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Strategic Transformations in Nigerian Writing

Strategic Transformations in Nigerian Writing
Author: Ato Quayson
Publisher: Indiana University Press
Total Pages: 194
Release: 1997-09-22
Genre: History
ISBN: 9780253211484

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" . . . a sophisticated and thoughtful study." —Leeds African Studies Bulletin "A very impressive work . . . in the concreteness of its research documentation as well as in its theoretical scope, this study brings a truly innovative dimension to African literary scholarship, and indeed to the whole field of African studies." —Abiola Irele, Ohio State University "The discussion reveals a combination of formidable analytical and critical strength with a refreshingly open-minded and sensible approach to his field." —Karin Barber, University of Birmingham


African Literatures in English

African Literatures in English
Author: Gareth Griffiths
Publisher: Routledge
Total Pages: 427
Release: 2014-09-19
Genre: Literary Criticism
ISBN: 1317895851

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Here is an introduction to the history of English writing from East and West Africa drawing on a range of texts from the slave diaspora to the post-war upsurge in African English language and literature from these regions.


The Rise of the African Novel

The Rise of the African Novel
Author: Mukoma Wa Ngugi
Publisher: University of Michigan Press
Total Pages: 241
Release: 2018-03-27
Genre: Literary Criticism
ISBN: 047205368X

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Engaging questions of language, identity, and reception to restore South African and diaspora writing to the African literary tradition


The Changing Face of African Literature / Les nouveaux visages de la littérature africaine

The Changing Face of African Literature / Les nouveaux visages de la littérature africaine
Author:
Publisher: BRILL
Total Pages: 238
Release: 2009-01-01
Genre: Literary Criticism
ISBN: 9042028858

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The Changing Face of African Literature combines both the large picture – a synopsis of current trends in African literature – and the small: studies of individual texts and of themes across several texts. The large and the small are linked by recurring themes, such as gender and sexuality, the nation-state and its collapse, AIDS, war, and suffering. The volume is comparative, bringing together literature in at least five languages and from at least ten national literatures. Such a large, comparative frame is implied by most discussion of African literature but is too seldom seen. At the same time, the collection also problematizes the comparison: the goal is to make clear what African literatures have in common but also where they diverge. What difference do distinct literary traditions, readerships, and publishing patterns make to literatures which share a common thematic and so many of the same questions and needs? By juxtaposing contemporary texts form several traditions, the intention of this collection is to bring out the themes that are currently dominant in African literatures generally. After a preface by Liz Gunner and a wide-ranging introduction by the editors, the collection presents keynote essays on new paradigms in African literature, before treating specific themes – recent crime fiction, the Afrikaans and anglophone novel, feminist literature, ‘migritude’ – and studies of recent works by individual authors such as André Brink, Henri Djombo, Pie Tshibanda, Bessora, Nadine Gordimer, and Paulina Chiziane, as well as the South African television series Yizo Yizo.


Tragedy and Postcolonial Literature

Tragedy and Postcolonial Literature
Author: Ato Quayson
Publisher: Cambridge University Press
Total Pages: 347
Release: 2021-01-21
Genre: Literary Criticism
ISBN: 1108924956

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This book examines tragedy and tragic philosophy from the Greeks through Shakespeare to the present day. It explores key themes in the links between suffering and ethics through postcolonial literature. Ato Quayson reconceives how we think of World literature under the singular and fertile rubric of tragedy. He draws from many key works – Oedipus Rex, Philoctetes, Medea, Hamlet, Macbeth, and King Lear – to establish the main contours of tragedy. Quayson uses Shakespeare's Othello, Chinua Achebe, Wole Soyinka, Tayeb Salih, Arundhati Roy, Toni Morrison, Samuel Beckett and J.M. Coetzee to qualify and expand the purview and terms by which Western tragedy has long been understood. Drawing on key texts such as The Poetics and The Nicomachean Ethics, and augmenting them with Frantz Fanon and the Akan concept of musuo (taboo), Quayson formulates a supple, insightful new theory of ethical choice and the impediments against it. This is a major book from a leading critic in literary studies.


Subject to Colonialism

Subject to Colonialism
Author: Gaurav Desai
Publisher: Duke University Press
Total Pages: 209
Release: 2001-06-20
Genre: Social Science
ISBN: 0822380218

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Subject to Colonialism provides a much needed revisionist perspective on the way twentieth-century Africa is viewed and analyzed among scholars. Employing literary, historical, and anthropological techniques, Gaurav Desai attempts to generate a new understanding of issues that permeate discussions of Africa by disrupting the centrality of postcolonial texts and focusing instead on the cultural and intellectual production of colonial Africans. In particular, Desai calls for a reevaluation of the “colonial library”—that set of representations and texts that have collectively “invented” Africa as a locus of difference and alterity. Presenting colonialism not as a singular, monolithic structure but rather as a practice frought with contradictions and tensions, Desai works to historicize the foundation of postcolonialism by decentering both canonical texts and privileged categories of analysis such as race, capitalism, empire, and nation. To achieve this, he focuses on texts that construct or reform—rather than merely reflect—colonialism, placing explicit emphasis on processes, performances, and the practices of everyday life. Reading these texts not merely for the content of their assertions but also for how they were created and received, Desai looks at works such as Jomo Kenyatta’s ethnography of the Gikuyu and Akiga Sai’s history of the Tiv and makes a particular plea for the canonical recuperation of African women’s writing. Scholars in African history, literature, and philosophy, postcolonial studies, literary criticism, and anthropology will welcome publication of this book.


