Succession De Mademoiselle D L Et A Divers Amateurs Estampes Anciennes Et Modernes PDF Download

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Livres

Livres
Author:
Publisher:
Total Pages: 56
Release: 1997
Genre:
ISBN:

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Nicolas Lancret

Nicolas Lancret
Author: Mary Tavener Holmes
Publisher: Getty Publications
Total Pages: 137
Release: 2006
Genre: Art
ISBN: 0892368322

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In a garden glade before a grand fountain, surrounded by a musical party, an elegant woman in a lustrous white gown dances as part of a foursome, raising her eyes to the viewer as if extending an invitation to the dance. This is the enticing scene in the J. Paul Getty Museum's painting "Dance before a Fountain" by Nicolas Lancret (1690-1743), an excellent example of the fete galante, a genre that was created and reached the peak of its popularity in France during the first half of the eighteenth century. This monograph seeks to familiarize American audiences with Lancret, a master of this genre, who was a revered painter in his own time, rivalling his contemporaries Antoine Watteau and Francois Boucher, and a favourite of crowned heads across Europe. Mary Tavener Holmes's engrossing text uses this painting as a springboard to reveal a remarkable amount about the painter, his mode of painting, Paris at the time this work was made, eighteenth-century dance, and the world of art patronage and collecting in France and elsewhere in the eighteenth and nineteenth centuries. Lavishly illustrated with comparative paintings by artists such as Watteau, Boucher, Peter Paul Rubens, Jean-Francois De Troy, Jean-Baptiste Oudry, and Hubert Robert, this fascinating peek into a bygone Parisian era is a treat for the eyes and the intellect alike.


Absorption and Theatricality

Absorption and Theatricality
Author: Michael Fried
Publisher: University of Chicago Press
Total Pages: 282
Release: 1988-09-15
Genre: Art
ISBN: 9780226262130

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With this widely acclaimed work, Michael Fried revised the way in which eighteenth-century French painting and criticism are viewed and understood. Analyzing paintings produced between 1753 and 1781 and the comments of a number of critics who wrote about them, especially Dennis Diderot, Fried discovers a new emphasis in the art of the time, based not on subject matter or style but on values and effects.