Terrorism In American Cinema PDF Download
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Author | : Terence McSweeney |
Publisher | : Edinburgh University Press |
Total Pages | : 352 |
Release | : 2016-12-05 |
Genre | : Performing Arts |
ISBN | : 1474413838 |
Download American Cinema in the Shadow of 9/11 Book in PDF, ePub and Kindle
American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.
Author | : Terence McSweeney |
Publisher | : Edinburgh University Press |
Total Pages | : 352 |
Release | : 2016-12-05 |
Genre | : Performing Arts |
ISBN | : 147441382X |
Download American Cinema in the Shadow of 9/11 Book in PDF, ePub and Kindle
American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.
Author | : Robert Cettl |
Publisher | : McFarland |
Total Pages | : 321 |
Release | : 2009-10-21 |
Genre | : Performing Arts |
ISBN | : 0786454423 |
Download Terrorism in American Cinema Book in PDF, ePub and Kindle
The American cinema of terrorism, although coming to prominence primarily in the 1970s amidst high-profile Palestinian terrorist activity, actually dates back to the beginnings of the Cold War. But this early terrorist cinema was centered largely around the Bomb--who had it, who would use it, when--and differs greatly from the terrorist cinema that would follow. Changing world events soon broadened the cinema of terrorism to address emerging international conflicts, including Black September, pre-9/11 Middle Eastern conflicts, and the post-9/11 "War on Terror." This analytical filmography of American terrorist films establishes terrorist cinema as a unique subgenre with distinct thematic narrative and stylistic trends. It covers all major American films dealing with terrorism, from Otto Preminger's Exodus (1960) to Ridley Scott's Body of Lies (2008).
Author | : McSweeney Terence McSweeney |
Publisher | : Edinburgh University Press |
Total Pages | : 356 |
Release | : 2016-02-16 |
Genre | : Performing Arts |
ISBN | : 0748693114 |
Download War on Terror and American Film Book in PDF, ePub and Kindle
This compelling, theoretically informed and up-to-date exploration of contemporary American cinema charts the evolution of the impact of 9/11 on Hollywood film from Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013). Through a vibrant analysis of a range of genres and films - which in turn reveal a strikingly diverse array of social, historical and political perspectives - this book explores the impact of 9/11 and the war on terror on American cinema in the first decade of the new millennium and beyond.
Author | : Kevin J. Wetmore |
Publisher | : A&C Black |
Total Pages | : 243 |
Release | : 2012-03-22 |
Genre | : Performing Arts |
ISBN | : 1441197974 |
Download Post-9/11 Horror in American Cinema Book in PDF, ePub and Kindle
Examines how horror cinema has changed as a result of 9/11 and, conversely, how horror films construct and give meaning to 9/11.
Author | : Stephen Prince |
Publisher | : Columbia University Press |
Total Pages | : 401 |
Release | : 2009-08-07 |
Genre | : Performing Arts |
ISBN | : 0231148712 |
Download Firestorm Book in PDF, ePub and Kindle
It was believed that September 11th would make certain kinds of films obsolete, such as action thrillers crackling with explosions or high-casualty blockbusters where the hero escapes unscathed. While the production of these films did ebb, the full impact of the attacks on Hollywood's creative output is still taking shape. Did 9/11 force filmmakers and screenwriters to find new methods of storytelling? What kinds of movies have been made in response to 9/11, and are they factual? Is it even possible to practice poetic license with such a devastating, broadly felt tragedy? Stephen Prince is the first scholar to trace the effect of 9/11 on the making of American film. From documentaries like Fahrenheit 9/11 (2004) to zombie flicks, and from fictional narratives such as The Kingdom (2007) to Mike Nichols's Charlie Wilson's War (2007), Prince evaluates the extent to which filmmakers have exploited, explained, understood, or interpreted the attacks and the Iraq War that followed, including incidents at Abu Ghraib. He begins with pre-9/11 depictions of terrorism, such as Alfred Hitchcock's Sabotage (1936), and follows with studio and independent films that directly respond to 9/11. He considers documentary portraits and conspiracy films, as well as serial television shows (most notably Fox's 24) and made-for-TV movies that re-present the attacks in a broader, more intimate way. Ultimately Prince finds that in these triumphs and failures an exciting new era of American filmmaking has taken shape.
Author | : Aviva Briefel |
Publisher | : University of Texas Press |
Total Pages | : 272 |
Release | : 2012-08-24 |
Genre | : Performing Arts |
ISBN | : 0292742428 |
Download Horror after 9/11 Book in PDF, ePub and Kindle
Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.
Author | : Terence McSweeney |
Publisher | : |
Total Pages | : |
Release | : 2014 |
Genre | : Motion pictures |
ISBN | : 9781474408547 |
Download The 'War on Terror' and American Film Book in PDF, ePub and Kindle
American film in the first decade of the new millennium became a cultural battleground on which a war of representation was waged, but did these films endorse the 'War on Terror' or criticise it? More than just reproducing these fears and fantasies, The 'War on Terror and American Film' argues that American cinema has played a significant role in shaping them, restructuring how audiences have viewed the 'War on Terror' in particularly influential ways.
Author | : Jack G. Shaheen |
Publisher | : Interlink Publishing |
Total Pages | : 637 |
Release | : 2012-12-31 |
Genre | : Performing Arts |
ISBN | : 1623710065 |
Download Reel Bad Arabs Book in PDF, ePub and Kindle
A groundbreaking book that dissects a slanderous history dating from cinema’s earliest days to contemporary Hollywood blockbusters that feature machine-gun wielding and bomb-blowing "evil" Arabs Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood’s shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of over one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1—brutal, heartless, uncivilized Others bent on terrorizing civilized Westerners. Shaheen examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood’s defamation of Arabs.
Author | : Asbjørn Grønstad |
Publisher | : Amsterdam University Press |
Total Pages | : 278 |
Release | : 2008 |
Genre | : Performing Arts |
ISBN | : 908964010X |
Download Transfigurations Book in PDF, ePub and Kindle
In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.