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String quartets, op. 17

String quartets, op. 17
Author: Joseph Haydn
Publisher: Courier Corporation
Total Pages: 131
Release: 2000-01-01
Genre: Music
ISBN: 0486413942

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In the course of a 50-year period, Haydn composed some 80 string quartets, whose range and variety of structural invention rank second only to those of Beethoven. This fine new anthology consists of the six pieces known collectively as Op. 17: String Quartet in E Major, Op. 17, No. 1; String Quartet in F Major, Op. 17, No. 2; String Quartet in E-flat Major, Op. 17, No. 3, and three other pieces.


Catalogs

Catalogs
Author: Harold Reeves (Firm)
Publisher:
Total Pages: 700
Release: 1919
Genre: Music
ISBN:

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String Quartets, Op. 17

String Quartets, Op. 17
Author: Joseph Haydn
Publisher:
Total Pages:
Release:
Genre: String quartets
ISBN:

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The String Quartet, 1750–1797

The String Quartet, 1750–1797
Author: Mara Parker
Publisher: Routledge
Total Pages: 330
Release: 2017-07-05
Genre: Music
ISBN: 1351540289

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The second half of the eighteenth century witnessed a flourishing of the string quartet, often represented as a smooth and logical progression from first violin-dominated homophony to a more equal conversation between the four voices. Yet this progression was neither as smooth nor as linear as previously thought, as Mara Parker illustrates in her examination of the string quartet during this period. Looking at a wide variety of string quartets by composers such as Pleyel, Distler and Filtz, in addition to Haydn and Mozart, the book proposes a new way of describing the relationships between the four instruments in different works. Broadly speaking, these relationships follow one of four patterns: the 'lecture', the 'polite conversation', the 'debate', and the 'conversation'. In focusing on these musical discourses, it becomes apparent that each work is the product of its composer's stylistic choices, location, intended performers and intended audience. Instead of evolving in a strict and universal sequence, the string quartet in the latter half of the eighteenth century was a complex genre with composers mixing and matching musical discourses as circumstances and their own creative impulses required.


3rd and 5th Position String Builder

3rd and 5th Position String Builder
Author: Samuel Applebaum
Publisher: Alfred Music
Total Pages: 36
Release: 1996-08-01
Genre: Music
ISBN: 9781457453748

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The Third and Fifth Position String Builder is to be used after Book 3 of the Belwin String Builder. However, it may also be used as a continuation of any the standard string class methods. In this book, the violin, viola, cello, and bass play together. The book for each instrument, however, is a complete unit and may be used separately for class or individual instruction. In this book, the pupil is carefully taken step by step through the third and fifth positions. The pupil is taught to find each finger, after which simple shifts are introuduced with the same finger, followed by shifts to these positions with different fingers. Each type of shift is presented and developed with interesting melodies. The material in this volume is chosen for its musical interest and its technical value. There are a number of duets which are to be played by either two pupils or with the class divided into two groups. The material in this book is realistically graded so that only a minimum of explanatory material is required. Suggestions for work by rote are presented throughout the book. Published for violin, viola, cello, bass, piano accompaniment, teacher's manual.


Beethoven's Century

Beethoven's Century
Author: Hugh Macdonald
Publisher: University Rochester Press
Total Pages: 278
Release: 2008
Genre: Biography & Autobiography
ISBN: 9781580462754

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Essays by the noted authority on nineteenth-century music, the topics ranging from Beethoven and Schubert to comic opera to Scriabin and Janácek. In Beethoven's Century: Essays on Composers and Themes, world-renowned musicologist Hugh Macdonald draws together many of his richest essays on music from Beethoven's time into the early twentieth century. The essays are here revised and updated, and some are printed in English for the first time. Beethoven's Century addresses perennial questions of what music meant to the composer and his audiences, how it was intended to be played, andhow today's audiences can usefully approach it. Opening with a revealing analysis of Beethoven's not always generous regard for his listeners, the essays probe aspects of Schubert's musical personality, the brief friendshipbetween Berlioz and Schumann, Liszt's abilities as a conductor, and Viennese views of Wagner as expressed by Hugo Wolf. Essays on comic opera and trends in French opera libretti in the late nineteenth century reflect the author's long-standing sympathy for French music, and strikingly eccentric personalities in the world of music, such as Paganini, Alkan, Skryabin, and Janácek, are brought to life. Beethoven's Century concludes with a wrylook at some startling developments in early twentieth-century music that have often been overlooked. Hugh Macdonald has taught music at the Universities of Cambridge, Oxford, and Glasgow, and since 1987 has been Avis H. Blewett Distinguished Professor of Music at Washington University, St. Louis. He has written books on Skryabin and Berlioz, and is a regular pre-concert speaker for the Boston and St. Louis Symphony Orchestras.


