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| Author | : Wolfgang Lotz |
| Publisher | : Cambridge, Mass. : MIT Press |
| Total Pages | : 256 |
| Release | : 1977 |
| Genre | : Architecture |
| ISBN | : |
| Author | : Peter Murray |
| Publisher | : Schocken |
| Total Pages | : 264 |
| Release | : 1986 |
| Genre | : Architecture |
| ISBN | : |
Guides the reader from the earliest revivals of Roman style to the villas of Palladio and Vignola. Each of the great architects is clearly and sensitively discussed. 202 illustrations.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 479 |
| Release | : 2016-04-08 |
| Genre | : History |
| ISBN | : 9004315500 |
Urbino, Rome, Florence, Milan, Ferrara... but also Mantua and Imola, Carpi and Saluzzo, Naples and Sicily: a collection of case studies on the Renaissance renewal of Italian court palaces from a comparative perspective.
| Author | : David Karmon |
| Publisher | : Cambridge University Press |
| Total Pages | : 490 |
| Release | : 2021-05-27 |
| Genre | : Art |
| ISBN | : 1108808476 |
This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.
| Author | : Cecilia Hewlett |
| Publisher | : Brepols Publishers |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Art, Italian |
| ISBN | : 9782503552767 |
This volume honours F.W. (Bill) Kent (1942-2010), internationally renowned scholar of Renaissance Florence and founding editor of the Europa Sacra series. Kent belonged to an energetic generation of Australians who, in the late 1960s, tackled the Florentine archives and engaged key issues confronting historians of that ever-fascinating city. With his meticulous archival findings and contextual interpretations spanning a scholarly career of more than forty years, Kent engaged with, indeed drove, the scholarly response to many of the issues that have shaped not just our current and emerging understanding of Florence and other urban centres of Italy, but along with that, a more nuanced view of the role of frontier towns and the countryside. Interdisciplinary in scope and grounded in visual, literary, and archival materials, the essays presented here explore a variety of facets of the society of Renaissance Italy, confronting and extending themes that have been emerging in recent decades and exemplified by Kent's work. These themes include the role of kinship and networks, power and agency in Laurentian Florence, gender, ritual, representation, patronage, spirituality, and the generation and consumption of material culture.
| Author | : Wolfgang Lotz |
| Publisher | : Yale University Press |
| Total Pages | : 222 |
| Release | : 1995-01-01 |
| Genre | : Architecture |
| ISBN | : 0300064691 |
This classic work presents a stimulating survey of the most exciting and innovative period in the history of architecture. Lotz also goes beyond the more familiar locations, architects and buildings to conquer less well-known territories, exploring Piedmont and Vitozzi and ending with a study of bizzarrie.
| Author | : Marco Bussagli |
| Publisher | : Magnus Edizioni |
| Total Pages | : 0 |
| Release | : 2013-06-16 |
| Genre | : Architecture, Renaissance |
| ISBN | : 9781566493819 |
The development of Italian Renaissance architecture was one of the most relevant cultural phenomena of the 15th and 16th centuries, not only for the environment that gave birth to it and for centuries followed its course, but also for the reverberations it caused outside of Italy and in the epochs that followed. In fact, it became the reference model for most European courts, which were inspired as much by the decorative elements (take for example France's palace at Fontainebleau or Scotland's Stirling Castle) as by the architectonic system and stylistic conventions. This extraordinary flowering, theorized and implemented by people of absolute genius such as Filippo Brunelleschi and Leon Battista Alberti (to limit ourselves to the most prominent figures), encompasses masterpieces such as the dome of Santa Maria del Fiore in Florence or that of Saint Peter's in Rome, as well as perfectly harmonious structures such as Maser's Villa Barbaro, Vicenza' Basilica and Venice's Biblioteca Marciana.This comprehensive compilation of Italian Renaissance architecture richly documented, illustrated and organized by type of construction, major architects and geographical location reveals and celebrates a unique artistic period that lasted for almost two centuries, from the early 1400s through the end of the 1500s, two points in time perfectly reflected in the figures of Brunelleschi and Buontalenti.
| Author | : Frederick Hartt |
| Publisher | : Pearson College Division |
| Total Pages | : 768 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 9780130620118 |
This volume covers over four centuries of Italian painting, sculpture, and architecture. Revising author David G. Wilkins blends new scholarly discoveries with original author Hartt's emphasis on stylistic developments between the 12th and 16th centuries. offer a dynamic insight into the way Renaissance men and women experienced their art. Since the release of the fourth edition, many more works have been restored, including Michelangelo's Last Judgment in the Sistine Chapel and Raphael's Stanze frescoes in the Vatican. Fresh views of renowned works are included with art commissioned or produced by women. Extended captions identify Renaissance patrons and provide details about historical context, emphasizing how art was created and why, while in-depth visual analysis clarifies the aesthetic developments that emerged in key artistic centers such as Florence, Rome, Venice, and Siena. New iconographic diagrams and computerized reconstructions add dimension to the meanings behind classical, secular, and sacred motifs.
| Author | : Yvonne Elet |
| Publisher | : Cambridge University Press |
| Total Pages | : 382 |
| Release | : 2018-01-11 |
| Genre | : Art |
| ISBN | : 1108216110 |
Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.
| Author | : Manfredo Tafuri |
| Publisher | : Yale University Press |
| Total Pages | : 580 |
| Release | : 2006-01-01 |
| Genre | : History |
| ISBN | : 9780300111583 |
"Tafuri studies the theory and practice of Renaissance architecture, offering new and compelling readings of its various social, intellectual, and cultural contexts while providing a broad understanding of uses of representation that shaped the entire era. He synthesizes the history of architectural ideas and projects through discussions of the great centers of architectural innovation in Italy (Florence, Rome, and Venice), key patrons from the middle of the fifteenth century (Pope Nicholas V) to the early sixteenth century (Pope Leo X), and crucial figures such as Leon Battista Alberti, Filippo Brunelleschi, Lorenzo de'Medici, Raphael, Baldassare Castiglione, and Giulio Romano. Interpreting the Renaissance is an essential book for anyone interested in the architecture and culture of fifteenth- and sixteenth-century Italy."--BOOK JACKET.
