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The 1964 New York Comicon

The 1964 New York Comicon
Author: J. Ballmann
Publisher: Totalmojo Productions, Incorporated
Total Pages: 272
Release: 2016-03-15
Genre:
ISBN: 9780981534916

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THE 1964 NEW YORK COMICON: THE TRUE STORY BEHIND THE WORLD'S FIRST COMIC CONVENTION tells the greatest story never told: the story of the first comic con ever held. This event was never reported by any radio channel, tv station, magazine, or newspaper. Bits and pieces of the story can be found in old fanzines, but, until now, the majority of this story has only existed in the memories of the original 56 attendees of the show. Now, at last - for the first time - the full story of the world's first comic book convention is finally told. The story of the 1964 New York Comicon is the story of Bernie Bubnis, Ron Fradkin, Art Tripp, and Ethan Roberts. Four boys who, like an early 1960s Kirby kid gang of boy commandoes, took Comic Fandom by storm by writing and publishing their own fanzines, pillaging used-book stores and flea markets for back-issue comics, visiting the offices of Marvel, DC, and Gold Key Comics, and meeting with Jack Kirby, Steve Ditko, Stan Lee, Julius Schwartz, Bill Harris, Flo Steinberg, Curt Swan, Mike Sekowsky, Don Heck, Gil Kane, and Joe Giella. Tired of hearing about other fans' failed attempts to stage a convention for years, these four boys took it upon themselves to make a convention happen. They pooled their resources and used their contacts with the comic professionals they knew to get them to attend and donate door prizes that included stacks of original art pages. They even convinced Spider-man artist Steve Ditko to attend the con - and to this day it is the only con Steve Ditko has ever attended. (Find out why.) This book tells the stories of the first comic collectors ever and how they traveled from all over the country and converged on New York City on that hot summer day in July 1964 to attend this historic event. All the earliest-known comic dealers attended that day, including Howard Rogofsky, Bill Thailing, Claude Held, Phil Seuling, Doug Berman, Don Foote, Marc Nadel, Malcolm Willits, and Tom Wilson. 34 pages of their original price lists from 1964 are reprinted to show what comics were for sale that day and what they were selling for. This book presents a complete blow-by-blow account of the convention - in the attendees' own words. It includes over 300 photographs and 45 pages of biographical information about this amazing group of 56 original attendees that includes a fifteen-year-old future GAME OF THRONES writer George R. R. Martin, the world-famous radio host Paul Gambaccini, and a young Len Wein, co-creator of Wolverine and Swamp Thing -- to name just a few of the comic book fans and who attended the con. Research for this book includes dozens of interviews with original attendees and all four organizers as well as information mined from complete runs of old 1960s comic book fanzines, such as The Rocket's Blast, Alter-Ego, The Comicollector, The Comic Reader, Jeddak, Comic Art, Masquerader, Hero, Yancy Street Journal - and more. Featured in this book are complete and unedited early 1960s interviews with Steve Ditko, Jack Kirby, Julius Schwartz, Mike Sekowsky, Joe Giella, and Gold Key editor Bill Harris. Also included is long-lost art by Steve Ditko, Jack Kirby, and Curt Swan. In addition, this book contains the only published art ever drawn by George R.R. Martin along with the first three writings he ever published, and they are each reprinted in their entirety. A digitally-restored copy of the complete 1964 New York Comicon program booklet is reprinted in its entirety as well for the first time since 1964. Also reprinted in their entirety are Progress Report #1 (8 pages) and Progress Report #2 (2 pages) and all ads for the convention. The story of early comic book fans' struggle to organize their first comic convention is a tale of epic proportions - one that is long overdue to be told - for it is Comic Fandom's greatest story. And now, for the first time, comic fans everywhere can read about the convention that started it all: the 1964 New York Comicon.


Comic Art in Museums

Comic Art in Museums
Author: Kim A. Munson
Publisher: Univ. Press of Mississippi
Total Pages: 397
Release: 2020-07-23
Genre: Literary Criticism
ISBN: 1496828100

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Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Jonah Kinigstein, Denis Kitchen, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Rob Salkowitz, Antoine Sausverd, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe Through essays and interviews, Kim A. Munson’s anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums. Audiences have enjoyed displays of comic art in museums as early as 1930. In the mid-1960s, after a period when most representational and commercial art was shunned, comic art began a gradual return to art museums as curators responded to the appropriation of comics characters and iconography by such famous pop artists as Andy Warhol and Roy Lichtenstein. From the first-known exhibit to show comics in art historical context in 1942 to the evolution of manga exhibitions in Japan, this volume regards exhibitions both in the United States and internationally. With over eighty images and thoughtful essays by Denis Kitchen, Brian Walker, Andrei Molotiu, Paul Gravett, Art Spiegelman, Trina Robbins, and Charles Hatfield, among others, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of “good art”—displaying how dedicated artists, collectors, fans, and curators advanced comics from a frequently censored low-art medium to a respected art form celebrated worldwide.


