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| Author | : Janet Adelman |
| Publisher | : Routledge |
| Total Pages | : 396 |
| Release | : 2012-08-21 |
| Genre | : Literary Criticism |
| ISBN | : 1136607374 |
An original reading of Shakespeare's plays illuminating his negotiations with mothers, present and absent, and tracing the genesis of Shakespearean tragedy and romance to a psychologized version of the Fall.
| Author | : Nicolas Tredell |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 216 |
| Release | : 2017-09-16 |
| Genre | : Literary Criticism |
| ISBN | : 1137404906 |
Shakespeare's tragedies are among the greatest works of tragic art and have attracted a rich range of commentary and interpretation from leading creative and critical minds. This Reader's Guide offers a comprehensive survey of the key criticism on the tragedies, from the 17th century through to the present day. In this book, Nicolas Tredell: - Introduces essential concepts, themes and debates. - Relates Shakespeare's tragedies to fi elds of study including psychoanalysis, gender, race, ecology and philosophy. - Summarises major critical texts from Dryden and Dr Johnson to Janet Adelman and Julia Reinhard Lupton, and covers influential critical movements such as New Criticism, New Historicism and poststructuralism. - Demonstrates how key critical approaches work in practice, with close reference to Shakespeare's texts. Informed and incisive, this is an indispensable guide for anyone interested in how the category of Shakespeare's tragedies has been constructed, contested and changed over the years.
| Author | : Felicity Dunworth |
| Publisher | : Manchester University Press |
| Total Pages | : 357 |
| Release | : 2013-07-19 |
| Genre | : Performing Arts |
| ISBN | : 1847796931 |
Mothers and meaning on the early modern English stage is a study of the dramatised mother figure in English drama from the mid-sixteenth to the early seventeenth centuries. It explores a range of genres: moralities, histories, romantic comedies, city comedies, domestic tragedies, high tragedies, romances and melodrama and includes close readings of plays by such diverse dramatists as Udall, Bale, Phillip, Legge, Kyd, Marlowe, Peele, Shakespeare, Middleton, Dekker and Webster. The study is enriched by reference to religious, political and literary discourses of the period, from Reformation and counter-Reformation polemic to midwifery manuals and Mother’s Legacies, the political rhetoric of Mary I, Elizabeth I and James VI, reported gallows confessions of mother convicts and Puritan conduct books. It thus offers scholars of literature, drama, art and history a unique opportunity to consider the literary, visual and rhetorical representation of motherhood in the context of a discussion of familiar and less familiar dramatic texts.
| Author | : Dale Salwak |
| Publisher | : Springer |
| Total Pages | : 260 |
| Release | : 2018-02-15 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3319683489 |
Ian McEwan, Margaret Drabble, Martin Amis, Rita Dove, Andrew Motion and Anthony Thwaite are among the twenty-two distinguished contributors of original essays to this landmark volume on the profound and frequently perplexing bond between writer and mother. In compelling detail they bring to life the thoughts, work, loves, friendships, passions and, above all, the influence of mothers upon their literary offspring from Shakespeare to the present. Many of the contributors evoke the ideal with fond and loving memories: understanding, selfless, spiritual, tender, protective, reassuring and self-assured mothers who created environments favorable to the development of their children’s gifts. At the opposite end of the parenting spectrum, however, we also see tortured mothers who ignored, interfered with, smothered or abandoned their children. Their early years were times of traumatic loss, unhappily dominated by death and human frailty. Elegantly assembled and presented, Writers and Their Mothers will appeal to everyone interested in biography, literature, and creativity in general.
| Author | : Zenón Luis-Martínez |
| Publisher | : BRILL |
| Total Pages | : 304 |
| Release | : 2021-11-15 |
| Genre | : Literary Criticism |
| ISBN | : 9004489606 |
Departing from earlier studies which regarded incest as a literary topos or dramatic metaphor foregrounding political, social, or legal issues, Words and Deeds: The Spectacle of Incest in English Renaissance Tragedy argues that the presence of incest on the Renaissance stage is a strategy for the enactment of the spectator’s tragic experience. Incest is explored neither as a sin nor as a crime, but as an “unspeakable” experience filtered through dramatic words and deeds. The incitement of desire, visual pleasure, and unconscious fantasy, as well as traumatic rejection, pain, and horror, are all aspects of this paradoxical and uncanny experience. Aristotelian theory of tragedy, Freudian and Lacanian psychoanalysis, and Michel Foucault’s notions of the deployment of sexuality and alliance, concur in the analysis of plays where incest is a central or a secondary motif – Ford’s ’Tis Pity She’s a Whore, Beaumont and Fletcher’s Cupid’s Revenge, Webster’s The Duchess of Malfi – and others where incest is an effect of language and mise-en-scène – Sackville and Norton’s Gorboduc, Shakespeare’s King Lear. The variety of topics and the combination of critical perspectives makes In Words and Deeds an attractive book for students and teachers of Renaissance drama, as well as for those with a special interest in psychoanalytic and other new theoretical approaches to the literary text.
| Author | : Curtis Perry |
| Publisher | : Cambridge University Press |
| Total Pages | : 307 |
| Release | : 2020-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 1108496172 |
Perry reveals Shakespeare derived modes of tragic characterization, previously seen as presciently modern, via engagement with Rome and Senecan tragedy.
| Author | : Alexander Leggatt |
| Publisher | : Taylor & Francis |
| Total Pages | : 220 |
| Release | : 2006 |
| Genre | : Drama |
| ISBN | : 9780415238250 |
This guide to Shakespeare's play presents introductory comments on the contexts, critical history and performance of the text; annotated extracts from key contextual documents; cross references between documents and sections of the guide; suggestions for further reading.
| Author | : Peter Holland |
| Publisher | : Cambridge University Press |
| Total Pages | : 436 |
| Release | : 2002-10-24 |
| Genre | : Drama |
| ISBN | : 9780521815871 |
Shakespeare Survey is a yearbook of Shakespeare studies and production. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of criticism and performance. For the first time, numbers 1-50 are being reissued in paperback.
| Author | : Jacqueline Rose |
| Publisher | : Macmillan + ORM |
| Total Pages | : 162 |
| Release | : 2018-05-01 |
| Genre | : Social Science |
| ISBN | : 0374715831 |
A simple argument guides this book: motherhood is the place in our culture where we lodge, or rather bury, the reality of our own conflicts. By making mothers the objects of both licensed idealization and cruelty, we blind ourselves to the world’s iniquities and shut down the portals of the heart. Mothers are the ultimate scapegoat for our personal and political failings, for everything that is wrong with the world, which becomes their task (unrealizable, of course) to repair. Moving commandingly between pop cultural references such as Roald Dahl’s Matilda to insights on motherhood in the ancient world and the contemporary stigmatization of single mothers, Jacqueline Rose delivers a groundbreaking report into something so prevalent we hardly notice. Mothers is an incisive, rousing call to action from one of our most important contemporary thinkers.
| Author | : Hugh Grady |
| Publisher | : Cambridge University Press |
| Total Pages | : 259 |
| Release | : 2022-05-19 |
| Genre | : Literary Criticism |
| ISBN | : 1009116010 |
This study charts how Shakespeare's early fascination with power developed into the profoundly optimistic utopian visions suffusing his later tragicomedies. Hugh Grady shows how five of Shakespeare's most important plays presciently confront dilemmas of an emerging modernity, diagnosing and indicting instrumental politics and capitalism.
