Swift and the Satirist's Art
Author | : Edward W. Rosenheim |
Publisher | : |
Total Pages | : 0 |
Release | : 1963 |
Genre | : Satire |
ISBN | : |
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Author | : Edward W. Rosenheim |
Publisher | : |
Total Pages | : 0 |
Release | : 1963 |
Genre | : Satire |
ISBN | : |
Author | : Edward W. Rosenheim (Jr.) |
Publisher | : |
Total Pages | : 243 |
Release | : 1963 |
Genre | : Satire |
ISBN | : |
Author | : Edward W. Rosenheim |
Publisher | : |
Total Pages | : 270 |
Release | : 1963 |
Genre | : Humor |
ISBN | : |
Author | : Frank T. Boyle |
Publisher | : Stanford University Press |
Total Pages | : 262 |
Release | : 2000 |
Genre | : Literary Criticism |
ISBN | : 0804764182 |
With much of the intellectual discourse of the last several decades concerned with reconsiderations of modernity, how do we read the works of Jonathan Swift, who ridiculed the modern even as it was taking shape? The author approaches the question of modernity in Swift by way of a theory of satire from Aristotle via Swift (and Bakhtin) that eschews modern notions that satire is meant to reform and correct. Linking satire to Nemesis, the goddess of righteous vengeance, "Swift as Nemesis" develops new readings of Swift's major satires. From his first published work, Swift associates the modern with the new science and represents modernity as a pernicious strain of narcissism that devalues humanistic discourse. In his early satires, he compiles a profane history of the modern in which the new philosophy is an extension of the methodology of alchemists, the debased Roman Catholic Church, and the various Puritan sects. This history culminates in "A Tale of a Tub" with an assault on the intellectual basis of that most formidable of all modern works, Newton's "Principia." In "Gulliver's Travels," Swift attacks modern culture while aiming at individual readers. Novelistic identification with Gulliver's narcissism (beginning with masturbation and encompassing various scatological observations) implicates readers in the larger cultural critique in which Gulliver, paralleling Narcissus, rejects cultures he encounters until he embraces a cultural image that destroys him. The wider cultural implications of Swift's work are evident in the way he uses travel as a metaphor to link the inhuman consequences of European imperialism with the discoveries of the new science. Finally, Swift's works, like the mirror Nemesis uses to destroy Narcissus, are shown to return the narcissistic projections of critics. Recognizing that Narcissus and Echo have become important to the critique of modernism, the author argues that readers will find it useful now to turn to the contextualizing role of Nemesis. She emerges from Swift's critically irreducible satire with an ironic claim on modernity itself.
Author | : Dustin Griffin |
Publisher | : Cambridge University Press |
Total Pages | : 275 |
Release | : 2010-07-15 |
Genre | : Literary Criticism |
ISBN | : 0521761239 |
In this book, Dustin Griffin explores the lifelong conversation between two great eighteenth-century English writers, Swift and Pope.
Author | : Edward Rosenheim |
Publisher | : |
Total Pages | : |
Release | : 1963 |
Genre | : |
ISBN | : |
Author | : Edward W. Rosenheim |
Publisher | : |
Total Pages | : 243 |
Release | : 1964 |
Genre | : Satire |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 243 |
Release | : 1963 |
Genre | : |
ISBN | : |
Author | : Sean D. Moore |
Publisher | : JHU Press |
Total Pages | : 286 |
Release | : 2010-10-15 |
Genre | : Literary Criticism |
ISBN | : 0801899249 |
Winner, 2010 Donald Murphy Prize for a Distinguished First Book, American Conference on Irish Studies Renowned as one of the most brilliant satirists ever, Jonathan Swift has long fascinated Hibernophiles beyond the shores of the Emerald Isle. Sean Moore's examination of Swift's writings and the economics behind the distribution of his work elucidates the humorist's crucial role in developing a renewed sense of nationalism among the Irish during the eighteenth century. Taking Swift's Irish satires, such as A Modest Proposal and the Drapier's Letters, as examples of anticolonial discourse, Moore unpacks the author's carefully considered published words and his deliberate drive to liberate the Dublin publishing industry from England's shadow to argue that the writer was doing nothing less than creating a national print media. He points to the actions of Anglo-Irish colonial subjects at the outset of Britain's financial revolution; inspired by Swift's dream of a sovereign Ireland, these men and women harnessed the printing press to disseminate ideas of cultural autonomy and defend the country's economic rights. Doing so, Moore contends, imbued the island with a sense of Irishness that led to a feeling of independence from England and ultimately gave the Irish a surprising degree of financial autonomy. Applying postcolonial, new economic, and book history approaches to eighteenth-century studies, Swift, the Book, and the Irish Financial Revolution effectively links the era's critiques of empire to the financial and legal motives for decolonization. Scholars of colonialism, postcolonialism, Irish studies, Atlantic studies, Swift, and the history of the book will find Moore's eye-opening arguments original and compelling.
Author | : G. Atkins |
Publisher | : Springer |
Total Pages | : 112 |
Release | : 2012-12-17 |
Genre | : Literary Criticism |
ISBN | : 1137311045 |
More than three centuries later, Jonathan Swift's writing remains striking and relevant. In this engaging study, Atkins brings forty-plus years of critical experience to bear on some of the greatest satires ever written, revealing new contexts for understanding post-Reformation reading practices and the development of the modern personal essay.