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| Author | : Colum Hourihane |
| Publisher | : |
| Total Pages | : 66 |
| Release | : 1999 |
| Genre | : Cataloging of audio-visual materials |
| ISBN | : |
| Author | : Murtha Baca |
| Publisher | : American Library Association |
| Total Pages | : 420 |
| Release | : 2006-06-12 |
| Genre | : Architecture |
| ISBN | : 9780838935644 |
In a visual and artifact-filled world, cataloging one-of-a-kind cultural objects without published guidelines and standards has been a challenge. Now for the first time, under the leadership of the Visual Resources Association, a cross-section of five visual and cultural heritage experts, along with scores of reviewers from varied institutions, have created a new data content standard focused on cultural materials. This cutting-edge reference offers practical resources for cataloging and flexibility to meet the needs of a wide range of institutions—from libraries to museums to archives. Consistently following these guidelines for selecting, ordering, and formatting data used to populate metadata elements in cultural materials' catalog records: Promotes good descriptive cataloging and reduces redundancy Builds a foundation of shared documentation Creates data sharing opportunities Enhances end-user access across institutional boundaries Complements existing standards (AACR) This is a must-have reference for museum professionals, visual resources curators, archivists, librarians and anyone who documents cultural objects (including architecture, paintings, sculpture, prints, manuscripts, photographs, visual media, performance art, archaeological sites, and artifacts) and their images.
| Author | : Patricia Harpring |
| Publisher | : Getty Publications |
| Total Pages | : 259 |
| Release | : 2010-04-13 |
| Genre | : Art |
| ISBN | : 160606018X |
This detailed book is a “how-to” guide to building controlled vocabulary tools, cataloging and indexing cultural materials with terms and names from controlled vocabularies, and using vocabularies in search engines and databases to enhance discovery and retrieval online. Also covered are the following: What are controlled vocabularies and why are they useful? Which vocabularies exist for cataloging art and cultural objects? How should they be integrated in a cataloging system? How should they be used for indexing and for retrieval? How should an institution construct a local authority file? The links in a controlled vocabulary ensure that relationships are defined and maintained for both cataloging and retrieval, clarifying whether a rose window and a Catherine wheel are the same thing, or how pot-metal glass is related to the more general term stained glass. The book provides organizations and individuals with a practical tool for creating and implementing vocabularies as reference tools, sources of documentation, and powerful enhancements for online searching.
| Author | : Murtha Baca |
| Publisher | : Getty Publications |
| Total Pages | : 105 |
| Release | : 2002-07-25 |
| Genre | : Art |
| ISBN | : 0892366664 |
With the proliferation of information on the World Wide Web and in other networked environments, one of the main things that users search for are images of works of art and architecture. End-users generally try to search for images by subject, a process that often proves unsatisfactory and frustrating. Cataloging images of works of art has always been challenging, but now that end-users need only have access to the Internet, the challenge is more daunting than ever. This illustrated book on using metadata standards and controlled vocabularies to catalog and provide accurate end-user access to images of works of art also focuses on decisions that must be made about the arrangement of visual records, descriptive principles and methodologies, and requirements for access. Introduction to Art Image Access addresses the issues that underlie a visual collection to make it accessible in an electronic environment. A glossary, selected bibliography, and list of acronyms and URLS are included.
| Author | : James Duff Brown |
| Publisher | : London, Library Supply |
| Total Pages | : 434 |
| Release | : 1906 |
| Genre | : Classification |
| ISBN | : |
| Author | : Corinne Jörgensen |
| Publisher | : Scarecrow Press |
| Total Pages | : 366 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 9780810847347 |
When you hear the term "image management," do you think of making a good impression? Or taking good care of Impressionists? If the latter, this book is for you Vast collections of images exist in a wide range of organizations and institutions, and on the Internet. Some of these images are difficult to track down; others are just too large, too small, too valuable, or too fragile to access directly. In this introductory text to the field, Jorgensen describes the theoretical, empirical, and pragmatic underpinnings of storage and retrieval as they apply to a variety of visual formats.
| Author | : Colum Hourihane |
| Publisher | : Routledge |
| Total Pages | : 766 |
| Release | : 2016-12-19 |
| Genre | : Art |
| ISBN | : 131529835X |
Sometimes enjoying considerable favor, sometimes less, iconography has been an essential element in medieval art historical studies since the beginning of the discipline. Some of the greatest art historians – including Mâle, Warburg, Panofsky, Morey, and Schapiro – have devoted their lives to understanding and structuring what exactly the subject matter of a work of medieval art can tell. Over the last thirty or so years, scholarship has seen the meaning and methodologies of the term considerably broadened. This companion provides a state-of-the-art assessment of the influence of the foremost iconographers, as well as the methodologies employed and themes that underpin the discipline. The first section focuses on influential thinkers in the field, while the second covers some of the best-known methodologies; the third, and largest section, looks at some of the major themes in medieval art. Taken together, the three sections include thirty-eight chapters, each of which deals with an individual topic. An introduction, historiographical evaluation, and bibliography accompany the individual essays. The authors are recognized experts in the field, and each essay includes original analyses and/or case studies which will hopefully open the field for future research.
| Author | : Visual Resources Association |
| Publisher | : |
| Total Pages | : 82 |
| Release | : 2001 |
| Genre | : Audio-visual library service |
| ISBN | : |
| Author | : Karen Markey |
| Publisher | : Praeger |
| Total Pages | : 0 |
| Release | : 1986-10-21 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0313240310 |
Searching through a resource collection for a particular type of visual image yields little more than frustration if the user lacks the knowledge of the specialized concepts that are the key to the collection's system of classification. With Karen Markey's innovative approach to subject searching, however, users will be able to translate an inquiry for a particular type of visual image into the appropriate symbolic theme or concept and will easily access any type of visual resource collection. Based on Erwin Panofsky's work on meaning in the visual arts and the author's study of users of iconographical research collections, this volume offers a step-by-step method of describing subject content in visual images. Markey's model will enable museums, libraries, and art galleries to upgrade their services significantly.
| Author | : James Duff 1862-1914 Brown |
| Publisher | : Wentworth Press |
| Total Pages | : 432 |
| Release | : 2016-08-27 |
| Genre | : History |
| ISBN | : 9781371549381 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
