Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Style In Singing PDF full book. Access full book title Style In Singing.
| Author | : Martha Elliott |
| Publisher | : Yale University Press |
| Total Pages | : 380 |
| Release | : 2006-01-01 |
| Genre | : Music |
| ISBN | : 9780300109320 |
Muziekhistorisch en musicologisch overzicht van de klassieke solozang vanaf de barok tot heden.
| Author | : Donna Soto-Morettini |
| Publisher | : A&C Black |
| Total Pages | : 280 |
| Release | : 2014-07-31 |
| Genre | : Music |
| ISBN | : 1472518659 |
This second edition of the highly successful Popular Singing serves as a practical guide to exploring the singing voice while helping to enhance vocal confidence in a range of popular styles. The book provides effective alternatives to traditional voice training methods, and demonstrates how these methods can be used to create a flexible and unique sound. This updated and thoroughly revised edition features a new chapter on training for popular singing, which incorporates recent movements in teaching the discipline across the globe, taking into account recent developments in the area. The book also features a new section on 'bridging' - ie. using all the technical elements outlined in the book to help the singer find their own particular expressive style to inspire more playfulness and creativity, both for the individual singer and for the teacher in practice and performance.
| Author | : Elisabeth Howard |
| Publisher | : Alfred Music Publishing |
| Total Pages | : 148 |
| Release | : 2006 |
| Genre | : Music |
| ISBN | : 9780934419185 |
Featuring the original Elisabeth Howard Vocal Power Method of Singing, this voice training program includes four CDs that focus on the following: Singing Techniques such as power, range expansion, vibrato control, volume, dynamics, pitch; Singing Styles such as Pop, Rock, Country, Blues, R&B, Broadway, Phrasing, Improvisation, Personal Style; Super Vocals, which includes "Licks and Tricks" for every style; Sing-Aerobics, which includes a 30 minute (at home or in the car) workout for the male and female voices.
| Author | : W. E. Haslam |
| Publisher | : DigiCat |
| Total Pages | : 101 |
| Release | : 2022-09-15 |
| Genre | : Fiction |
| ISBN | : |
In listening to a Patti, a Kubelik, a Paderewski, the reflective listener is struck by the absolute sureness with which such artists arouse certain sensations in their auditors. Moreover, subsequent hearings will reveal the fact that this sensation is aroused always in the same place, and in the same manner. The beauty of the voice may be temporarily affected in the case of a singer, or an instrument of less æsthetic tone-quality be used by the instrumentalist, but the result is always the same. What is the reason for this? Why do great artists always make the same effect and produce the same impression on their public? Unreflecting people may reply vaguely that it was because the artist "sang with expression." But what constitutes "expression" in singing? No great artist—no matter what the vehicle or medium through which his art finds manifestation—does anything at random. "The wind bloweth where it listeth" only in appearance; in reality, it is governed by immutable law. Similarly, the outward form of an art is only apparently dictated by caprice and freedom from rule. The effective presentation of every art is based on well-defined and accepted principles. And it is with the earnest desire to throw light on this most important phase of vocal art, that the author presents the principles of 'Style in Singing.'
| Author | : W. E. Haslam |
| Publisher | : |
| Total Pages | : 124 |
| Release | : 1911 |
| Genre | : Singing |
| ISBN | : |
| Author | : Pamelia S. Phillips |
| Publisher | : John Wiley & Sons |
| Total Pages | : 322 |
| Release | : 2011-05-23 |
| Genre | : Music |
| ISBN | : 1118053044 |
Ah, there’s just nothing better than singing in the shower. The acoustics are perfect and you don’t sound half bad, if you do say so yourself. In fact, with a little practice you could be the next “American Idol” platinum-selling recording artist, or stage sensation. It’s time for Pavarotti to step down and for you to step up as monarch of songdom. Whether you’re a beginning vocalist or a seasoned songster, Singing for Dummies makes it easy for you to achieve your songbird dreams. Singing for Dummies gives you step-by-step instructions and lots of helpful tips, hints, vocal exercises, reminders, and warnings for both men and women, including advice on: The mechanics of singing Discovering your singing voice Developing technique Singing in performance Maintaining vocal health Performing like a pro Singing for Dummies is written by Dr. Pamelia Phillips, Chair of Voice and Music at New York University’s Undergraduate Drama Department. Dr. Phillips shares all of her professional expertise to help you sing your way to the top. She gives you all the information you need to know about: Proper posture and breathing Perfecting your articulation Finding the right voice teacher for you How to train for singing Selecting your music materials Acting the song Overcoming stage fright Auditioning for musical theater In addition to Dr. Phillips’ wisdom, Singing for Dummies comes with a CD packed full of useful instruction and songs, including: Demonstrations of proper technique Exercises to develop technique and strength Scales and pitch drills Practice songs for beginning, intermediate, and advanced singers Singing for Dummies contains all the information, practices, techniques, and expert advice you need to hone your vocal skills with ease.
