The Acting National Drama
Author | : Benjamin Webster |
Publisher | : |
Total Pages | : 436 |
Release | : 1838 |
Genre | : Drama |
ISBN | : |
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Author | : Benjamin Webster |
Publisher | : |
Total Pages | : 436 |
Release | : 1838 |
Genre | : Drama |
ISBN | : |
Author | : Benjamin Webster |
Publisher | : |
Total Pages | : |
Release | : 1837 |
Genre | : English drama |
ISBN | : |
Author | : Henry Arthur Jones |
Publisher | : |
Total Pages | : 34 |
Release | : 1904 |
Genre | : English drama |
ISBN | : |
Author | : Benjamin Webster |
Publisher | : |
Total Pages | : 368 |
Release | : 2015-07-07 |
Genre | : Drama |
ISBN | : 9781330857731 |
Excerpt from The Acting National Drama: Comprising Every Popular New Play, Farce, Melo-Drama, Opera, Burletta, Etc;, Carefully Printed From the Prompting Copies The famed city of Bath is the birthplace of Mr. Bayly, which event occurred on the 13th of October, 1799. He is very highly connected. His father was the nephew of Lord Delamere, and Sir George Thomas, Bart., was his maternal grandfather. He is also related to the present Earl of Stamford and Warrington, and the Earl of Errol. It may be said he "lisped in numbers," for at ten years of age, the writing of verses and dramas was his chief pastime, and displaying a more than ordinary talent, he was allowed to follow the bent of his inclination, having the inheritance of riches in prospect, and being an only child. In 1826 he was united to Miss Helena Becher Hayes, a near relation of Sir William Becher, Bart. In 1831 his resources, through the improvidence of others, became so crippled, as to compel him to turn his love of poesy and general literature to account, and make his pen add to his comforts as it had formerly done to his amusement. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Benjamin Webster |
Publisher | : |
Total Pages | : 444 |
Release | : 1840 |
Genre | : |
ISBN | : |
Author | : Benjamin Webster |
Publisher | : |
Total Pages | : 380 |
Release | : 1837 |
Genre | : Drama |
ISBN | : |
Author | : Benjamin Webster |
Publisher | : |
Total Pages | : |
Release | : 1838 |
Genre | : English drama |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 128 |
Release | : 2017-09 |
Genre | : |
ISBN | : 9781406373394 |
Synopsis coming soon.......
Author | : George Alexander Macfarren |
Publisher | : |
Total Pages | : 154 |
Release | : 1837 |
Genre | : |
ISBN | : |
Author | : Jeffrey Kahan |
Publisher | : Routledge |
Total Pages | : 385 |
Release | : 2008-04-18 |
Genre | : Literary Criticism |
ISBN | : 1135973652 |
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink