That heathen Chinee, and other poems mostly humorous
Author | : Francis Bret Harte |
Publisher | : |
Total Pages | : 186 |
Release | : 1871 |
Genre | : |
ISBN | : |
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Author | : Francis Bret Harte |
Publisher | : |
Total Pages | : 186 |
Release | : 1871 |
Genre | : |
ISBN | : |
Author | : Bret Harte |
Publisher | : |
Total Pages | : 1 |
Release | : 1870 |
Genre | : Cardsharping |
ISBN | : |
Author | : Francis Bret HARTE |
Publisher | : |
Total Pages | : 126 |
Release | : 1906 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 141 |
Release | : 1880 |
Genre | : |
ISBN | : |
Author | : Bret Harte |
Publisher | : |
Total Pages | : 126 |
Release | : 1910 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1066 |
Release | : 1926 |
Genre | : Books |
ISBN | : |
Author | : Joanne Wilkes |
Publisher | : Taylor & Francis |
Total Pages | : 333 |
Release | : 2024-05-31 |
Genre | : Literary Criticism |
ISBN | : 1040129153 |
Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.
Author | : |
Publisher | : |
Total Pages | : 806 |
Release | : 1871 |
Genre | : |
ISBN | : |
Author | : Patrick Kevin Foley |
Publisher | : Boston : Printed for subscribers |
Total Pages | : 378 |
Release | : 1897 |
Genre | : American literature |
ISBN | : |
Author | : Shannon Hengen |
Publisher | : Routledge |
Total Pages | : 306 |
Release | : 2014-01-02 |
Genre | : Performing Arts |
ISBN | : 1134385587 |
First Published in 1998. This lively volume explores comedy as a place where gender and sexuality, through performance, challenge sexist and heteronormative forces in Western culture. The contributors investigate the effects of gender, sexuality, sexual identity, race, class and nationality on humor and comedic performance. Each chapter, distinct in its voice and content, addresses how particular historical periods seem to affect who laughs at what, why, and with what consequences. This book not only spans a broad range of historical and literary periods, it also engages in a critical conversation with past and present thinkers to articulate the political, cultural and social effects of comedy.