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Technology and the Stylistic Evolution of the Jazz Bass

Technology and the Stylistic Evolution of the Jazz Bass
Author: Peter Dowdall
Publisher: Routledge
Total Pages: 343
Release: 2017-07-20
Genre: Music
ISBN: 1315301938
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Technology and the Stylistic Evolution of the Jazz Bass traces the stylistic evolution of jazz from the bass player’s perspective. Historical works to date have tended to pursue a ‘top down’ reading, one that emphasizes the influence of the treble instruments on the melodic and harmonic trajectory of jazz. This book augments that reading by examining the music’s development from the bottom up. It re-contextualizes the bass and its role in the evolution of jazz (and by extension popular music in general) by situating it alongside emerging music technologies. The bass and its technological mediation are shown to have driven changes in jazz language and musical style, and even transformed creative hierarchies in ways that have been largely overlooked. The book’s narrative is also informed by investigations into more commercial musical styles such as blues and rock, in order to assess how, and the degree to which, technological advances first deployed in these areas gradually became incorporated into general jazz praxis. Technology and the Jazz Bass reconciles technology more thoroughly into jazz historiography by detailing and evaluating those that are intrinsic to the instrument (including its eventual electrification) and those extrinsic to it (most notably evolving recording and digital technologies). The author illustrates how the implementation of these technologies has transformed the role of the bass in jazz, and with that, jazz music as an art form.

The Bastard Instrument

The Bastard Instrument
Author: Brian F. Wright
Publisher: University of Michigan Press
Total Pages: 393
Release: 2024
Genre: Music
ISBN: 0472056816
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Centering the electric bass in popular music history

Popular Song in the First World War

Popular Song in the First World War
Author: John Mullen
Publisher: Routledge
Total Pages: 260
Release: 2018-09-18
Genre: Music
ISBN: 1351068660
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What did popular song mean to people across the world during the First World War? For the first time, song repertoires and musical industries from countries on both sides in the Great War as well as from neutral countries are analysed in one exciting volume. Experts from around the world, and with very different approaches, bring to life the entertainment of a century ago, to show the role it played in the lives of our ancestors. The reader will meet the penniless lyricist, the theatre chain owner, the cross-dressing singer, fado composer, stage Scotsman or rhyming soldier, whether they come from Serbia, Britain, the USA, Germany, France, Portugal or elsewhere, in this fascinating exploration of showbiz before the generalization of the gramophone. Singing was a vector for patriotic support for the war, and sometimes for anti-war activism, but it was much more than that, and expressed and constructed debates, anxieties, social identities and changes in gender roles. This work, accompanied by many links to online recordings, will allow the reader to glimpse the complex role of popular song in people’s lives in a period of total war.

Rock: The Primary Text

Rock: The Primary Text
Author: Allan F Moore
Publisher: Routledge
Total Pages: 348
Release: 2018-09-28
Genre: Music
ISBN: 0429954107
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This thoroughly revised third edition of Allan F. Moore's ground-breaking book, now co-authored with Remy Martin, incorporates new material on rock music theory, style change and the hermeneutic method developed in Moore’s Song Means (2012). An even larger array of musicians is discussed, bringing the book right into the 21st century. Rock's 'primary text' – its sounds – is the focus of attention here. The authors argue for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock, punk rock, metal and subsequent styles. They also explore the fundamental issue of rock as a medium for self-expression, and the relationship of this to changing musical styles. Rock: The Primary Text remains innovative in its exploration of an aesthetics of rock.

Play Among Books

Play Among Books
Author: Miro Roman
Publisher: Birkhäuser
Total Pages: 528
Release: 2021-12-06
Genre: Architecture
ISBN: 3035624054
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How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.

The Personalisation of Technique for Jazz Bass

The Personalisation of Technique for Jazz Bass
Author: Olivier Siegfried Holland
Publisher:
Total Pages: 174
Release: 2015
Genre: Double bass
ISBN:
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In today’s jazz education practice, the imitation of others is regarded as an effective way to learn the instrument. During the early stages, the development of a vocabulary of prefabricated structures, such as melodic cells and ‘licks’, as well as transcribing and performing other artists’ improvisations, are essential stepping stones in learning how to perform and understand jazz in its stylistic variants. But, jazz writers and critics have raised concerns that learning by imitation and approximation produces too many musicians who lack individuality in their playing style and sound. It seems that imitation and approximation methods can take a serious music student only so far. Several of the most influential, well-established methodologies, discussed in this exegesis, can assist a student with the development of his personal sound. However, additional guidance may be needed to develop the student’s personal playing style and unique voice on the instrument. This exegesis introduces, trials and reflects on a new method for developing a personalised technique on jazz double bass that aims to retain or amplify existing, unique features in the researcher’s own playing style. Chapter One begins with a brief overview of the history of jazz bass performance and the development of the role of the bassist in a jazz ensemble. It surveys the controversial area of the development of personal style and continues with a review of existing bass method books. This is followed by a brief analysis of the playing styles of a number of leading bassists. Chapters Two, Three and Four document the researcher’s practical trial process in which three personal playing features, whose origins can be traced to earlier training on electric bass, are identified and developed in three separate stages. Each of these stages is subdivided into development of exercises, practice period and reintegration into a musical context via improvisation, jazz arrangement and composition. This section reports on the systematic trialling of this method on and by the researcher over a period of approximately six years. Chapter Five summarises and evaluates the outcomes of the process. Finally, it is proposed that this method be introduced into existing postgraduate jazz studies curricula to offer an alternative development pathway for the mature bass player.

Sonic Technologies

Sonic Technologies
Author: Robert Strachan
Publisher: Bloomsbury Publishing USA
Total Pages: 205
Release: 2017-01-12
Genre: Music
ISBN: 1501310623
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In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a marker of Web 2.0, the emergence of new music production technologies have had a transformative effect upon 21st Century digital culture. Sonic Technologies examines these issues with a specific focus upon the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. For many, music production has moved out of the professional recording studio and into the home. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies such as Digital Audio Workstations.

Manual of Guitar Technology

Manual of Guitar Technology
Author: Franz Jahnel
Publisher:
Total Pages: 238
Release: 2000
Genre: Music
ISBN: 9780933224995
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The Blues: A Very Short Introduction

The Blues: A Very Short Introduction
Author: Elijah Wald
Publisher: Oxford University Press
Total Pages: 154
Release: 2010-08-03
Genre: Music
ISBN: 0199752877
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Praised as "suave, soulful, ebullient" (Tom Waits) and "a meticulous researcher, a graceful writer, and a committed contrarian" (New York Times Book Review), Elijah Wald is one of the leading popular music critics of his generation. In The Blues, Wald surveys a genre at the heart of American culture. It is not an easy thing to pin down. As Howlin' Wolf once described it, "When you ain't got no money and can't pay your house rent and can't buy you no food, you've damn sure got the blues." It has been defined by lyrical structure, or as a progression of chords, or as a set of practices reflecting West African "tonal and rhythmic approaches," using a five-note "blues scale." Wald sees blues less as a style than as a broad musical tradition within a constantly evolving pop culture. He traces its roots in work and praise songs, and shows how it was transformed by such professional performers as W. C. Handy, who first popularized the blues a century ago. He follows its evolution from Ma Rainey and Bessie Smith through Bob Dylan and Jimi Hendrix; identifies the impact of rural field recordings of Blind Lemon Jefferson, Charley Patton and others; explores the role of blues in the development of both country music and jazz; and looks at the popular rhythm and blues trends of the 1940s and 1950s, from the uptown West Coast style of T-Bone Walker to the "down home" Chicago sound of Muddy Waters. Wald brings the story up to the present, touching on the effects of blues on American poetry, and its connection to modern styles such as rap. As with all of Oxford's Very Short Introductions, The Blues tells you--with insight, clarity, and wit--everything you need to know to understand this quintessentially American musical genre.

Geddy Lee's Big Beautiful Book of Bass

Geddy Lee's Big Beautiful Book of Bass
Author: Geddy Lee
Publisher: HarperCollins
Total Pages: 408
Release: 2018-12-18
Genre: Music
ISBN: 0062747843
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"It's not surprising that sooner or later I'd dive down the proverbial rabbit hole into the world of vintage bass guitars."—Geddy Lee From Rush frontman Geddy Lee's personal collection of vintage electric bass guitars, dating from the 1950s to the 1980s, comes the definitive volume on the subject. Geddy's love of the bass has been nurtured over a lifetime spent in the limelight as one of the world's premier rock bassists. For the past seven years, he's dedicated himself to studying the history of the instrument that's been so essential to his career, collecting hundreds of basses from around the globe. Written with arts journalist Daniel Richler, gorgeously photographed in breathtaking detail by Richard Sibbald, and with insight from Geddy’s trusted bass tech and curator, John "Skully" McIntosh, Geddy Lee’s Big Beautiful Book of Bass profiles over 250 classic basses from Geddy’s extensive collection. Representing every tone in the bass palette, every nuance of the rock and roll genre as well as blues, jazz, pop, and country, this one-of-a-kind collection features so-called "beauty queens"—pristine instruments never lifted from their cases—as well as "road warriors"—well-worn, sweat-soaked basses that proudly show their age and use. Complete with personal commentary from Geddy that showcases his knowledge both as a musician and an aficionado, this luxuriously produced volume is a revelatory look at the heavy hitters in the world of bass—Fender, Gibson/Epiphone, Rickenbacker, Höfner, Ampeg—and lesser known but influential global luthiers such as Antonio Wandr Pioli, Dan Armstrong, and Tony Zemaitis. The book also features interviews with John Paul Jones (Led Zeppelin); Adam Clayton (U2); Robert Trujillo (Metallica); Jeff Tweedy (Wilco); Bill Wyman (The Rolling Stones); Les Claypool (Primus); Bob Daisley (Rainbow); Fender expert and owner of the legendary Gibson Explorer, Bass Ken Collins; veteran guitar tech for The Who, Alan Rogan; plus comments from many other great players across three decades of rock and roll. Written in Geddy's singular voice, this book reveals the stories, songs, and history behind the instruments of his inimitable collection. Complete with an index and a graphically designed timeline of the history of the bass, as well as an up-close look at Geddy's basses on Rush's final R40 Tour, his stage and recording gear from 1968 to 2017, and forewords by author and respected vintage expert, Terry Foster, and Rush band member, Alex Lifeson, Geddy Lee's Big Beautiful Book of Bass is the ultimate compendium for the consummate collector, musician, Rush fan, and anyone who loves the bass guitar.