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| Author | : Asia-Pacific Agroforestry Network. Project Advisory Committee. Meeting |
| Publisher | : |
| Total Pages | : 78 |
| Release | : 1996 |
| Genre | : Agroforestry |
| ISBN | : |
| Author | : Asia-Pacific Agroforestry Network. Project Advisory Committee. Meeting |
| Publisher | : |
| Total Pages | : 68 |
| Release | : 1995 |
| Genre | : Agroforestry |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 436 |
| Release | : 1998 |
| Genre | : Forests and forestry |
| ISBN | : |
| Author | : Asia-Pacific Agroforestry Network. Project Advisory Committee. Meeting |
| Publisher | : |
| Total Pages | : 124 |
| Release | : 1993 |
| Genre | : Agricultural systems |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 660 |
| Release | : 1992 |
| Genre | : Agroforestry |
| ISBN | : |
| Author | : International Institute of Rural Reconstruction |
| Publisher | : |
| Total Pages | : 352 |
| Release | : 2001 |
| Genre | : Industrial relations |
| ISBN | : |
Revised version of papers presented at a workshop held at Bangalore during 3-14 July 2000, organised by International Institute of Rural Reconstruction; with reference to Asia and Pacific Area.
| Author | : Chandra S. P. Ojha |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Water resources development |
| ISBN | : 9780784414767 |
Sustainable Water Resources Management presents the most current thinking on the environmental, social, and political dimensions of sustainably managing the water supply at local, regional, or basin levels.
| Author | : Mike Robinson |
| Publisher | : |
| Total Pages | : |
| Release | : 2015 |
| Genre | : |
| ISBN | : 9783319131849 |
This volume is based on the recognition that heritage is popular and popular culture is now readily transformed into heritage, whose meanings and myths reshape social life and political and economic realities, as well as re-make "tradition". The papers in this volume consider: What does popular heritage look like? To whom does it speak? Is it active in dissolving class and cultural boundaries or just in reproducing new ones? How do societies manage a heritage that is fluid, immediate and that straddles extremes of serious conflict and hedonistic frivolity? When and under what circumstances is the creation and expression of new cultural forms - popular culture - capable of being transformed into heritage?