| Author | : Danuta Mirka PhD |
| Publisher | : Oxford University Press |
| Total Pages | : 713 |
| Release | : 2014-10-16 |
| Genre | : Music |
| ISBN | : 0199841586 |
Topics are musical signs developed and employed primarily during the long eighteenth century. Their significance relies on associations that are clearly recognizable to the listener with different genres, styles and types of music making. Topic theory, which is used to explain conventional subjects of musical composition in this period, is grounded in eighteenth-century music theory, aesthetics, and criticism, while drawing also from music cognition and semiotics. The concept of topics was introduced into by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. As the invention of a twentieth-century academic, topic theory as a field is comparatively new, and The Oxford Handbook of Topic Theory provides a much-needed reconstruction of the field's aesthetic underpinnings. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting the historical reality of individual topics on the basis of eighteenth-century sources, it traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. Focusing its scope on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation for further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.
| Author | : Jeannie Wolff Gagné |
| Publisher | : Berklee Press Publications |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Music |
| ISBN | : 9780876391587 |
'Belting' picks up where the author's first book, 'Your singing voice' left off. It teaches how to sing loud, powerful vocals that won't hurt, crack, sound bad, or stop your vocal chords from functioning properly.
| Author | : W. E. Haslam |
| Publisher | : Forgotten Books |
| Total Pages | : 116 |
| Release | : 2017-09-10 |
| Genre | : Music |
| ISBN | : 9781528134378 |
Excerpt from Style in Singing This last tone was delivered with the full force and brilliance of her magnificent voice, and was prolonged until the thrill produced in the listener became almost painful in its intensity. Again I ask, why did this world-famous singer perform this passage always in the same way? Unrefiecting people may reply vaguely that it was because the artist sang with expression. But what constitutes expression in singing? No great artist - no matter what the vehicle or medium through which his art finds manifestation - does anything at random. The wind bloweth where it listeth only in appearance; in reality, it is governed by immutable law. Similarly, the outward form of an art is only apparently dictated by caprice and freedom from rule. The effective presentation of every art is based on well defined and accepted principles. And it is with the earnest desire to throw light on this most important phase of vocal art, that I present the principles of Style in Singmg. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
| Author | : Matthew Hoch |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 337 |
| Release | : 2018-04-03 |
| Genre | : Music |
| ISBN | : 1538103621 |
So You Want to Sing CCM (Contemporary Commercial Music) presents a compendium of approaches to non-classical singing with an emphasis on vocal technique and function. Over the past twenty years, approaches to singing CCM have exploded, resulting in many schools of technique. So You Want to Sing CCM is the first book to bring these trademarked methods—such as Estill Voice Training™, Somatic Voicework™, Complete Vocal Technique™, Voiceworks™, and the Vocal Power Method™—together in a single volume. So You Want to Sing CCM opens the reader to the vast world of contemporary commercial music through the teachings of the world’s best-known practicing CCM pedagogues. Supplemental chapters by Matthew Edwards, Darren Wicks, and editor Matthew Hoch offer additional commentary on CCM history and pedagogy while chapters by Scott McCoy, Wendy LeBorgne, and Matthew Edwards investigate voice science, vocal health, and audio enhancement technology. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing CCM features online supplemental material. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources
