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Textological Aspects of Musicology in Russia and the Former Soviet Union

Textological Aspects of Musicology in Russia and the Former Soviet Union
Author: Tatyana Naumenko
Publisher: Litres
Total Pages:
Release: 2021-01-18
Genre: Social Science
ISBN: 504108422X

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In this monograph, Tatyana Naumenko, Doctor of Arts and a professor at Moscow’s Gnessin Russian Academy of Music, looks at modern Russian musicology through the prism of texts representing it. She mentions subjects addressed in musicological studies, names genres of music that scholars preference to explore, and describes modern methods of research and criteria of assessment, largely with the aim of overcoming Soviet-era dogmatism. Special consideration is given to the writing of academic degree dissertations on music in the former Soviet Union and post-Soviet Russia. The Annex lists dissertations approved between 1970 and 2013.


Textological Aspects of Musicology in Russia and the Former Soviet Union

Textological Aspects of Musicology in Russia and the Former Soviet Union
Author: Tatyana Naumenko
Publisher:
Total Pages: 446
Release: 2017
Genre: Musicology
ISBN:

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"In this monograph, Tatyana Naumenko [...] looks at modern Russian musicology through the prism of texts representing it. She mentions subjects addressed in musicological studies, names genres of music that scholars preference to explore, and describes modern methods of research and criteria of assessment, largely with the aim of overcoming Soviet-era dogmatism. Special consideration is given to the writing of academic degree dissertations on music in the Former Soviet Union and post-Soviet Russia. The annex lists dissertations approved between 1970 and 2013"--verso title page.


Russian Music Since 1917

Russian Music Since 1917
Author: Patrick Zuk
Publisher: Proceedings of the British Aca
Total Pages: 434
Release: 2017
Genre: Music
ISBN: 9780197266151

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This ground-breaking collection of essays, which arises from a unique collaboration between leading scholars based on either side of the former Iron Curtain, is the first attempt to appraise the current state of research on the development of Russian art music since the 1917 Revolution. Part I provides a comprehensive critical overview of recent research both in Russia itself and outside it, outlining the principal changes in approach and emphasis. The remaining essays engage with topics of key importance, including: the envisionings of music's place in Soviet and post-Soviet cultural life; the effects of state controls on musical creativity and performance; musical institutions; the Russian musical diaspora; and the transition to the post-Soviet period. The contributions vividly illustrate the transformation of scholarship in the field since glasnost. In the USSR, scholarship had been seriously hindered by censorship, while in the West, Soviet music and musical life tended to be assessed from entrenched aesthetic and ideological standpoints engendered by the Cold War. The dramatically changed climate of the post-Soviet period has made possible a more objective and informed discussion of many issues, and has led scholars to question the validity of 'top-down' models of the interaction between musicians and the state that had previously been predominant. The book will be not only be a valuable resource for university courses on Russian music at undergraduate and postgraduate level, but essential reading for all those interested in Soviet and post-Soviet culture.


Underground Music from the Former USSR

Underground Music from the Former USSR
Author: Valeria Tsenova
Publisher: Routledge
Total Pages: 284
Release: 2014-02-25
Genre: Music
ISBN: 1134371659

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What happened to contemporary music in the Soviet Union after Stravinsky, Shostakovich and Prokofiev? This book is a valuable source of information on the composers of the generations following these three great innovators. It is a document of the hidden period of Russian music, of what happened after the denunciation of Shostakovich and Prokofiev by the Composers' Union. It contains profiles of the most interesting and innovative composers from Russia and the former Soviet republics, written by leading musicologists. Featured composers include Andrei Volkonsky, Philip Gershkovich, Sergei Slonimsky, Boris Tishchenko, Valentin Silvestrov, Leonid Grabovsky , Nikolai Karetnikov , Alemdar Karamanov, Roman Ledenyov , Vyacheslav Artyomov , Faraj Karayev , Alexander Knaifel , Vladislav Shoot Alexander Vustin, Victor Ekimovksy , Alexander Raskatov , Sergei Pavlenko, Vladimir Tarnopolsy.


Biographical Dictionary of Russian/Soviet Composers

Biographical Dictionary of Russian/Soviet Composers
Author: Allan Ho
Publisher: Greenwood
Total Pages: 0
Release: 1989-12-06
Genre: Music
ISBN: 0313244855

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This reference work is certainly a valuable addition to the study of Russia and its music. . . . The dictionary is, of course, a must for academic and large public libraries or any library where research is done. Reference Quarterly This important new biographical dictionary is the most comprehensive single-volume work on Russian and Soviet composers published outside of the Soviet Union to date. Incorporating contributions by a distinguished group of performers, musicologists, and other scholars, including many specialists in Russian music, it provides detailed, up-to-date information on over 2,000 composers, the majority of whom are not represented in other English-language references. Entries vary from brief profiles of lesser-known figures to lengthy articles on major Russian and Soviet composers. Each of the longer essays summarizes current scholarship on the composer, offers new insights, and complements or corrects coverage available in standard music references. Commentary on musical style is presented in most entries, and musical influences are clarified through careful documentation of teacher-student relationships. The biographical section is followed by a selective list of compositions arranged according to media and genre. The accompanying bibliography lists works consulted as well as sources of additional information on the individual composer, and an international discography documents the breadth of the repertory committed to phonodisc, tape, and compact disc. Thorough cross-referencing facilitates the location of materials. Reflecting meticulous research and including first-hand information supplied by living Soviet composers, this work makes a significant contribution to music scholarship. This book is recommended for library reference shelves and courses in Russian music.


On Russian Music

On Russian Music
Author: Richard Taruskin
Publisher: Univ of California Press
Total Pages: 417
Release: 2008-12-02
Genre: Music
ISBN: 0520942809

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Over the past four decades, Richard Taruskin's publications have redefined the field of Russian-music study. This volume gathers thirty-six essays on composers ranging from Bortnyansky in the eighteenth century to Tarnopolsky in the twenty-first, as well as all of the famous names in between. Some of these pieces, like the ones on Chaikovsky's alleged suicide and on the interpretation of Shostakovich's legacy, have won fame in their own right as decisive contributions to some of the most significant debates in contemporary musicology. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment, which has been particularly marked by the end of the cold war in Europe.


Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964–1985

Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964–1985
Author: Richard Louis Gillies
Publisher: Routledge
Total Pages: 238
Release: 2021-12-10
Genre: Music
ISBN: 1000483053

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Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964–1985 explores the ways in which the aftershock of an apparent crisis in Soviet identity after the death of Stalin in 1953 can be detected in selected musical- literary works of what has become known as the ‘Stagnation’ era (1964–1985). Richard Louis Gillies traces the cultural impact of this shift through the intersection between music, poetry, and identity, presenting close readings of three substantial musical-literary works by three of the period’s most prominent composers of songs and vocal cycles: • Seven Poems of Aleksandr Blok, Op. 127 (1966– 1967) by Dmitri Shostakovich (1906–1975) • Russia Cast Adrift (1977) by Georgy Sviridov (1915–1998) • Stupeni (1981–1982; 1997) by Valentin Silvestrov (b. 1937). The study elaborates an interdisciplinary approach to the analysis of musicalliterary artworks that does not rely on existing models of musical analysis or on established modes of literary criticism, thereby avoiding privileging one discipline over the other. It will be of particular signifi cance for scholars, students, and performers with an interest in Russian and Soviet music, the intersection between music and poetry, and the history of Russian and East European culture, politics, and identity during the twentieth century.


1917 and Beyond

1917 and Beyond
Author: Philip Bullock
Publisher:
Total Pages: 208
Release: 2019-03-05
Genre: Music
ISBN: 9781781889534

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Taking inspiration from a body of scholarship which has problematized the question of how the aesthetic values of the 1920s gave way to what became Socialist Realism, this collection ranges widely over musical and invokes not only the October Revolution, but other widely cited turning points in Russian history to suggest significant continuities.


History of Russian Music

History of Russian Music
Author: Maes/Pomerans
Publisher:
Total Pages: 0
Release: 2010
Genre: MUSIC
ISBN: 9780520354951

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Francis Maes's comprehensive and imaginative book introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Based on the most recent critical literature, A History of Russian Music summarizes the new view of Russian music and provides a solid overview of the relationships between artistic movements and political ideas. The revision of Russian music history may count as one of the most significant achievements of recent musicology. The Western view used to be largely based on the ideas of Vladimir Stasov, a friend and confidant of leading nineteenth-century Russian composers who was more a propagandist than a historian. With the deconstruction of Stasov's interpretation, stereotyped views have been replaced by a fuller understanding of the conditions and the context in which composers such as Tchaikovsky, Mussorgsky, and Stravinsky created their oeuvres. Even the more recent history of Soviet music, in particular the achievement of Dmitry Shostakovich, is being assessed on new documentary grounds. A more complex conception of Russian music develops as Maes explores the cultural and historical milieu from which great works have emerged. Questioning and re-examining traditional views, the author considers the personal development of composers, the relationship of art to social and political ideals in Russia, and the ideologies behind musical research.