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| Author | : Mark Slobin |
| Publisher | : Wesleyan University Press |
| Total Pages | : 150 |
| Release | : 1993-04 |
| Genre | : Music |
| ISBN | : 9780819562616 |
A fascinating study of subcultural musics and their cultural identities.
| Author | : Mark Slobin |
| Publisher | : |
| Total Pages | : |
| Release | : 1993 |
| Genre | : |
| ISBN | : |
| Author | : Dr Ola Johansson |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 324 |
| Release | : 2012-11-28 |
| Genre | : Science |
| ISBN | : 1409488365 |
Popular music is a cultural form much rooted in space and place. This book interprets the meaning of music from a spatial perspective and, in doing so it furthers our understanding of broader social relations and trends, including identity, attachment to place, cultural economies, social activism and politics. The book's editors have brought together a team of scholars to discuss the latest innovative thinking on music and its geographies, illustrated with a fascinating range of case studies from the USA, Canada, the Caribbean, Australia and Great Britain.
| Author | : Paul D. Greene |
| Publisher | : Wesleyan University Press |
| Total Pages | : 302 |
| Release | : 2005 |
| Genre | : Music |
| ISBN | : 0819565164 |
Ethnographically-grounded studies of technology in global music.
| Author | : Ken Gelder |
| Publisher | : Psychology Press |
| Total Pages | : 620 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : 9780415127288 |
The only collected work of its kind in the field, The Subcultures Reader brings together the most valuable and stimulating writings on subcultures from the Chicago School to the present day. All the articles have been specially selected and edited for inclusion in the Reader and are grouped in sections, each with an editor's introduction. There is also a general introduction to the collection, which maps out the field of subcultural studies. Providing an essential guide to the subject, it enables students and teachers to understand how subcultural studies developed, the range of work it encompasses, and provides potential future directions of study throughout the field.
| Author | : Jayson Beaster-Jones |
| Publisher | : Oxford University Press |
| Total Pages | : 176 |
| Release | : 2014-10-09 |
| Genre | : Music |
| ISBN | : 0199993475 |
Bollywood Sounds focuses on the songs of Indian films in their historical, social, commercial, and cinematic contexts. Author Jayson Beaster-Jones takes readers through the highly collaborative compositional process, highlighting the contributions of film directors, music directors (composers), lyricists, musicians, and singers in song production. Through close musical and multimedia analysis of more than twenty landmark compositions, Bollywood Sounds illustrates how the producers of Indian film songs have long mediated a variety of musical styles, instruments, and performance practices to create a uniquely cosmopolitan music genre. As an exploration of the music of seventy years of Hindi films, Bollywood Sounds provides long-term historical insights into film songs and their musical and cinematic conventions in ways that will appeal both to scholars and to newcomers to Indian cinema.
| Author | : Isabella van Elferen |
| Publisher | : Routledge |
| Total Pages | : 202 |
| Release | : 2015-12-07 |
| Genre | : Music |
| ISBN | : 1317962974 |
Is "goth music" a genre, and if so, how does it relate to the goth subculture? The music played at goth club nights and festivals encompasses a broad range of musical substyles, from gloomy Batcave reverberations to neo-medieval bagpipe drones and from the lush vocals of goth metal to the harsh distortion of goth industrial. Goth Music: From Sound to Subculture argues that within this variegated musical landscape a number of key consistencies exist. Not only do all these goth substyles share a number of musical and textual characteristics, but more importantly these aspects of the music are constitutive of goth social reality. Drawing on their own experiences in the European and American goth scenes, the authors explore the ways in which the sounds of goth inform the scene’s listening practices, its fantasies of other worlds, and its re-enchantment of their own world. Goth music, this book asserts, engenders a musical timespace of its own, a musical chronotope that is driven by nostalgic yearning. Goth Music: From Sound to Subculture reorients goth subcultural studies onto music: goth music must be recognized not only as simultaneously diverse and consistent, but also as the glue that holds together goth scenes from all over the world. It all starts with the music.
| Author | : Anne M. Galvin |
| Publisher | : Vanderbilt University Press |
| Total Pages | : 294 |
| Release | : 2014-06-30 |
| Genre | : History |
| ISBN | : 0826502881 |
Dancehall: it's simultaneously a source of raucous energy in the streets of Kingston, Jamaica; a way of life for a group of professional artists and music professionals; and a force of stability and tension within the community. Electronically influenced, relevant to urban Jamaicans, and highly danceable, dancehall music and culture forms a core of popular entertainment in the nation. As Anne Galvin reveals in Sounds of the Citizens, the rhythms of dancehall music reverberate in complicated ways throughout the lives of countless Jamaicans. Galvin highlights the unique alliance between the dancehall industry and community development efforts. As the central role of the state in supporting communities has diminished, the rise of private efforts such as dancehall becomes all the more crucial. The tension, however, between those involved in the industry and those within the neighborhoods is palpable and often dangerous. Amidst all this, individual Jamaicans interact with the dancehall industry and its culture to find their own paths of employment, social identity, and sexual mores. As Sounds of the Citizens illustrates, the world of entertainment in Jamaica is serious business and uniquely positioned as a powerful force within the community.
| Author | : Michel Hockx |
| Publisher | : Cambridge University Press |
| Total Pages | : 222 |
| Release | : 2005-12-26 |
| Genre | : History |
| ISBN | : 9780521681247 |
The culture of the People's Republic of China offers a unique blend of the popular, the political and the avant-garde. In no other country in the world are cultural products subjected to such strict censorship and at the same time consumed by such large numbers of people. This volume presents essays by scholars at the cutting edge of Chinese cultural studies, dealing with subjects ranging from advertising to poetry, from rock music to revolutionary museums, providing an authoritative and multi-faceted analysis of some of the world's most complex cultural phenomena.
| Author | : Deborah Kapchan |
| Publisher | : Wesleyan University Press |
| Total Pages | : 336 |
| Release | : 2017-04-04 |
| Genre | : Music |
| ISBN | : 0819576662 |
The study of listening—aurality—and its relation to writing is the subject of this eclectic edited volume. Theorizing Sound Writing explores the relationship between sound, theory, language, and inscription. This volume contains an impressive lineup of scholars from anthropology, ethnomusicology, musicology, performance, and sound studies. The contributors write about sound in their ongoing work, while also making an intervention into the ethics of academic knowledge, one in which listening is the first step not only in translating sound into words but also in compassionate scholarship.
