Sub-standard Film
Author | : |
Publisher | : |
Total Pages | : 352 |
Release | : 1951 |
Genre | : Motion pictures |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 352 |
Release | : 1951 |
Genre | : Motion pictures |
ISBN | : |
Author | : New York (State) |
Publisher | : |
Total Pages | : 2502 |
Release | : |
Genre | : Session laws |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 654 |
Release | : 1928 |
Genre | : Photography |
ISBN | : |
Author | : United States. Congress. Senate. Committee on Education and Labor |
Publisher | : |
Total Pages | : 878 |
Release | : 1945 |
Genre | : Cost and standard of living |
ISBN | : |
Author | : Joost Hunningher |
Publisher | : University of Westminster Press |
Total Pages | : 174 |
Release | : 2015-01-01 |
Genre | : History |
ISBN | : 1911534238 |
The story of the (now restored) Regent Street Cinema is the fourth volume exploring the University of Westminster's long and diverse history. This multi-authored volume tells its history from architectural, educational, legal and cinematic perspectives and is richly illustrated throughout with images from the University of Westminster archive.
Author | : Ian Craven |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 365 |
Release | : 2020-07-13 |
Genre | : Performing Arts |
ISBN | : 1527556735 |
Movies on Home Ground: Explorations in Amateur Cinema offers a critical response to the still under-explored mode of amateur cinema, as a particular sphere of British film practice. Concentrating upon a roughly fifty-year period (1930–1980), during which such filmmaking grew rapidly as a significant leisure activity in Britain, the volume shows how popular ‘cine’ assumed distinctive institutional and ideological forms, and some remarkable aesthetic emphases, grounded in consistent technical and critical apparatuses. Although an outline history of such filmmaking is certainly implicit, the priority of Movies On Home Ground is to offer a series of overlapping perspectives on amateur movie-making, with a view to locating such filmmaking as a component of the broader shape of British film culture. Emphasis is thus given to institutional contexts, technical determinants, and the social formations of practising filmmakers, as well as to concerns with the construction of amateur outlooks, understandings of amateur aesthetics, and the remarkable diversity of amateur genericity. The anthology thus supplies a text offering support to study courses dealing with the many varieties of non-professional participation best understood as truly ‘amateur’, rather than as ‘independent’ or ‘alternative’ filmmaking. By granting the amateur a place within the acknowledged range of significant interventions, the recognised canon of British filmmaking is widened in fascinating new directions.
Author | : |
Publisher | : |
Total Pages | : 408 |
Release | : 1928 |
Genre | : Amateur theater |
ISBN | : |
Author | : New Zealand. Parliament |
Publisher | : |
Total Pages | : 982 |
Release | : 1950 |
Genre | : New Zealand |
ISBN | : |
Author | : Ilaria Pezone |
Publisher | : Edizioni Falsopiano |
Total Pages | : 232 |
Release | : 2023-04-19 |
Genre | : Photography |
ISBN | : 8893042517 |
“Defining proximity cinema, a concept in which only apparently distant experiences are associated, such as private and underground cinema. This is the goal of the book: to challenge and redefine the boundaries of stale and automatic critical categories. Tracing a transversal path that combines family cinema and experimental cinema, in the name of innovation, freedom from industrial and market conventions. Mapping writings for images emancipated from the usual narrative, from the general canon. Familiar or avant-garde works, which beg to be looked at through eyes free from superstructures, devoid of both pre-packaged intellectual meanings and the contemporary perverse desire for fun at all costs. Proximity cinema goes to the beating heart of things. It is amateur cinema in the etymological, amorous sense: it asks to be experienced without prejudice, it makes a clean sweep of interpretative vices, it reveals itself openly, offering portions of life, it often reaches the abstract consistency of painting through an obstinate observation of reality. Under the aegis of Roger Odin and deployed, like Stan Brakhage, in defense of the amateur, proximity cinema looks at the production of images with the aim of restoring dignity — artistic, historical, and sociological — to simple yet extraordinarily complex, intimate, and revolutionary cinematographic gestures, which are constantly and dully underestimated if not derided." Ilaria Pezone is a teacher at Brera Academy. Since 2009, she has been dedicated to the study and practice of private cinema. She’s made short, medium, and feature-length films, including France, quasi un autoritratto (2017); Indagine su sei brani di vita rumorosa dispersi in un’estate afosa - raccolti e scomposti in cinque atti (2016); Concerto Metafisico (2015); Vedere Tra - Luigi Erba improvviso e dialogato (2014); 1510 - sogno su carta impressa con video (2013); Masse nella geometria rivelata dello spazio-tempo (2012); Andare tornando a rilievi domestici (2011); GREISTTMO (2010); Polittico Preludio Adagio Altalenante (2009); Leggerezze e gravità (2008).
Author | : |
Publisher | : |
Total Pages | : 346 |
Release | : 1926 |
Genre | : Cinematography |
ISBN | : |