Cosplay in Libraries

Cosplay in Libraries
Author: Ellyssa Kroski
Publisher: Rowman & Littlefield
Total Pages: 169
Release: 2015-10-27
Genre: Language Arts & Disciplines
ISBN: 1442256494

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Cosplay, comics, anime, and geek culture have exploded into the mainstream over recent years and have resulted in a thriving community of costume enthusiasts and pop culture fans. Today’s cosplayers find inspiration on the pages of comics, classic literature, and even history, as well as film, television, and video games to inform their creative and oftentimes elaborate ensembles. They utilize all manner of materials and techniques including 3D printers, thermoplastics, craft foam, fabric and more to design their costumes and props. Libraries on the leading edge are already embracing this new worldwide sensation by integrating cosplay into their programming and events. Learn all about the world of cosplay and how you can host cosplay events, workshops, makerspaces, clubs, and more in your library! This one-stop guide includes quotes and interviews with librarians who are incorporating cosplay into their programming as well as with cosplayers. You’ll also find 32 full-color photographs of cosplay in action to give you both ideas and inspiration for getting started!


The Caped Crusade

The Caped Crusade
Author: Glen Weldon
Publisher: Simon and Schuster
Total Pages: 352
Release: 2017-03-21
Genre: Comics & Graphic Novels
ISBN: 1476756732

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"Since his debut in Detective Comics #27, Batman has been many things: a two-fisted detective; a planet-hopping gadabout; a campy Pop Art sensation; a pointy-eared master spy; and a grim ninja of the urban night. Yet, despite these endless transformations, he remains one of our most revered cultural icons. [In this book, Weldon provides a] look at the cultural history of Batman and his fandom"--Amazon.com.


Starport (Graphic Novel)

Starport (Graphic Novel)
Author: George R. R. Martin
Publisher: Bantam
Total Pages: 274
Release: 2019-03-12
Genre: Comics & Graphic Novels
ISBN: 1101965045

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Law & Order meets Men in Black in this graphic novel adaptation of an unproduced TV pilot script by the author of A Game of Thrones—a never-before-seen story brought to life for the first time! SECOND CITY. FIRST CONTACT. Ten years ago, representatives from an interstellar collective of 314 alien species landed on Earth, inviting us to become number 315. Now, after seemingly endless delays, the Starport in Chicago is operational, a destination for diplomats, merchants, and tourists alike. Inside, visitors are governed by intergalactic treaty. Outside, the streets belong to Chicago’s finest. Charlie Baker, newly promoted to the squad that oversees the Starport district, is eager to put to practical use his enthusiasm for all things extraterrestrial; he just never expected to arrive on his first day in the back of a police cruiser. Lieutenant Bobbi Kelleher is married to the job, which often puts her in conflict with Lyhanne Nhar-Lys, security champion of Starport and one of the galaxy’s fiercest warriors. Undercover with a gang of anti-alien extremists, Detective Aaron Stein has no problem mixing business with pleasure—until he stumbles upon evidence of a plot to assassinate a controversial trade envoy with a cache of stolen ray guns. Now the Chicago PD must stop these nutjobs before they piss off the entire universe. Based on a TV pilot script written by George R. R. Martin in 1994 and adapted and illustrated by Hugo Award–nominated artist Raya Golden, this bold and brilliant graphic novel adaptation at last brings Martin’s singular vision to rollicking life. With all the intrigue, ingenuity, and atmosphere that made A Game of Thrones a worldwide phenomenon, Starport launches a new chapter in the career of a sci-fi/fantasy superstar.


Only at Comic-Con

Only at Comic-Con
Author: Erin Hanna
Publisher: Rutgers University Press
Total Pages: 301
Release: 2019-12-13
Genre: Literary Criticism
ISBN: 0813594707

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Only at Comic-Con examines the relationship between exclusivity and the proliferation of media industry promotion at the San Diego Comic-Con, from the convention's founding in 1970 to its current status as a destination for hundreds of thousands of pop culture fans and a hub of Hollywood hype and buzz.


Regards, Ditko

Regards, Ditko
Author: Jaison Chahwala
Publisher: Chahwala Publishing
Total Pages: 246
Release: 2019-09-30
Genre: Juvenile Nonfiction
ISBN: 1073418464

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Two men, one spotlight. Together, Stan Lee and Steve Ditko created the billion dollar cultural phenomenon known as Spider-Man. Stan Lee stood in the spotlight for six decades, often claiming sole-creatorship of the hero. Along with the background noise though, Steve Ditko maintained a very private life. Letters From Ditko is one comic book fan’s lifelong exploration into the mind of Steve Ditko. It’s an incredible coming-of-age story nearly 25 years in the making. Through years of correspondence with Steve Ditko himself, we learn about his private life, his disagreement with Stan Lee, and his philosophical beliefs that encompass his later work.Intriguing, thought-provoking, and amazing – Regards, Ditko will have you challenging the creatorship of Spider-Man, appreciating how art differs from the artist, and understanding the magnitude of privacy in today’s world. Most importantly, you will be prying to answer the age-old comic book world riddle – who is Steve Ditko?


