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Stepin Fetchit

Stepin Fetchit
Author: Mel Watkins
Publisher: Vintage
Total Pages: 370
Release: 2010-07-14
Genre: Biography & Autobiography
ISBN: 0307547507

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In the late 1920s and '30s Lincoln Perry, aka Stepin Fetchit, was both renowned and reviled for his surrealistic portrayals of the era’s most popular comic stereotype–the lazy, shiftless Negro. Perry was hailed by critic Robert Benchley as “the best actor that the talking movies have produced,” and Mel Watkins’s meticulously researched and sensitive biography reveals the paradoxes of this pioneering actor’s life, from Perry’s tremendous popularity to his money troubles and rowdy offscreen antics. As later generations come to recognize Perry’s prodigious talent and achievements, in Stepin Fetchit, Mel Watkins brilliantly and definitively illuminates the life and times of a legendary figure in American entertainment.


Shuffling to Ignominy

Shuffling to Ignominy
Author: Champ Clark
Publisher: iUniverse
Total Pages: 159
Release: 2005
Genre: Biography & Autobiography
ISBN: 0595371256

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"Stepin Fetchit" ...two words that have entered our language, signifying the ultimate in negative racial stereotype. Between 1927 and 1975, Stepin Fetchit, born Lincoln Perry in 1902, appeared in over 40 films. He was the first Black actor to receive featured credit in a motion picture. He was the first Black actor to sign a long-term contract with a Hollywood studio. He was the first Black actor to drive through the front gates of a Hollywood studio...with a chauffer at the wheel. He was, in Fetchit's own words, "The first Black actor universally acclaimed a star by the public." This at a time when, "No White man had the idea of making a Negro a star." Stepin Fetchit was indeed the first African-American movie star. How, then, did Stepin Fetchit come to represent all that is bad about race in America? And who was the man behind this mask of a name? Here, author Champ Clark reveals the true facts of Fetchit/Perry's controversial life and career. Going beyond archival material, Clark draws from his conversations with the actor's own family, friends and co-stars. In addition, a newly discovered eight-hour interview allows the real Lincoln Perry to finally speak for himself. Shuffling to Ignominy: The Tragedy of Stepin Fetchit is a troubling tale that reflects D.E.B. DuBois' assertion that, "The problem of the Twentieth Century is the problem of the color line." -Sidney Poitier says, "Stepin Fetchit paved the way."-


Fetch Clay, Make Man

Fetch Clay, Make Man
Author: Will Power
Publisher: Bloomsbury Academic
Total Pages: 112
Release: 2015-08
Genre:
ISBN: 9780715650158

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Satisfying complexity, and the play's crash of symbols has lingering resonance - Time Out Review


Stealing the Show

Stealing the Show
Author: Miriam J. Petty
Publisher: Univ of California Press
Total Pages: 316
Release: 2016-03-08
Genre: Biography & Autobiography
ISBN: 0520279778

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Stealing the Show is a study of African American actors in Hollywood during the 1930s, a decade that saw the consolidation of stardom as a potent cultural and industrial force. Petty focuses on five performers whose Hollywood film careers flourished during this period—Louise Beavers, Fredi Washington, Lincoln “Stepin Fetchit” Perry, Bill “Bojangles” Robinson, and Hattie McDaniel—to reveal the “problematic stardom” and the enduring, interdependent patterns of performance and spectatorship for performers and audiences of color. She maps how these actors—though regularly cast in stereotyped and marginalized roles—employed various strategies of cinematic and extracinematic performance to negotiate their complex positions in Hollywood and to ultimately “steal the show.” Drawing on a variety of source materials, Petty explores these stars’ reception among Black audiences and theorizes African American viewership in the early twentieth century. Her book is an important and welcome contribution to the literature on the movies.


Vaudeville old & new

Vaudeville old & new
Author: Frank Cullen
Publisher: Psychology Press
Total Pages: 1362
Release: 2007
Genre: Entertainers
ISBN: 0415938538

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On the Real Side

On the Real Side
Author: Mel Watkins
Publisher: Chicago Review Press
Total Pages: 638
Release: 1999-05-01
Genre: Humor
ISBN: 1569767602

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This comprehensive history of black humor sets it in the context of American popular culture. Blackface minstrelsy, Stepin Fetchit, and the Amos 'n' Andy show presented a distorted picture of African Americans; this book contrasts this image with the authentic underground humor of African Americans found in folktales, race records, and all-black shows and films. After generations of stereotypes, the underground humor finally emerged before the American public with Richard Pryor in the 1970s. But Pryor was not the first popular comic to present authentically black humor. Watkins offers surprising reassessments of such seminal figures as Fetchit, Bert Williams, Moms Mabley, and Redd Foxx, looking at how they paved the way for contemporary comics such as Whoopi Goldberg, Eddie Murphy, and Bill Cosby.


