Tableaux de Pierre Bonnard de 1891 à 1922
Author | : Galerie E. Druet (Paris) |
Publisher | : |
Total Pages | : 11 |
Release | : 1924 |
Genre | : |
ISBN | : |
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Author | : Galerie E. Druet (Paris) |
Publisher | : |
Total Pages | : 11 |
Release | : 1924 |
Genre | : |
ISBN | : |
Author | : Galerie E. Druet |
Publisher | : |
Total Pages | : 12 |
Release | : 1924 |
Genre | : |
ISBN | : |
Author | : Pierre Bonnard |
Publisher | : |
Total Pages | : 10 |
Release | : 1924 |
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ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 7 |
Release | : 1924 |
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Author | : Pierre Bonnard |
Publisher | : Ludion |
Total Pages | : 368 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
Among those painters who incontestably left their mark on twentieth-century art, Bonnard rises to the top again and again. Museums, scholars and viewers regularly return to his oeuvre for reinterpretation, passionate and contradictory, of what it means to be Modern. In having followed a very personal calling--literally and figuratively interior, particularly compared to the work of friends like Matisse--Bonnard created work as innovative as any of his contemporaries'. His recurring themes--the nude (both classical and erotic), the landscape, domestic life, and the self-portrait--evolve with him from the nineteenth century to the twentieth, from Paris to the south of France, alive with constant reinvention. Although for Bonnard the subject was always important, his work navigates a sophisticated dialectic between the givens of perception and memory, between the image before our eyes and all that it suggests. This substantial reference includes work from the Hermitage and the Museum of Modern Art of the City of Paris, which sponsored its publication. Contributors include Yve-Alain Bois, Sarah Whitfield, and Georges Roque. Photographs from Dina Verny and Henri Cartier-Bresson among others document the era and Bonnard's models as he saw them.
Author | : Russell T. Clement |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 964 |
Release | : 2004-06-30 |
Genre | : Art |
ISBN | : 0313085102 |
Paul Gauguin (1848-1903) played a seminal role in Post-Impressionist France. In his writings and work, he favored emotional responses to nature over intellectual uses of lines, color, and composition. In 1888 he and Emile Bernard developed a new style called Synthetism. Three groups of Gauguin's symbolist followers—Pont Aven, Les Nabis, and Rose + Croix pursued and extended the Synthetist vision. This sourcebook focuses on the most prominent adherents of the three schools directly affected by Gauguin's symbolism. This is the first comprehensive, single-volume guide and bibliography of artists in these three important French avant-garde movements. This work covers the entire careers of 16 artists by providing biographical sketches, chronologies, citations to primary and secondary literature and exhibitions.
Author | : Nationalmuseum (Sweden) |
Publisher | : |
Total Pages | : 280 |
Release | : 1988 |
Genre | : Painting |
ISBN | : |
Author | : Gustave Coquiot |
Publisher | : |
Total Pages | : 170 |
Release | : 1922 |
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ISBN | : |
Author | : Pontus Grate |
Publisher | : |
Total Pages | : 280 |
Release | : 1988 |
Genre | : Painting |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 386 |
Release | : 1987 |
Genre | : Art |
ISBN | : |