The 1940's Radio Hour
Author | : Walton Jones |
Publisher | : Samuel French, Inc. |
Total Pages | : 100 |
Release | : 1981 |
Genre | : Music |
ISBN | : 0573681503 |
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Length: 1 act.
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Author | : Walton Jones |
Publisher | : Samuel French, Inc. |
Total Pages | : 100 |
Release | : 1981 |
Genre | : Music |
ISBN | : 0573681503 |
Length: 1 act.
Author | : |
Publisher | : |
Total Pages | : 12 |
Release | : 1990 |
Genre | : Musicals |
ISBN | : |
Author | : Walton Jones |
Publisher | : |
Total Pages | : 0 |
Release | : 1981 |
Genre | : Musicals |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 66 |
Release | : 1979 |
Genre | : Musicals |
ISBN | : |
Author | : Walton Jones |
Publisher | : Samuel French, Incorporated |
Total Pages | : 114 |
Release | : 2010 |
Genre | : Drama |
ISBN | : 9780573698934 |
Walton Jones, David Wohl and Faye Greenberg Musical Comedy8m, 4fThe long-awaited sequel to the popular The 1940's Radio Hour. It's Christmas Eve, 1943, and the Feddington Players are now broadcasting from a hole-in-the-wall studio in Newark, NJ, and set to present their contemporary "take" on Dickens's A Christmas Carol. Whether it's the noisy plumbing, missed cues, electrical blackouts, or the over-the-top theatrics of veteran actor, but radio novice, William St. Claire, this radio show is an entertaining excursion into the mayhem and madness of a live radio show. St. Claire's escalating foibles and acting missteps propel the show to a simultaneously comedic and heart-wrenching dramatic climax: St. Claire has an on-air breakdown, and begins to connect his own life with that of the classic Dickens tale. In order to "save the show," the company improvises an ending to Charles Dickens' classic as a film noir mystery, featuring a hardboiled detective, a femme fatale, and an absurd rescue of Tiny Tim (and the Lindbergh baby) from the clutches of a Hitler-esque villain named Rudolf! High School Musical lyricist Faye Greenberg and composer David Wohl have written four delightful period songs for the Feddington Players, and swing arrangements of many Christmas standards. Seamlessly combining drama and comedy, heartbreak and hope, The 1940's Radio Christmas Carol will sing its way into your heart. If you enjoyed 1940's Radio Hour, step back in time once again with the Feddington Players, and get into the holiday spirit with The 1940's Radio Christmas Carol. "A reading that transforms Charles Dickens's classic into a gumshoe mystery...far above the usual holiday offerings." -Stacy Nick, Coloradoan.
Author | : |
Publisher | : |
Total Pages | : 56 |
Release | : 1991 |
Genre | : Musicals |
ISBN | : |
Author | : Sally K. Albrecht |
Publisher | : Alfred Music |
Total Pages | : 64 |
Release | : |
Genre | : Music |
ISBN | : 9781457427893 |
Take a 35-minute trip down memory lane as NPR (North Pole Radio) presents its 1946 Christmas holiday edition of "The North Pole Radio Hour." Hosts Sandy Snow and Storm Phillips welcome special guests the Moss Family (winners of the Klean Soap commercial songwriting contest) and several long-distance callers who phone in to chat with the big man himself during the "Ask Santa" segments. Swingin' musical guests include Joey Garland and Heather Holladay, each backed up by NPR's own "Snowtones." A fun-filled flashback to a bygone era with enough opportunities for the whole school to participate! Recommended for grades 3 and up. Performance time: approximately 35 minutes. Staging Suggestions included.
Author | : H G Wells |
Publisher | : |
Total Pages | : 230 |
Release | : 2021-03-30 |
Genre | : |
ISBN | : |
The War of the Worlds is a science fiction novel by English author H. G. Wells, first serialised in 1897 by Pearson's Magazine in the UK and by Cosmopolitan magazine in the US. The novel's first appearance in hardcover was in 1898 from publisher William Heinemann of London. Written between 1895 and 1897, it is one of the earliest stories to detail a conflict between mankind and an extraterrestrial race. The novel is the first-person narrative of both an unnamed protagonist in Surrey and of his younger brother in London as southern England is invaded by Martians. The novel is one of the most commented-on works in the science fiction canon.
Author | : Neil Verma |
Publisher | : University of Chicago Press |
Total Pages | : 305 |
Release | : 2012-06-29 |
Genre | : Performing Arts |
ISBN | : 0226853527 |
For generations, fans and critics have characterized classic American radio drama as a “theater of the mind.” This book unpacks that characterization by recasting the radio play as an aesthetic object within its unique historical context. In Theater of the Mind, Neil Verma applies an array of critical methods to more than six thousand recordings to produce a vivid new account of radio drama from the Depression to the Cold War. In this sweeping exploration of dramatic conventions, Verma investigates legendary dramas by the likes of Norman Corwin, Lucille Fletcher, and Wyllis Cooper on key programs ranging from The Columbia Workshop, The Mercury Theater on the Air, and Cavalcade of America to Lights Out!, Suspense, and Dragnet to reveal how these programs promoted and evolved a series of models of the imagination. With close readings of individual sound effects and charts of broad trends among formats, Verma not only gives us a new account of the most flourishing form of genre fiction in the mid-twentieth century but also presents a powerful case for the central place of the aesthetics of sound in the history of modern experience.
Author | : Liam Maloy |
Publisher | : Routledge |
Total Pages | : 269 |
Release | : 2020-10-01 |
Genre | : Music |
ISBN | : 1351334093 |
Spinning the Child examines music for children on records, radio and television by assessing how ideals of entertainment, education, ‘the child’ and ‘the family’ have been communicated through folk music, the BBC’s children’s radio broadcasting, the children’s songs of Woody Guthrie, Sesame Street, The Muppet Show and Bagpuss, the contemporary children’s music industry and other case studies. The book provides the first sustained critical overview of recorded music for children, its production and dissemination. The music, lyrics and sonics of hundreds of recorded songs are analysed with reference to their specific social, historical and technological contexts. The chapters expose the attitudes, morals and desires that adults have communicated both to and about the child through the music that has been created and compiled for children. The musical representations of age, race, class and gender reveal how recordings have both reflected and shaped transformations in discourses of childhood. This book is recommended for scholars in the sociology of childhood, the sociology of music, ethnomusicology, music education, popular musicology, children’s media and related fields. Spinning the Child’s emphasis on the analysis of musical, lyrical and sonic texts in specific contexts suggests its value as both a teaching and research resource.