Hollywood Black

Hollywood Black
Author: Donald Bogle
Publisher: Running Press Adult
Total Pages: 264
Release: 2019-05-07
Genre: Performing Arts
ISBN: 076249140X

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The films, the stars, the filmmakers-all get their due in Hollywood Black, a sweeping overview of blacks in film from the silent era through Black Panther, with striking photos and an engrossing history by award-winning author Donald Bogle. The story opens in the silent film era, when white actors in blackface often played black characters, but also saw the rise of independent African American filmmakers, including the remarkable Oscar Micheaux. It follows the changes in the film industry with the arrival of sound motion pictures and the Great Depression, when black performers such as Stepin Fetchit and Bill "Bojangles" Robinson began finding a place in Hollywood. More often than not, they were saddled with rigidly stereotyped roles, but some gifted performers, most notably Hattie McDaniel in Gone With the Wind (1939), were able to turn in significant performances. In the coming decades, more black talents would light up the screen. Dorothy Dandridge became the first African American to earn a Best Actress Oscar nomination for Carmen Jones (1954), and Sidney Poitier broke ground in films like The Defiant Ones and1963's Lilies of the Field. Hollywood Black reveals the changes in images that came about with the evolving social and political atmosphere of the US, from the Civil Rights era to the Black Power movement. The story takes readers through Blaxploitation, with movies like Shaft and Super Fly, to the emergence of such stars as Cicely Tyson, Richard Pryor, Eddie Murphy, and Whoopi Goldberg, and of directors Spike Lee and John Singleton. The history comes into the new millennium with filmmakers Barry Jenkins (Moonlight), Ava Du Vernay (Selma),and Ryan Coogler (Black Panther); megastars such as Denzel Washington, Will Smith, and Morgan Freeman; as well as Halle Berry, Angela Bassett, Viola Davis, and a glorious gallery of others. Filled with evocative photographs and stories of stars and filmmakers on set and off, Hollywood Black tells an underappreciated history as it's never before been told.


Beyond Blaxploitation

Beyond Blaxploitation
Author: Novotny Lawrence
Publisher: Wayne State University Press
Total Pages: 272
Release: 2016-12-01
Genre: Performing Arts
ISBN: 0814340776

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Beyond Blaxploitation, the first book-length anthology of scholarly work on blaxploitation film, sustains the momentum that blaxploitation scholarship has recently gained, giving the films an even more prominent place in cinema history. This volume is made up of eleven essays employing historical and theoretical methodologies in the examination of spectatorship, marketing, melodrama, the transition of novel to screenplay, and racial politics and identity, among other significant topics. In doing so, the book fills a substantial gap that exists in the black cinematic narrative and, more broadly, in film history. Beyond Blaxploitation is divided into three sections that feature original essays on a variety of canonical blaxploitation films and others that either influenced the movement or in some form represent a significant extension of it. The first section titled, “From Pioneer to Precursor to Blaxploitation,” centers on three films—Cotton Comes to Harlem, Watermelon Man, and Sweet Sweetback’s Baadasssss Song—that ignited the African American film cycle. The second section, “The Canon and the Not so Canon,” is dedicated to forging alternative considerations of some of the most highly regarded blaxploitation films, while also bringing attention to lesser-known films in the movement. The final section, “Was, Is, or Isn’t Blaxploitation,” includes four essays that offer significant insights on films that are generally associated with blaxploitation but contest traditional definitions of the movement. Moreover, this section features chapters that address industrial factors that led to the creation of blaxploitation cinema and highlight the limitations of the term itself. Beyond Blaxploitation is a much-needed pedagogical tool, informing film scholars, critics, and fans alike, about blaxploitation’s richness and complexity.


Jet

Jet
Author:
Publisher:
Total Pages: 64
Release: 1972-08-24
Genre:
ISBN:

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The weekly source of African American political and entertainment news.


Harlem Renaissance Lives from the African American National Biography

Harlem Renaissance Lives from the African American National Biography
Author: Henry Louis Gates (Jr.)
Publisher:
Total Pages: 609
Release: 2009
Genre: Art
ISBN: 0195387953

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The Harlem Renaissance is the best known and most widely studied cultural movement in African American history. Now, in Harlem Renaissance Lives, esteemed scholars Henry Louis Gates Jr. and Evelyn Brooks Higginbotham have selected 300 key biographical entries culled from the eight-volume African American National Biography, providing an authoritative who's who of this seminal period. Here readers will find engagingly written and authoritative articles on notable African Americans who made significant contributions to literature, drama, music, visual art, or dance, including such central figures as poet Langston Hughes, novelist Zora Neale Hurston, aviator Bessie Coleman, blues singer Ma Rainey, artist Romare Bearden, dancer Josephine Baker, jazzman Louis Armstrong, and the intellectual giant W. E. B. Du Bois. Also included are biographies of people like the Scottsboro Boys, who were not active within the movement but who nonetheless profoundly affected the artistic and political statements that came from Harlem Renaissance figures. The volume will also feature a preface by the editors, an introductory essay by historian Cary D. Wintz, and 75 illustrations.