String Quartet No 12 In F Major Op 96 American For Wind Quintet The New York Woodwind Quintet Library Series PDF Download

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String Quartet No. 12 in F Major, Op. 96 (American) for Wind Quintet: The New York Woodwind Quintet Library Series

String Quartet No. 12 in F Major, Op. 96 (American) for Wind Quintet: The New York Woodwind Quintet Library Series
Author: George Barrere
Publisher:
Total Pages: 0
Release: 2013-12
Genre: Music
ISBN: 9781581061703

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(Southern Music). Antonin Dvorak composed the quartet in F Major, op. 96 "The American" in the summer of 1893 during his summer vacation in Spillvale, Iowa. From 1892-1895, Dvorak served as director of the National Conservatory of Music in NYC. He had been interested in "American Music" and felt that Native American and Afro-American music could inspire an "American Music" distinct from European influences. He was inspired by (Henry Thacker) Harry Burleigh, his student in New York and one of the first Afro-American composers. While it is impossible to know why Georges Barrere chose Dvorak's F Major Quartet to transcribe for Woodwind Quintet, we may easily hazard several guesses. Firstly, it was a work much beloved by the public and very respected by professional musicians. As an immigrant himself, Barrere could easily sympathize with Dvorak's desire to create a distinctly American work. A work in the key of F Major, it lent itself easily to wind transcription. While known as the Barrere transcription, it turns out that Samuel Baron, one of Barrere's most famous students and a long time member of the New York Woodwind Quintet, who has to his credit a long list of wonderful transcriptions for woodwind quintet, played a significant role in the transcription.


Library of Congress Catalog

Library of Congress Catalog
Author: Library of Congress
Publisher:
Total Pages: 822
Release: 1973
Genre: Audio-visual materials
ISBN:

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A cumulative list of works represented by Library of Congress printed cards.


National Union Catalog

National Union Catalog
Author:
Publisher:
Total Pages: 712
Release: 1983
Genre: Union catalogs
ISBN:

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String quartet in F major, op.96

String quartet in F major, op.96
Author: Antonín Dvořák
Publisher:
Total Pages:
Release: 1942
Genre: String quartets
ISBN:

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Fantasy in F Minor, K. 594

Fantasy in F Minor, K. 594
Author: Wolfgang Amadeus Mozart
Publisher: Southern Music Company
Total Pages: 12
Release: 2015-01-01
Genre: Music
ISBN: 9781581062045

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(Southern Music). These two extraordinary works of late Mozart, KV 594 and KV 608, were both composed to fulfill a commission for a memorial exhibit in Vienna, to be played in a "mechanical clock organ." The term "fantasy" or "fantasia" came to be affixed to these works later, and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue, "Ein Stuke fur ein Orgelwerk in ein Uhr." They are also variously titled "Adagio und Allegro in f fur ein Orgelwerk" and "Allegro und Andante (Fantasie in f) fur eine Orgelwaltze." The first of these, composed between the monumental String Quintet in D and the Piano Concerto in Bb KV 595, is an A-B-A form, comprised of an f minor Adagio opening and closing, with a contrapuntal Allegro at its heart. KV 608 is more complicated, opening with an f minor section reminiscent of a French Overture, followed by a fugue in f minor, then an Andante aria, followed by a return to the opening and then a more complex version of the fugue. Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices, KV 594 and 608 are remarkable works which stand at an intersection, incorporating what he learned about counterpoint studying at the foot of Bach, while looking ahead to the emotional and harmonic poignancy of Schubert.


Fantasy in F Minor, K. 608

Fantasy in F Minor, K. 608
Author: Wolfgang Amadeus Mozart
Publisher: Southern Music Company
Total Pages: 18
Release: 2015-01-01
Genre: Music
ISBN: 9781581062052

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(Southern Music). These two extraordinary works of late Mozart, KV 594 and KV 608, were both composed to fulfill a commission for a memorial exhibit in Vienna, to be played in a "mechanical clock organ." The term "fantasy" or "fantasia" came to be affixed to these works later, and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue, "Ein Stuke fur ein Orgelwerk in ein Uhr." They are also variously titled "Adagio und Allegro in f fur ein Orgelwerk" and "Allegro und Andante (Fantasie in f) fur eine Orgelwaltze." The first of these, composed between the monumental String Quintet in D and the Piano Concerto in Bb KV 595, is an A-B-A form, comprised of an f minor Adagio opening and closing, with a contrapuntal Allegro at its heart. KV 608 is more complicated, opening with an f minor section reminiscent of a French Overture, followed by a fugue in f minor, then an Andante aria, followed by a return to the opening and then a more complex version of the fugue. Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices, KV 594 and 608 are remarkable works which stand at an intersection, incorporating what he learned about counterpoint studying at the foot of Bach, while looking ahead to the emotional and harmonic poignancy of Schubert.