Magical Realism and Deleuze

Magical Realism and Deleuze
Author: Eva Aldea
Publisher: A&C Black
Total Pages: 208
Release: 2011-02-10
Genre: Literary Criticism
ISBN: 1441109986

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Oil Culture

Oil Culture
Author: Ross Barrett
Publisher: U of Minnesota Press
Total Pages: 539
Release: 2014-10-15
Genre: Nature
ISBN: 1452943958

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In the 150 years since the birth of the petroleum industry oil has saturated our culture, fueling our cars and wars, our economy and policies. But just as thoroughly, culture saturates oil. So what exactly is “oil culture”? This book pursues an answer through petrocapitalism’s history in literature, film, fine art, wartime propaganda, and museum displays. Investigating cultural discourses that have taken shape around oil, these essays compose the first sustained attempt to understand how petroleum has suffused the Western imagination. The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster and science fiction. By considering oil as both a natural resource and a trope, the authors show how oil’s dominance is part of culture rather than an economic or physical necessity. Oil Culture sees beyond oil capitalism to alternative modes of energy production and consumption. Contributors: Georgiana Banita, U of Bamberg; Frederick Buell, Queens College; Gerry Canavan, Marquette U; Melanie Doherty, Wesleyan College; Sarah Frohardt-Lane, Ripon College, Matthew T. Huber, Syracuse U; Dolly Jørgensen, Umeå U; Stephanie LeMenager, U of Oregon; Hanna Musiol, Northeastern U; Chad H. Parker, U of Louisiana at Lafayette; Ruth Salvaggio, U of North Carolina, Chapel Hill; Heidi Scott, Florida International U; Imre Szeman, U of Alberta; Michael Watts, U of California, Berkeley; Jennifer Wenzel, Columbia University; Sheena Wilson, U of Alberta; Rochelle Raineri Zuck, U of Minnesota Duluth; Catherine Zuromskis, U of New Mexico.


Energy Humanities

Energy Humanities
Author: Imre Szeman
Publisher: JHU Press
Total Pages: 606
Release: 2017-04-22
Genre: Literary Criticism
ISBN: 1421421909

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How can humanities scholars help us respond to growing concerns about climate change and fossil fuels? Energy humanities is a field of scholarship that, like medical and digital humanities before it, aims to overcome traditional boundaries between the disciplines and between academic and applied research. Responding to growing public concern about anthropogenic climate change and the unsustainability of the fuels we use to power our modern society, energy humanists highlight the essential contribution that humanistic insights and methods can make to areas of analysis once thought best left to the natural sciences. In this groundbreaking anthology, Imre Szeman and Dominic Boyer have brought together a carefully curated selection of the best and most influential work in energy humanities. Arguing that today’s energy and environmental dilemmas are fundamentally problems of ethics, habits, imagination, values, institutions, belief, and power—all traditional areas of expertise of the humanities and humanistic social sciences—the essays and other pieces featured here demonstrate the scale and complexity of the issues the world faces. Their authors offer compelling possibilities for finding our way beyond our current energy dependencies toward a sustainable future. Contributors include: Margaret Atwood, Paolo Bacigalupi, Lesley Battler, Ursula Biemann, Dominic Boyer, Italo Calvino, Warren Cariou, Dipesh Chakrabarty, Una Chaudhuri, Claire Colebrook, Stephen Collis, Erik M. Conway, Amy De’Ath, Adam Dickinson, Fritz Ertl, Pope Francis, Amitav Ghosh, Gökçe Günel, Gabrielle Hecht, Cymene Howe, Dale Jamieson, Julia Kasdorf, Oliver Kellhammer, Stephanie LeMenager, Barry Lord, Graeme Macdonald, Joseph Masco, John McGrath, Martin McQuillan, Timothy Mitchell, Timothy Morton, Jean-François Mouhot, Abdul Rahman Munif, Judy Natal, Reza Negarestani, Pablo Neruda, David Nye, Naomi Oreskes, Andrew Pendakis, Karen Pinkus, Ken Saro-Wiwa, Hermann Scheer, Roy Scranton, Allan Stoekl, Imre Szeman, Laura Watts, Michael Watts, Jennifer Wenzel, Sheena Wilson, Patricia Yaeger, and Marina Zurkow


Fertile Crossings

Fertile Crossings
Author: Pietro Deandrea
Publisher: Rodopi
Total Pages: 318
Release: 2002
Genre: Literary Criticism
ISBN: 9789042014688

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In retracing some of the routes followed by West African literature in English over the course of the last three decades, this book employs an original multidimensional approach whereby the three main genres - narrative, poetry and drama - are considered in the light of their intricate web of fecund rapport and mutual influence.Authors such as Tutuola, Armah, Aidoo and Awoonor translated the fluid structures of orality into written prose, and consequently infused their works with poetic and dramatic resonance, thereby challenging the canonical dominance of social realism and paving the way for the birth of West African magical realism in Laing, Okri and Cheney-Coker.Starting in the 1970s, poetry on stage has become a mainstream genre in Ghana, thanks to performances by Okai, Anyidoho and Acquah.Boundaries between literary theatre and other genres have undergone a similar dissolution in the affirmation of the concept of 'total art' from Efua Sutherland to ben Abdallah, Osofisan and others. Fertile Crossingsoffers a study of these topics from various viewpoints, blending in-depth textual analysis with reflections on the political import of the works in question within the context of the present state of African societies, all supported by interviews with most of the authors.