The Hirschfeld Century

The Hirschfeld Century
Author: Al Hirschfeld
Publisher: Knopf
Total Pages: 338
Release: 2015-07-07
Genre: Art
ISBN: 1101874988

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I am down to a pencil, a pen, and a bottle of ink. I hope one day to eliminate the pencil. Al Hirschfeld redefined caricature and exemplified Broadway and Hollywood, enchanting generations with his mastery of line. His art appeared in every major publication during nine decades of the twentieth and twenty-first centuries, as well as on numerous book, record, and program covers; film posters and publicity art; and on fifteen U.S. postage stamps. Now, The Hirschfeld Century brings together for the first time the artist’s extraordinary eighty-two-year career, revealed in more than 360 of his iconic black-and-white and color drawings, illustrations, and photographs—his influences, his techniques, his evolution from his earliest works to his last drawings, and with a biographical text by David Leopold, Hirschfeld authority, who, as archivist to the artist, worked side by side with him and has spent more than twenty years documenting the artist’s extraordinary output. Here is Hirschfeld at age seventeen, working in the publicity department at Goldwyn Pictures (1920–1921), rising from errand boy to artist; his year at Universal (1921); and, beginning at age eighteen, art director at Selznick Pictures, headed by Louis Selznick (father of David O.) in New York. We see Hirschfeld, at age twenty-one, being influenced by the stylized drawings of Miguel Covarrubias, newly arrived from Mexico (they shared a studio on West Forty-Second Street), whose caricatures appeared in many of the most influential magazines, among them Vanity Fair. We see, as well, how Hirschfeld’s friendship with John Held Jr. (Held’s drawings literally created the look of the Jazz Age) was just as central as Covarrubias to the young artist’s development, how Held’s thin line affected Hirschfeld’s early caricatures. Here is the Hirschfeld century, from his early doodles on the backs of theater programs in 1926 that led to his work for the drama editors of the New York Herald Tribune (an association that lasted twenty years) to his receiving a telegram from The New York Times, in 1928, asking for a two-column drawing of Sir Harry Lauder, a Scottish vaudeville singing sensation making one of his (many) farewell tours, an assignment that began a collaboration with the Times that lasted seventy-five years, to Hirschfeld’s theater caricatures, by age twenty-five, a drawing appearing every week in one of four different New York newspapers. Here, through Hirschfeld’s pen, are Ethel Merman, Benny Goodman, Judy Garland, Mickey Rooney, Katharine Hepburn, the Marx Brothers, Barbra Streisand, Elia Kazan, Mick Jagger, Ella Fitzgerald, Laurence Olivier, Martha Graham, et al. . . . Among the productions featured: Fiddler on the Roof, West Side Story, Rent, Guys and Dolls, The Wizard of Oz (Hirschfeld drew five posters for the original release), Gone with the Wind, The Sopranos, and more. Here as well are his brilliant portraits of writers, politicians, and the like, among them Ernest Hemingway (a pal from 1920s Paris), Tom Wolfe, Charles de Gaulle, Nelson Mandela, Joseph Stalin, Winston Churchill, and every president from Franklin D. Roosevelt to Bill Clinton. Sumptuous and ambitious, a book that gives us, through images and text, a Hirschfeld portrait of an artist and his age.


Strange and Stranger

Strange and Stranger
Author: Blake Bell
Publisher: Fantagraphics Books
Total Pages: 217
Release: 2008-07-17
Genre: Literary Criticism
ISBN: 1560979216

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Strange and Stranger: The World of Steve Ditko is an art book tracing Ditko's life and career, his unparalleled stylistic innovations, his strict adherence to his own (and Randian) principles, with lush displays of obscure and popular art from the thousands of pages of comics he's drawn over the last 55 years.


The Paranoid Style in American Politics

The Paranoid Style in American Politics
Author: Richard Hofstadter
Publisher: Vintage
Total Pages: 370
Release: 2008-06-10
Genre: Political Science
ISBN: 0307388441

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This timely reissue of Richard Hofstadter's classic work on the fringe groups that influence American electoral politics offers an invaluable perspective on contemporary domestic affairs.In The Paranoid Style in American Politics, acclaimed historian Richard Hofstadter examines the competing forces in American political discourse and how fringe groups can influence — and derail — the larger agendas of a political party. He investigates the politics of the irrational, shedding light on how the behavior of individuals can seem out of proportion with actual political issues, and how such behavior impacts larger groups. With such other classic essays as “Free Silver and the Mind of 'Coin' Harvey” and “What Happened to the Antitrust Movement?, ” The Paranoid Style in American Politics remains both a seminal text of political history and a vital analysis of the ways in which political groups function in the United States.