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Author | : Pierre Bonnard |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 274 |
Release | : 1989 |
Genre | : Grabados en color franceses |
ISBN | : 0810931001 |
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Author | : Galerie E. Druet |
Publisher | : |
Total Pages | : 12 |
Release | : 1924 |
Genre | : |
ISBN | : |
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Author | : Gustave Coquiot |
Publisher | : |
Total Pages | : 170 |
Release | : 1922 |
Genre | : |
ISBN | : |
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Author | : Galerie E. Druet (Paris) |
Publisher | : |
Total Pages | : 11 |
Release | : 1924 |
Genre | : |
ISBN | : |
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Author | : Pierre Bonnard |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 210 |
Release | : 2009 |
Genre | : Interior architecture in art |
ISBN | : 1588393089 |
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"The vibrant late paintings of Pierre Bonnard (1867-1947) are considered by many to be among his finest achievements. Working in a small converted bedroom of his villa in the south of France, Bonnard suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand-usually everyday scenes taken from his immediate surroundings, such as the dining room table being set for breakfast, or a jug of flowers perched on the mantelpiece - Bonnard rarely painted from life. Instead, he preferred to make pencil sketches in small diaries and then rely on these, along with his memory, once in the studio." "This volume, which accompanies the first exhibition to focus on the interior and related still-life imagery from the last decades of Bonnard's long career, presents more than seventy-five paintings, drawings, and works on paper, many of them rarely seen in public and in some cases, little known. Although Bonnard's legacy may be removed from the succession of trends that today we consider the foundation of modernism, his contribution to French art in the early decades of the twentieth century is far more profound than history has generally acknowledged. In their insightful essays and catalogue entries the authors bring fresh critical perspectives to the ongoing reappraisal of Bonnard's reputation and to his place within the narrative of twentieth-century art."--Jacket
Author | : |
Publisher | : |
Total Pages | : 7 |
Release | : 1924 |
Genre | : |
ISBN | : |
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Author | : Pierre Bonnard |
Publisher | : |
Total Pages | : 78 |
Release | : 1934 |
Genre | : Painting |
ISBN | : |
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Author | : Guy Cogeval |
Publisher | : Prestel |
Total Pages | : 0 |
Release | : 2016 |
Genre | : |
ISBN | : 9783791355245 |
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Pierre Bonnard is often considered a painter of idyllic scenes, replete with colour and serenity, however, this view overlooks many of the most striking aspects of Bonnard's oeuvre. Over the course of his career, Bonnard worked within - often expanding and challenging - many genres and techniqeus. Alternating between the traditions of Impressionism and the abstract visual modes of modernism, Bonnard addressed elements present within many movements in order to synthesize a world worthy of his utopian vision. As this volume reveals, Bonnard's work evolved radically over the course of his career. Includes in its pages are illustrations of well-known examples alongside rarely exhibited pieces, which represent the many thematic and stylistic compositions of Bonnard's work.
Author | : Pierre Bonnard |
Publisher | : Lund Humphries Publishers Limited |
Total Pages | : 372 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
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Among those painters who incontestably left their mark on twentieth-century art, Bonnard rises to the top again and again. Museums, scholars and viewers regularly return to his oeuvre for reinterpretation, passionate and contradictory, of what it means to be Modern. In having followed a very personal calling--literally and figuratively interior, particularly compared to the work of friends like Matisse--Bonnard created work as innovative as any of his contemporaries'. His recurring themes--the nude (both classical and erotic), the landscape, domestic life, and the self-portrait--evolve with him from the nineteenth century to the twentieth, from Paris to the south of France, alive with constant reinvention. Although for Bonnard the subject was always important, his work navigates a sophisticated dialectic between the givens of perception and memory, between the image before our eyes and all that it suggests. This substantial reference includes work from the Hermitage and the Museum of Modern Art of the City of Paris, which sponsored its publication. Contributors include Yve-Alain Bois, Sarah Whitfield, and Georges Roque. Photographs from Dina Verny and Henri Cartier-Bresson among others document the era and Bonnard's models as he saw them.
Author | : Wolfgang M. Freitag |
Publisher | : Routledge |
Total Pages | : 572 |
Release | : 2013-10-28 |
Genre | : Literary Criticism |
ISBN | : 1134830416 |
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First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.