texts and contexts as comedy, tragedy, rhetoric, philosophy, ancient Greek blood sacrifice, myth and other forms of storytelling. The result is a richer picture of the supernatural in ancient Greece, and a whole series of fresh questions about how views of and relations to the gods changed over time.
| Author | : Ann Suter |
| Publisher | : Oxford University Press |
| Total Pages | : 304 |
| Release | : 2008-02-05 |
| Genre | : History |
| ISBN | : 9780199714278 |
Lament seems to have been universal in the ancient world. As such, it is an excellent touchstone for the comparative study of attitudes towards death and the afterlife, human relations to the divine, views of the cosmos, and the constitution of the fabric of society in different times and places. This collection of essays offers the first ever comparative approach to ancient Mediterranean and Near Eastern traditions of lament. Beginning with the Sumerian and Hittite traditions, the volume moves on to examine Bronze Age iconographic representations of lamentation, Homeric lament, depictions of lament in Greek tragedy and parodic comedy, and finally lament in ancient Rome. The list of contributors includes such noted scholars as Richard Martin, Ian Rutherford, and Alison Keith. Lament comes at a time when the conclusions of the first wave of the study of lament-especially Greek lament-have received widespread acceptance, including the notions that lament is a female genre; that men risked feminization if they lamented; that there were efforts to control female lamentation; and that a lamenting woman was a powerful figure and a threat to the orderly functioning of the male public sphere. Lament revisits these issues by reexamining what kinds of functions the term lament can include, and by expanding the study of lament to other genres of literature, cultures, and periods in the ancient world. The studies included here reflect the variety of critical issues raised over the past 25 years, and as such, provide an overview of the history of critical thinking on the subject.
| Author | : Giuseppe Fornari |
| Publisher | : MSU Press |
| Total Pages | : 468 |
| Release | : 2020-09-01 |
| Genre | : History |
| ISBN | : 1628953942 |
This magisterial reflection on the history and destiny of the West compares Greco-Roman civilization and the Judeo-Christian tradition in order to understand what both unites and divides them. Mediation, understood as a collective, symbolic experience, gives society unity and meaning, putting human beings in contact with a universal object known as the world or reality. But unity has a price: the very force that enables peaceful coexistence also makes us prone to conflict. As a result, in order to find a common point of convergence—of at-one-ment—someone must be sacrificed. Sacrifice, then, is the historical pillar of mediation. It was endorsed in a cosmic-religious sense in antiquity and rejected for ethical reasons in modernity, where the Judeo-Christian tradition plays an intermediate role in condemning sacrificial violence as such, while accepting sacrifice as a voluntary act offered to save other human beings. Today, as we face the collapse of all shared mediations, this intermediating solution offers a way out of our moral and cultural plight.
