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A Decennial of Stanford Song

A Decennial of Stanford Song
Author: Merle Harold Thorpe
Publisher:
Total Pages: 188
Release: 1905
Genre: Students' songs
ISBN:

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Stanford Songs

Stanford Songs
Author: Stanford University
Publisher:
Total Pages: 43
Release: 1919
Genre: Students' songs
ISBN:

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A Decennial of Stanford Song

A Decennial of Stanford Song
Author: Merle Harold Thorpe
Publisher:
Total Pages: 192
Release: 1905
Genre: Students' songs
ISBN:

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The James Bond Songs

The James Bond Songs
Author: Adrian Daub
Publisher: Oxford University Press
Total Pages: 224
Release: 2015-08-31
Genre: Music
ISBN: 0190234547

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Starting with 1964's Goldfinger, every James Bond film has followed the same ritual, and so has its audience: after an exciting action sequence the screen goes black and the viewer spends three long minutes absorbing abstract opening credits and a song that sounds like it wants to return to 1964. In The James Bond Songs authors Adrian Daub and Charles Kronengold use the genre to trace not only a changing cultural landscape, but also evolving conceptions of what a pop song is. They argue that the story of the Bond song is the story of the pop song more generally, and perhaps even the story of its end. Each chapter discusses a particular segment of the Bond canon and contextualizes it in its era's music and culture. But the book also asks how Bond and his music reflected and influenced our feelings about such topics as masculinity, race, money, and aging. Through these individual pieces the book presents the Bond song as the perfect anthem of late capitalism. The Bond songs want to talk about the fulfillment that comes from fast cars, shaken Martinis and mindless sex, but their unstable speakers, subjects, and addressees actually undercut the logic of the lifestyle James Bond is sworn to defend. The book is an invitation to think critically about pop music, about genre, and about the political aspects of popular culture in the twentieth century and beyond.


Stanford Football Songs

Stanford Football Songs
Author: Stanford University. Associated Students
Publisher:
Total Pages: 48
Release: 1904
Genre: Students' songs
ISBN:

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The Stanford Quad

The Stanford Quad
Author:
Publisher:
Total Pages: 508
Release: 1927
Genre:
ISBN:

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Charles Villiers Stanford

Charles Villiers Stanford
Author: Paul Rodmell
Publisher: Routledge
Total Pages: 518
Release: 2017-07-05
Genre: Music
ISBN: 1351572261

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The first book devoted to the composer Charles Villiers Stanford (1852-1924) since 1935, this survey provides the fullest account of his life and the most detailed appraisal of his music to date. Renowned in his own lifetime for the rapid rate at which he produced new works, Stanford was also an important conductor and teacher. Paul Rodmell assesses these different roles and considers what Stanford's legacy to British music has been. Born and brought up in Dublin, Stanford studied at Cambridge and was later appointed Professor of Music there. His Irish lineage remained significant to him throughout his life, and this little-studied aspect of his character is examined here in detail for the first time. A man about whom no-one who met him could feel indifferent, Stanford made friends and enemies in equal numbers. Rodmell charts these relationships with people and institutions such as Richter, Parry and the Royal College of Music, and discusses how they influenced Stanford's career. Perhaps not the most popular of teachers, Stanford nevertheless coached a generation of composers who were to revitalize British music, amongst them Coleridge-Taylor, Ireland, Vaughan-Williams, Holst, Bridge and Howells. While their musical styles may not be obviously indebted to Stanford's, it is clear that, without him, British music of the first half of the twentieth century might have taken a very different course.


Charles Villiers Stanford

Charles Villiers Stanford
Author: Jeremy Dibble
Publisher: Oxford University Press, USA
Total Pages: 584
Release: 2002
Genre: Biography & Autobiography
ISBN: 9780198163831

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'Jeremy Dibble has written a book which adds substantially to Stanford's reputation and which greatly enriches both British and Irish musical scholarship. It is brilliantly done.' -Irish TimesJeremy Dibble presents the first authoritative, comprehensive study of the life and works of Charles Villiers Stanford (1852-1924), one of the most gifted and influential composers. Dibble reveals how, although perhaps best known for his church music, Stanford was also an eminent symphonist, songwriter, and author of many fine choral works. Cosmopolitan, ambitious, and pragmatic, he was untiring in his efforts to advance the cause of British music during its renaissance at the end of the nineteenth century, promoting the music of his contemporaries, and the many pupils he taught at Cambridge and the Royal College of Music, including Vaughan Williams, Ireland, Howells, Bliss, Holst, and Gurney.


Tonic to the Nation: Making English Music in the Festival of Britain

Tonic to the Nation: Making English Music in the Festival of Britain
Author: Nathaniel G. Lew
Publisher: Routledge
Total Pages: 248
Release: 2016-07-01
Genre: Music
ISBN: 1317009886

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Long remembered chiefly for its modernist exhibitions on the South Bank in London, the 1951 Festival of Britain also showcased British artistic creativity in all its forms. In Tonic to the Nation, Nathaniel G. Lew tells the story of the English classical music and opera composed and revived for the Festival, and explores how these long-overlooked components of the Festival helped define English music in the post-war period. Drawing on a wealth of archival material, Lew looks closely at the work of the newly chartered Arts Council of Great Britain, for whom the Festival of Britain provided the first chance to assert its authority over British culture. The Arts Council devised many musical programs for the Festival, including commissions of new concert works, a vast London Season of almost 200 concerts highlighting seven centuries of English musical creativity, and several schemes to commission and perform new operas. These projects were not merely directed at bringing audiences to hear new and old national music, but to share broader goals of framing the national repertory, negotiating between the conflicting demands of conservative and progressive tastes, and using music to forge new national definitions in a changed post-war world.


Five English Folk Songs

Five English Folk Songs
Author: Ralph Vaughan Williams
Publisher:
Total Pages: 12
Release: 1913
Genre: Choruses, Secular (Mixed voices), Unaccompanied
ISBN:

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