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Technology, Literature and Culture

Technology, Literature and Culture
Author: Alex Goody
Publisher: John Wiley & Sons
Total Pages: 240
Release: 2013-04-25
Genre: Literary Criticism
ISBN: 0745637280

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Technology, Literature and Culture provides a detailed and accessible exploration of the ways in which literature across the twentieth century has represented the inescapable presence and progress of technology. As this study argues, from the Fordist revolution in manufacturing to computers and the internet, technology has reconfigured our relationship to ourselves, each other, and to the tools and material we use. The book considers such key topics as the legacy of late-nineteenth century technology, the literary engagement with cinema and radio, the place of typewriters and computers in formal and thematic literary innovations, the representations of technology in spy fiction and the figures of the robot and the cyborg. It considers the importance of broadcast technology and the internet in literature and covers major literary movements including modernism, cold war writing, postmodernism and the emergence of new textualities at the end of the century. An insightful and wide-ranging study, Technology, Literature and Culture offers close readings of writers such as Virginia Woolf, Samuel Beckett, Ian Fleming, Kurt Vonnegut, Don DeLillo, Jeanette Winterson and Shelley Jackson. It is an invaluable resource for students and scholars alike in literary and cultural studies, and also introduces the topic to a general reader interested in the role of technology in the twentieth century.


Writing Technology in Meiji Japan

Writing Technology in Meiji Japan
Author: Seth Jacobowitz
Publisher: BRILL
Total Pages: 320
Release: 2020-05-11
Genre: History
ISBN: 1684175623

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Writing Technology in Meiji Japan boldly rethinks the origins of modern Japanese language, literature, and visual culture from the perspective of media history. Drawing upon methodological insights by Friedrich Kittler and extensive archival research, Seth Jacobowitz investigates a range of epistemic transformations in the Meiji era (1868–1912), from the rise of communication networks such as telegraph and post to debates over national language and script reform. He documents the changing discursive practices and conceptual constellations that reshaped the verbal, visual, and literary regimes from the Tokugawa era. These changes culminate in the discovery of a new vernacular literary style from the shorthand transcriptions of theatrical storytelling (rakugo) that was subsequently championed by major writers such as Masaoka Shiki and Natsume Sōseki as the basis for a new mode of transparently objective, “transcriptive” realism. The birth of modern Japanese literature is thus located not only in shorthand alone, but within the emergent, multimedia channels that were arriving from the West. This book represents the first systematic study of the ways in which media and inscriptive technologies available in Japan at its threshold of modernization in the late nineteenth to early twentieth century shaped and brought into being modern Japanese literature.


Literature, Technology, and Modernity, 1860-2000

Literature, Technology, and Modernity, 1860-2000
Author: Nicholas Daly
Publisher: Cambridge University Press
Total Pages: 178
Release: 2004-02-12
Genre: Literary Criticism
ISBN: 9780521833929

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Industrial modernity takes it as self-evident that there is a difference between people and machines, but the corollary of this has been a recurring fantasy about the erasure of that difference. The central scenario in this fantasy is the crash, sometimes literal, sometimes metaphorical. Nicholas Daly considers the way human/machine encounters have been imagined from the 1860s on, arguing that such scenes dramatize the modernization of subjectivity. This book will be of interest to scholars of moderinism, literature and film.


Modernism, Science, and Technology

Modernism, Science, and Technology
Author: Mark S. Morrisson
Publisher: Bloomsbury Publishing
Total Pages: 192
Release: 2016-11-17
Genre: Literary Criticism
ISBN: 1474233430

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From quantum physics and genetics to psychology and the social sciences, from the development of atomic weapons to the growing mass media of film and radio, the early 20th century was a period of intense scientific and technological change. Modernism, Science, and Technology surveys the scientific contexts of writers from H.G. Wells and Gertrude Stein to James Joyce and Virginia Woolf and the ways in modernist writers responded to these paradigm shifts. Introducing key concepts from science studies and their implications for the study of modernist literature, the book includes chapters covering the physical sciences, mathematics, life sciences, social sciences and 'pseudosciences'. Including a timeline of key developments and guides to further reading, this is an essential guide to students and researchers studying the topic at all levels.


Technology Through Children's Literature

Technology Through Children's Literature
Author: Holly M. Doe
Publisher: Libraries Unlimited
Total Pages: 0
Release: 2003-08-13
Genre: Education
ISBN: 1563089726

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This innovative resource provides detailed lesson plans and recommendations for using the latest in technology and software in conjunction with children's literature. Successfully integrate story elements, vocabulary, genres, book reports, web research, electronic books, and comprehension strategies. This book also includes recommendations for using technology across the curriculum and tips on using programs such as KidPix and Hyperstudio.


Sound Recording Technology and American Literature

Sound Recording Technology and American Literature
Author: Jessica Teague
Publisher: Cambridge University Press
Total Pages: 263
Release: 2021-05-20
Genre: Art
ISBN: 1108840132

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Based on the author's dissertation (doctoral)--Columbia University, 2013.


Literature, Technology and Magical Thinking, 1880–1920

Literature, Technology and Magical Thinking, 1880–1920
Author: Pamela Thurschwell
Publisher: Cambridge University Press
Total Pages: 209
Release: 2001-07-05
Genre: Literary Criticism
ISBN: 1139428853

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In this 2001 book Pamela Thurschwell examines the intersection of literary culture, the occult and new technology at the fin-de-siècle. Thurschwell argues that technologies began suffusing the public imagination from the mid-nineteenth century on: they seemed to support the claims of spiritualist mediums. Talking to the dead and talking on the phone both held out the promise of previously unimaginable contact between people: both seemed to involve 'magical thinking'. Thurschwell looks at the ways in which psychical research, the scientific study of the occult, is reflected in the writings of such authors as Henry James, George du Maurier and Oscar Wilde, and in the foundations of psychoanalysis. This study offers provocative interpretations of fin-de-siècle literary and scientific culture in relation to psychoanalysis, queer theory and cultural history.


Intuitions in Literature, Technology, and Politics

Intuitions in Literature, Technology, and Politics
Author: Alan Ramón Clinton
Publisher: Springer
Total Pages: 381
Release: 2012-09-14
Genre: Literary Criticism
ISBN: 1137006978

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Using the idea of 'parability,'or the ability for writers to tell improper stories, as a foundation, Alan Ramón Clinton synthesizes a new model for a creative, more daring literary criticism. Sharp and surprising, this wide-ranging project engages with the work of Pynchon, Eco, Forché, Merrill, Weiner, Plath, Ashbery, and Eigner.


Literature in Contemporary Media Culture

Literature in Contemporary Media Culture
Author: Sarah J. Paulson
Publisher: John Benjamins Publishing Company
Total Pages: 281
Release: 2016-02-03
Genre: Literary Criticism
ISBN: 9027267545

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How does contemporary literature respond to the digitalized media culture in which it takes part? And how do we study literature in order to shed light on these responses? Under the subsections Technology, Subjectivity, and Aesthetics, Literature in Contemporary Media Culture sets out to answer these questions. The book shows how literature over the last decade has charted the impact of new technologies on human conduct. It explores how changes in literary production, distribution, and consumption can be correlated to changes in social practices more generally. And it examines how (and if) contemporary media culture affects our understanding of literary aesthetics. Addressing Scandinavian and Anglo-American poetry and fiction produced around the beginning of the present century, Literature in Contemporary Media Culture highlights both well-known and unfamiliar literary texts. It offers cross-disciplinary methodological tools and reading strategies for studying literary phenomena such as intermedial aesthetics, the autobiographical novel, conceptual literature, and digital poetry, all of which are prevalent across national borders at the outset of the twenty-first century. This book will be of interest to students and established scholars in the fields of literature, film and media studies, and visual studies, as well as to members of the general reading public.


Technology, Media Literacy, and the Human Subject

Technology, Media Literacy, and the Human Subject
Author: Richard S. Lewis
Publisher: Open Book Publishers
Total Pages: 218
Release: 2021-06-03
Genre: Computers
ISBN: 1800641850

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Media literacy is often focused on evaluating the message rather than reflecting on the medium. Bringing together postphenomenology, media ecology, posthumanism, and complexity theory, Richard Lewis’s book offers a method for such a reflection and shows how our everyday media environments constitute us as (post)human subjects: one that is becoming and constitutes through relations – also with our media technologies. An original interdisciplinary effort – including for example the term 'intrasubjective mediation' – and a must-read book for everyone interested in how we become with and through technologies. Prof Mark Coeckelbergh, University of Vienna Technology, Media Literacy, and the Human Subject is a clearly and concisely written book that employs a fruitful transdisciplinary approach. It at once offers an excellent grounding in the literature, whilst simultaneously developing a useful tool for students to reflect deeply and critically upon their own engagement with media. Thoroughly recommended. Alexander Thomas, University of East London What does it mean to be media literate in today’s world? How are we transformed by the many media infrastructures around us? We are immersed in a world mediated by information and communication technologies (ICTs). From hardware like smartphones, smartwatches, and home assistants to software like Facebook, Instagram, Twitter, and Snapchat, our lives have become a complex, interconnected network of relations. Scholarship on media literacy has tended to focus on developing the skills to access, analyze, evaluate, and create media messages without considering or weighing the impact of the technological medium—how it enables and constrains both messages and media users. Additionally, there is often little attention paid to the broader context of interrelations which affect our engagement with media technologies. This book addresses these issues by providing a transdisciplinary method that allows for both practical and theoretical analyses of media investigations. Informed by postphenomenology, media ecology, philosophical posthumanism, and complexity theory the author proposes both a framework and a pragmatic instrument for understanding the multiplicity of relations that all contribute to how we affect—and are affected by—our relations with media technology. The author argues persuasively that the increased awareness provided by this posthuman approach affords us a greater chance for reclaiming some of our agency and provides a sound foundation upon which we can then judge our media relations. This book will be an indispensable tool for educators in media literacy and media studies, as well as academics in philosophy of technology, media and communication studies, and the post-humanities.