That Bowling Alley on the Tiber
Author | : Michelangelo Antonioni |
Publisher | : |
Total Pages | : 208 |
Release | : 1983 |
Genre | : |
ISBN | : |
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Author | : Michelangelo Antonioni |
Publisher | : |
Total Pages | : 208 |
Release | : 1983 |
Genre | : |
ISBN | : |
Author | : Michelangelo Antonioni |
Publisher | : Oxford University Press, USA |
Total Pages | : 208 |
Release | : 1986 |
Genre | : Motion picture producers and directors |
ISBN | : 9780195042245 |
Gathers thirty-three story ideas for films by the Italian director noted for his use of silence, omission, and suggestion
Author | : Nardelli Matilde Nardelli |
Publisher | : Edinburgh University Press |
Total Pages | : 248 |
Release | : 2020-09-04 |
Genre | : Electronic books |
ISBN | : 1474444067 |
Influential, innovative and aesthetically experimental, the films of Michelangelo Antonioni are widely recognized as both exemplars of cinema and key in ushering in its 'new' or 'modern' incarnation around 1960. Antonioni and the Aesthetics of Impurity offers a radical rethinking of the director's work. It argues against prevalent understandings of it in terms of both cinematic purity and indebtedness to painting. Reconnecting Antonioni's aesthetically audacious films of the 1960s and 1970s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity brings into relief these works' crucial, yet overlooked, affinity with the new, 'impure', art practices - of John Cage, Franco Vaccari, Robert Smithson, Piero Gilardi and Andy Warhol among others - that precipitated the demotion of painting from its privileged position as a paradigm for all the arts. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via cinema, the book replaces auteuristic, if not hagiographic, accounts of the director's work with a new understanding of its critical significance across the modern visual arts and culture more broadly.
Author | : Renée Tobe |
Publisher | : Taylor & Francis |
Total Pages | : 216 |
Release | : 2016-08-25 |
Genre | : Architecture |
ISBN | : 1315533723 |
Films use architecture as visual shorthand to tell viewers everything they need to know about the characters in a short amount of time. Illustrated by a diverse range of films from different eras and cultures, this book investigates the reciprocity between film and architecture. Using a phenomenological approach, it describes how we, the viewers, can learn how to read architecture and design in film in order to see the many inherent messages. Architecture’s representational capacity contributes to the plausibility or 'reality' possible in film. The book provides an ontological understanding that clarifies and stabilizes the reciprocity of the actual world and a filmic world of illusion and human imagination, thereby shedding light on both film and architecture.
Author | : Gino Moliterno |
Publisher | : Scarecrow Press |
Total Pages | : 517 |
Release | : 2008-09-29 |
Genre | : Performing Arts |
ISBN | : 0810862549 |
The Historical Dictionary of Italian Cinema provides a better understanding of the role Italian cinema has played in film history through a chronology, an introductory essay, a bibliography, appendixes, black-&-white photos, and hundreds of cross-referenced dictionary entries on actors, actresses, movies, producers, organizations, awards, film credits, and terminology.
Author | : Gaetana Marrone |
Publisher | : Taylor & Francis |
Total Pages | : 2258 |
Release | : 2007 |
Genre | : Italian literature |
ISBN | : 1579583903 |
Publisher description
Author | : Mark Shiel |
Publisher | : Wallflower Press |
Total Pages | : 156 |
Release | : 2006 |
Genre | : Fiction |
ISBN | : 9781904764489 |
Italian Neorealism: Rebuilding the Cinematic City is a valuable introduction to one of the most influential of film movements. Exploring the roots and causes of neorealism, particularly the effects of the Second World War, as well as its politics and style, Mark Shiel examines the portrayal of the city and the legacy left by filmmakers such as Rossellini, De Sica, and Visconti. Films studied include Rome, Open City (1945), Paisan (1946), The Bicycle Thief (1948), and Umberto D. (1952).
Author | : Mark Rudman |
Publisher | : Wesleyan University Press |
Total Pages | : 195 |
Release | : 2012-01-01 |
Genre | : Literary Collections |
ISBN | : 0819572195 |
Powerful meditations on the nature and limits of human understanding.
Author | : Chris Darke |
Publisher | : Wallflower Press |
Total Pages | : 222 |
Release | : 2000 |
Genre | : Performing Arts |
ISBN | : 9781903364079 |
Chris Darke assesses whether the last decade of the 20th century was one in which cinema, as a medium and collective experience, became part of the converging field of multi-media and whether we need to consider new possibilities for the moving image.
Author | : Patrick McGilligan |
Publisher | : Univ of California Press |
Total Pages | : 281 |
Release | : 2010 |
Genre | : Drama |
ISBN | : 0520251059 |
Looks at how Hollywood is changing to meet economic and creative challenges. This title probes the working methods of a diverse range of screenwriters to explore how they come up with their ideas, how they go about adapting a stage play or work of fiction, and whether their variegated life experiences contribute to the success of their writing.