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Subjective Perspectives in Ian McEwan's Narrations

Subjective Perspectives in Ian McEwan's Narrations
Author: Eva Maria Mauter
Publisher: GRIN Verlag
Total Pages: 121
Release: 2009-05-12
Genre: Language Arts & Disciplines
ISBN: 3640319966

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Thesis (M.A.) from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Paderborn, 205 entries in the bibliography, language: English, abstract: Ever since McEwan's first publications, his work has received considerable attention from critics and scholars. Thus, it is not surprising that McEwan has been awarded with a number of prizes for his work and that he has been praised to be one of the leading representatives of the young generation. Despite the extraordinary praise of McEwan's work, it has been discussed most controversially. The fact that he often engages taboo subjects like masturbation, incest, regression, child abuse, dismemberment, sadism-masochism etc. earned McEwan the reputation of an author who writes to shock his audience. McEwan himself appears to be surprised about these attributions and objects them. However, it seems to be undisputable that the narrations are extremely shocking but it seems that not only the choice of topics is responsible for the extreme response to McEwan's narrations. In my opinion, the shock value of McEwan's narrations is mainly caused by his particular way to present these topics. In keeping with this, I consider the form of McEwan's narrations to be as important as their content. McEwan seems to experiment with the employment of perspectives, subjective perspectives in particular. In fact, it can be argued that he taps the full potential of the employment of subjective perspectives in his narrations as the reader is confronted with the subjectivity of perspectives on all levels of textual communication. In my opinion, McEwan's most outstanding accomplishment is his ability of depicting subjective perspectives in all consequence. The absence of morality in many of McEwan's narrations, for example, which is usually regarded as an underlying topic, can also be seen as a result of depicting consistently a specific subjective perspective. Therefore, this paper will exa


Multiperspectival Narration in Ian McEwan's "Atonement"

Multiperspectival Narration in Ian McEwan's
Author: Eva Maria Mauter
Publisher: GRIN Verlag
Total Pages: 93
Release: 2008-02
Genre: Language Arts & Disciplines
ISBN: 3638903273

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Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Paderborn, course: Ian McEwan, 18 entries in the bibliography, language: English, comment: In this thesis Ansgar Nünning's concept of multiperspectival narration is applied to Ian McEwan's Atonement in great detail. Hence, the thesis is of interest to everybody who is concerned with "perspective" or "multiperspectivity" in narrations as well as students of Ian McEwan's work., abstract: In this thesis Ansgar Nünning's concept of multiperspectival narration is applied to Ian McEwan's Atonement in great detail. Hence, the thesis is of interest to everybody who is concerned with "perspective" or "multiperspectivity" in narrations as well as students of Ian McEwan's work. In post-modern english literature, Ian McEwan has received considerable attention from critics and scholars and his writing is certainly most noteworthy. In his best-selling novel "Atonement," McEwan employs a multitude of subjective perspectives which is not only a key element for suspense and understanding the plot but also an instrument of reception control. In order to gain access to the narrational strategies of the novel and for a deeper understanding of McEwan's perfect controll of narratological and stylistic devices, Ansgar and Vera Nünning's concept to analyze multiperspectivity in narration is applied to "Atonement." Although A. and V. Nünning's concept augments modern narratology with an extraordinary instrument to analyze perspectivity, it lacks application so far. Ian McEwan's "Atonement" provides an excellent field for exploring multiperspectivity. So this essay will use A. and V. Nünning's categories in order to analyze the structure of perspectives and its controlling functuin in McEwan's "Atonement." Therefore, the general concept of A. and V. Nünning concerning multiperspectivity is introduced at first. It is necessary to have a close look at form


Ian McEwan

Ian McEwan
Author: Sebastian Groes
Publisher: A&C Black
Total Pages: 201
Release: 2013-07-18
Genre: Literary Criticism
ISBN: 1623569842

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Ian McEwan is one of the most significant, and controversial, British novelists working today. His books are both critically - and academically - acclaimed and embraced by readers across the world. Although primarily a novelist, he has also written short stories, television plays, a libretto, a children's book and a film adaptation. Across these many forms his work retains a distinctive character that explores questions of morality, place and history, nationhood, sexuality and gender. Now fully updated for its second edition, this guide brings together a collection of new critical perspectives on McEwan's oeuvre, not only covering the early works and his writing for the screen but also incorporating detailed and original analyses of the later work, including new readings of his latest books, Solar and Sweet Tooth. With an updated and extended guide to further critical reading on McEwan, the book also includes an interview with the author himself, a chronology of his life, work and times and the full text of a lost early McEwan short story.


Mind Presentation in Ian McEwan's Fiction

Mind Presentation in Ian McEwan's Fiction
Author: Karam Nayebpour
Publisher: Columbia University Press
Total Pages: 352
Release: 2017-04-25
Genre: Literary Criticism
ISBN: 3838269799

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This book explores the central fictional minds in three of Ian McEwan's most popular narratives. Mind presentation constitutes the main part of characterization in the second phase of McEwan's writing, where his plot structure depends to a large degree on the presentation of the characters’ mental workings. In Amsterdam (1998), Atonement (2003), and On Chesil Beach (2007), the construction process of the fictional minds, the degree their functioning is impacted by their experiences, and the way their mental aspect controls their behavior and relationships is critical to the stories. Relying on insights and methods from cognitive narratology, this study follows two purposes: It firstly analyzes the function of fictional minds and their operational modes in these narratives. Secondly, it explores the impact of the characters' experiences on both their mental functioning and their behavior, especially with view of their relationships. Nayebpour reveals that the plot structure of these narratives highly depends on the lack of a sound balance between the two aspects of the represented minds (intermental/joint thought and intramental/individual thought) as well as on the dominance of the intramental one. The tragic atmosphere in these narratives, Nayebpour argues, is the result of this imbalance.


The Fiction of Ian McEwan

The Fiction of Ian McEwan
Author: M. Hutton
Publisher: Bloomsbury Publishing
Total Pages: 262
Release: 2005-09-19
Genre: Literary Criticism
ISBN: 1350309109

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Ian McEwan is one of Britain's most established, and controversial, writers. This book introduces students to a range of critical approaches to McEwan's fiction. Criticism is drawn from selections in academic essays and articles, and reviews in newspapers, journals, magazines and websites, with editorial comment providing context, drawing attention to key points and identifying differences in critical perspectives. The book features selections from published interviews with Ian McEwan and covers all of the writer's novels to date, including his latest novel Saturday.


Nutshell

Nutshell
Author: Ian McEwan
Publisher: Anchor
Total Pages: 174
Release: 2016-09-13
Genre: Fiction
ISBN: 0385542089

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NATIONAL BESTSELLER • A “suspenseful, dazzlingly clever and gravely profound” (The Washington Post) novel that brilliantly recasts Shakespeare and lends new weight to the age-old question of Hamlet's hesitation, from the Booker Prize winner and bestselling author of Atonement. Trudy has been unfaithful to her husband, John. What’s more, she has kicked him out of their marital home, a valuable old London town house, and in his place is his own brother, the profoundly banal Claude. The illicit couple have hatched a scheme to rid themselves of her inconvenient husband forever. But there is a witness to their plot: the inquisitive, nine-month-old resident of Trudy’s womb. As Trudy’s unborn son listens, bound within her body, to his mother and his uncle’s murderous plans, he gives us a truly new perspective on our world, seen from the confines of his. Don’t miss Ian McEwan’s new novel, Lessons, coming in September!


Contemporary British Fiction

Contemporary British Fiction
Author: Nick Bentley
Publisher: Edinburgh University Press
Total Pages: 264
Release: 2008-08-27
Genre: Literary Criticism
ISBN: 0748630376

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This critical guide introduces major novelists and themes in British fiction from 1975 to 2005. It engages with concepts such as postmodernism, feminism, gender and the postcolonial, and examines the place of fiction within broader debates in contemporary culture.A comprehensive Introduction provides a historical context for the study of contemporary British fiction by detailing significant social, political and cultural events. This is followed by five chapters organised around the core themes: (1) Narrative Forms, (2) Contemporary Ethnicities, (3) Gender and Sexuality, (4) History, Memory and Writing, and (5) Narratives of Cultural Space.


Ian McEwan

Ian McEwan
Author: Irena Księżopolska
Publisher: Taylor & Francis
Total Pages: 285
Release: 2024-04-30
Genre: Literary Criticism
ISBN: 1040021891

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This book offers a discussion of seven “canonical” novels by Ian McEwan (The Cement Garden, The Comfort of Strangers, The Child in Time, The Innocent, Black Dogs, Atonement, On Chesil Beach), introducing radical new readings, which are offered not as ultimate and conclusive “solutions” of the textual puzzles, but as possibilities to engage with the text creatively, to enrich the critical consensus and restore interpretative freedom to the readers. This project formulates a strategy of “inclusive reading” – an approach to the text that does not seek to reduce it to a single interpretation, and yet is comprehensively informed through the analysis of the primary text, critical discussion, authorial comments and the context of the composition. Each reading demonstrates the metafictional structure of the texts, indicating that McEwan’s works may be treated as invitations to roam within their worlds, examining the multiple frames of their structure and the meanings generated thereby. All the chapters attend to submerged, repressed, or deliberately masked voices. The Cement Garden is seen as a multi-layered dream, with a shifting hierarchy of dreamers; The Comfort of Strangers is viewed as an inverted metafiction, with insubstantial characters corrupting more complex heroes; The Child in Time is read as Stephen’s book written for his dead daughter; The Innocent as a memory narrative of Leonard who refuses to notice Maria’s role as a spy. In Black Dogs the over-exposure of unreliability is studied as a screen for personal trauma; in the analysis of Atonement Briony’s claim to authorship is questioned and Cecilia is suggested as an alternative narrative agent. Finally, examining On Chesil Beach, both characters’ voices are reconstructed in search of the superior narrative power, which in the end is seen to be elusive, as the text seeks to undermine the hierarchy of voices.


Ian McEwan

Ian McEwan
Author: Sebastian Groes
Publisher: Bloomsbury Publishing
Total Pages: 172
Release: 2009-05-19
Genre: Literary Criticism
ISBN: 1441102744

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Ian McEwan is one of the most significant, and controversial, British novelists working in the contemporary period. Although primarily a novelist, he has also written short stories, television plays, a libretto, a children's book and a film adaptation. This guide brings together a collection of fresh perspectives on McEwan's oeuvre, not only covering the early works and his writing for the screen but also incorporating detailed and original analyses of the later work, including his most recent novella, On Chesil Beach. It also includes a preface by Matt Ridley, the controversial writer on genetics and human behavior, about McEwan's obsession with science, as well as a unique discussion with McEwan himself.


Saturday

Saturday
Author: Ian McEwan
Publisher: Vintage Canada
Total Pages: 290
Release: 2009-02-24
Genre: Fiction
ISBN: 0307371220

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"Dazzling. . . . Profound and urgent" —Observer "A book of great maturity, beautifully alive to the fragility of happiness and all forms of violence. . . . Everyone should read Saturday" —Financial Times Saturday, February 15, 2003. Henry Perowne, a successful neurosurgeon, stands at his bedroom window before dawn and watches a plane—ablaze with fire like a meteor—arcing across the London sky. Over the course of the following day, unease gathers about Perowne, as he moves among hundreds of thousands of anti-war protestors who’ve taken to the streets in the aftermath of 9/11. A minor car accident brings him into confrontation with Baxter, a fidgety, aggressive man, who to Perowne’s professional eye appears to be profoundly unwell. But it is not until Baxter makes a sudden appearance at the Perowne family home that Henry’s earlier fears seem about to be realized. . .