Chamber Music

Chamber Music
Author: Lucy Miller Murray
Publisher: Rowman & Littlefield
Total Pages: 463
Release: 2015-04-09
Genre: Music
ISBN: 1442243430

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In Chamber Music: An Extensive Guide for Listeners,Lucy Miller Murray transforms her decades of program notes for some of the world’s most distinguished artists and presenters into the go-to guide for the chamber music novice and enthusiast. Offering practical information on the broad array of chamber music works from the Classical, Romantic, and Modern periods—and an artful selection from the Baroque period of Johann Sebastian Bach’s works—Chamber Music: An Extensive Guide for Listeners is both the perfect reference resource and chamber music primer for listeners. Covering over 500 works, Murray surveys in clear and simple language the historical and musical impact of some 130 composers—20 of them living. Notably, Chamber Music includes the complete string quartets of Beethoven, Bartok, and Shostakovich, as well as 35 piano trios of Haydn. It also provides critical information and assessments of works by composers not nearly so well known, both past and present. Entries appear in alphabetical order by composer, and, in every instance, give a brief introduction to the composer’s life and work. Of particular interest are the brief spotlight contributions, from well-known figures in the chamber music world, who focus on the performance experience or offer special knowledge of the works. This work is an ideal introduction and reference for students and scholars, new listeners, and enthusiasts of the chamber music tradition in Western music. Special contributors include: ·Charles Abramovic ·James Bonn ·Michael Brown ·Eugene Drucker ·James Dunham ·Daniel Epstein ·Ralph Evans ·Jeremy Gill ·Jake Heggie ·Paul Katz ·Bert Lucarelli ·Stuart Malina ·Robert Martin ·Peter Orth ·Jann Pasler ·Susan Salm ·David Shifrin ·Peter Sirotin/Ya-Ting Chang ·Arnold Steinhardt ·Kenneth Woods ·David Yang Phillip Ying


The Best of George Frideric Handel

The Best of George Frideric Handel
Author: Paul Paradise
Publisher: Alfred Music
Total Pages: 36
Release:
Genre: Music
ISBN: 9781457461651

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This beautiful collection for orchestra or string quartet is ideal for students, amateurs, and professionals. Useful in school, church, at the mall, and in the concert hall. Titles are: * Opus 6, No. 9 in F Major * Opus 6, No. 7 in B-flat Major * Opus 6, No. 1 in G Major * Opus 6, No. 2 in F Major * Opus 6, No. 3 in E Minor * Opus 6, No. 10 in D Minor * Opus 6, No. 6 in B-flat Major.


Classical and Romantic Performing Practice 1750-1900

Classical and Romantic Performing Practice 1750-1900
Author: Clive Brown
Publisher: Oxford University Press
Total Pages: 677
Release: 2004-05-20
Genre: Music
ISBN: 0195347242

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The past ten years have seen a rapidly growing interest in performing and recording Classical and Romantic music with period instruments; yet the relationship of composers' notation to performing practices during that period has received only sporadic attention from scholars, and many aspects of composers' intentions have remained uncertain. Brown here identifies areas in which musical notation conveyed rather different messages to the musicians for whom it was written than it does to modern performers, and seeks to look beyond the notation to understand how composers might have expected to hear their music realized in performance. There is ample evidence to demonstrate that, in many respects, the sound worlds in which Mozart, Beethoven, Wagner, and Brahms created their music were more radically different from ours than is generally assumed.