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| Author | : Sarah Jackson |
| Publisher | : Edinburgh University Press |
| Total Pages | : 242 |
| Release | : 2015-06-07 |
| Genre | : Literary Criticism |
| ISBN | : 0748685332 |
A new critical perspective on the relationship between text and tact in 20th- and 21st-century literature and theory
| Author | : Sarah Jackson |
| Publisher | : Edinburgh University Press |
| Total Pages | : 176 |
| Release | : 2015-06-07 |
| Genre | : Literary Criticism |
| ISBN | : 0748685324 |
A new critical perspective on the relationship between text and tact in 20th- and 21st-century literature and theory
| Author | : Sarah Jackson |
| Publisher | : |
| Total Pages | : |
| Release | : 2016 |
| Genre | : Literature, Modern |
| ISBN | : 9781474412360 |
While the field of haptic aesthetics has received significant critical interest in recent years, the intimate connection between touching and writing remains neglected. Contributing to current debates in deconstruction and psychoanalysis, this book offers a new critical perspective on the relationship between text and tact.
| Author | : Annette Kern-Stähler |
| Publisher | : Oxford University Press |
| Total Pages | : 540 |
| Release | : 2023-07-20 |
| Genre | : Literary Criticism |
| ISBN | : 019284377X |
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Literature and the Senses critically probes the role of literature in capturing and scrutinizing sensory perception. Organized around the five traditional senses, followed by a section on multisensoriality, the collection facilitates a dialogue between scholars working on literature written from the Middle Ages to the present day. The contributors engage with a variety of theorists from Maurice Merleau-Ponty to Michel Serres to Jean-Luc Nancy to foreground the distinctive means by which literary texts engage with, open up, or make uncertain dominant views of the nature of perception. Considering the ways in which literary texts intersect with and diverge from scientific, epistemological, and philosophical perspectives, these essays explore a wide variety of literary moments of sensation including: the interspecies exchange of a look between a swan and a young Indigenous Australian girl; the sound of bees as captured in an early modern poem; the noxious smell of the 'Great Stink' that recurs in the Victorian novel; the taste of an eggplant registered in a poetic performance; tactile gestures in medieval romance; and the representation of a world in which the interdependence of human beings with the purple hibiscus plant is experienced through all five senses. The collection builds upon and breaks new ground in the field of sensory studies, focusing on what makes literature especially suitable to engaging with, contributing to, and challenging our perennial understandings of, the senses.
| Author | : Zuzanna Ladyga |
| Publisher | : Edinburgh University Press |
| Total Pages | : 296 |
| Release | : 2019-07-04 |
| Genre | : Fiction |
| ISBN | : 1474442943 |
This text argues that major twentieth-century American writers such as Gertrude Stein, Ernest Hemingway, John Barth, Donald Barthelme, and David Foster Wallace provocatively challenge the ethos of productivity by filtering their ethical interventions through culturally stigmatised imagery of laziness.
| Author | : Jeri Kroll |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 248 |
| Release | : 2012-12-07 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1137272546 |
A guide to the modes and methods of Creative Writing research, designed to be invaluable to university staff and students in formulating research ideas, and in selecting appropriate strategies. Creative writing researchers from around the globe offer a selection of models that readers can explore and on which they can build.
| Author | : Alan Bleakley |
| Publisher | : Routledge |
| Total Pages | : 318 |
| Release | : 2021-12-30 |
| Genre | : Medical |
| ISBN | : 1000532089 |
This book explores previously unexamined overlaps between the poetic imagination and the medical mind. It shows how appreciation of poetry can help us to engage with medicine in more intense ways based on ‘de-familiarising’ old habits and bringing poetic forms of ‘close reading’ to the clinic. Bleakley and Neilson carry out an extensive critical examination of the well-established practices of narrative medicine to show that non-narrative, lyrical poetry does different kind of work, previously unexamined, such as place eclipsing time. They articulate a groundbreaking ‘lyrical medicine’ that promotes aesthetic, ethical and political practices as well as noting the often-concealed metaphor cache of biomedicine. Demonstrating that ambiguity is a key resource in both poetry and medicine, the authors anatomise poetic and medical practices as forms of extended and situated cognition, grounded in close readings of singular contexts. They illustrate structural correspondences between poetic diction and clinical thinking, such as use of sound and metaphor. This provocative examination of the meaningful overlap between poetic and clinical work is an essential read for researchers and practitioners interested in extending the reach of medical and health humanities, narrative medicine, medical education and English literature.
| Author | : Andrew Bennett |
| Publisher | : Routledge |
| Total Pages | : 449 |
| Release | : 2016-03-02 |
| Genre | : Literary Criticism |
| ISBN | : 1317313127 |
Lively, original and highly readable, An Introduction to Literature, Criticism and Theory is the essential guide to literary studies. Starting at ‘The Beginning’ and concluding with ‘The End’, chapters range from the familiar, such as ‘Character’, ‘Narrative’ and ‘The Author’, to the more unusual, such as ‘Secrets’, ‘Pleasure’ and ‘Ghosts’. Now in its fifth edition, Bennett and Royle’s classic textbook successfully illuminates complex ideas by engaging directly with literary works, so that a reading of Jane Eyre opens up ways of thinking about racial difference, for example, while Chaucer, Raymond Chandler and Monty Python are all invoked in a discussion of literature and laughter. The fifth edition has been revised throughout and includes four new chapters – ‘Feelings’, ‘Wounds’, ‘Body’ and ‘Love’ – to incorporate exciting recent developments in literary studies. In addition to further reading sections at the end of each chapter, the book contains a comprehensive bibliography and a glossary of key literary terms. A breath of fresh air in a field that can often seem dry and dauntingly theoretical, this book will open the reader’s eyes to the exhilarating possibilities of reading and studying literature.
| Author | : Alasdair Pettinger |
| Publisher | : Routledge |
| Total Pages | : 927 |
| Release | : 2019-07-30 |
| Genre | : Literary Criticism |
| ISBN | : 1317041194 |
Showcasing established and new patterns of research, The Routledge Research Companion to Travel Writing takes an interdisciplinary approach to scholarship and to travel texts themselves. The volume adopts a thematic approach, with each contributor considering a specific aspect of travel writing – a recurrent motif, an organising principle or a literary form. All of the essays include a discussion of representative travel texts, to ensure that the volume as a whole represents a broad historical and geographical range of travel writing. Together, the 25 essays and the editors’ introduction offer a comprehensive and authoritative reflection of the state of travel writing criticism and lay the ground for future developments.
| Author | : Charles Forsdick |
| Publisher | : Anthem Press |
| Total Pages | : 376 |
| Release | : 2019-04-22 |
| Genre | : Literary Criticism |
| ISBN | : 1783089237 |
In its attention to the ‘keywords of travel’, Keywords for Travel Writing Studies’ takes into account the established status of studies in travel writing and the field’s significance for an audience beyond the academy. It responds to what might be described as the ‘mobility turn’ in the arts and humanities over the past two decades. Each entry in the volume is around 1,000 words, and the style is more essayistic than encyclopaedic, with contributors providing a reflection on their chosen keyword from a variety of disciplinary perspectives. The emphasis on travelogues and other cultural representations of mobility drawn from a range of national and linguistic traditions ensures that the volume has a comparative dimension; the aim is to give an overview of each term in its historical and theoretical complexity, providing readers with a clear sense of how the selected words are essential to a critical understanding of travel writing. Each entry is complemented by an annotated bibliography of five essential items suggesting further reading.
