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| Author | : Ralf Remshardt |
| Publisher | : SIU Press |
| Total Pages | : 321 |
| Release | : 2016-08-16 |
| Genre | : Performing Arts |
| ISBN | : 0809335514 |
"This book delineates the theatre's deep connection with the grotesque and traces the historically extensive and theoretically intensive relationship between performance and its "other," the grotesque. It also presents a general theory of the grotesque"--
| Author | : Alfred Alvarez |
| Publisher | : |
| Total Pages | : 287 |
| Release | : 1976 |
| Genre | : Suicide |
| ISBN | : |
| Author | : Annette J. Saddik |
| Publisher | : Cambridge University Press |
| Total Pages | : 193 |
| Release | : 2015-01-26 |
| Genre | : Drama |
| ISBN | : 1107076684 |
This book explores Williams' late plays in terms of a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter.
| Author | : Dwayne Brenna |
| Publisher | : McFarland |
| Total Pages | : 279 |
| Release | : 2023-06-02 |
| Genre | : Performing Arts |
| ISBN | : 1476689784 |
Some of the most raucous evenings in the history of theater are chronicled in this lively discussion of occasions when theater-makers changed the course of theatrical, and sometimes world, history. Covering a wide range of events from the inauspicious opening of Oedipus Rexin Athens, to the assassination of Abraham Lincoln in Washington, D.C., to the violence-riddled performance of Halla Bol in New Delhi, this book offers detailed and studied observations of specific minutes, hours, and days on the stage. For each staging covered, the author examines the reactions of critics and the public and tells the inside story, identifies the key players, and examines why these events still resound today.
| Author | : Curuppumullagē Jinarājadāsa |
| Publisher | : |
| Total Pages | : 194 |
| Release | : 1919 |
| Genre | : Theosophy |
| ISBN | : |
| Author | : J. David Pleins |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 193 |
| Release | : 2013-06-06 |
| Genre | : Religion |
| ISBN | : 1623568404 |
In focusing on the story of Darwin's religious doubts, scholars too often overlook Darwin's positive contribution to the study of religion. J. David Pleins traces Darwin's journey in five steps. He begins with Darwin's global voyage, where his encounter with religious and cultural diversity transformed his understanding of religion. Surprisingly, Darwin wrestles with serious theological questions even as he uncovers the evolutionary layers of religion from savage roots. Next, we follow Darwin as his doubts about traditional biblical religion take root, affecting his career choice and marriage to Emma Wedgwood. Pleins then examines Darwin's secret notebooks as he searches for a materialist theory of religion. Again, other surprises loom as Darwin's reading of Comte's three stages of religion's development actually predate his reading of Malthus. Pleins explores how Darwin applied his discovery to the realm of ethics by formulating an evolutionary view of the "Golden Rule" in his Descent of Man. Finally, he considers Darwin's later reflections on the religion question, as he wrestled with whether his views led to atheism, agnosticism, or a new kind of theism. The Evolving God concludes by looking at some of the current religious debates surrounding Darwin and suggests the need for a deeper appreciation for Darwin as a religious thinker. Though he grew skeptical of traditional Christian dogma, Darwin made key discoveries concerning the role and function of religion as a natural evolutionary phenomenon.
| Author | : Ondřej Pilný |
| Publisher | : Springer |
| Total Pages | : 178 |
| Release | : 2016-06-28 |
| Genre | : Literary Criticism |
| ISBN | : 1137513187 |
Grotesque features have been among the chief characteristics of drama in English since the 1990s. This new book examines the varieties of the grotesque in the work of some of the most original playwrights of the last three decades (including Enda Walsh, Philip Ridley, Tim Crouch and Suzan-Lori Parks), focusing in particular on ethical and political issues that arise from the use of the grotesque.
| Author | : Leo Shtutin |
| Publisher | : Oxford University Press |
| Total Pages | : 200 |
| Release | : 2019-02-07 |
| Genre | : Literary Criticism |
| ISBN | : 019255493X |
This study explores the interrelationship between spatiality and subjecthood in the work of Stéphane Mallarmé, Guillaume Apollinaire, Maurice Maeterlinck, and Alfred Jarry. Concerned with various modes of poetry and drama, it also examines the cross-pollination that can occur between these modes, focusing on a range of core texts including Mallarmé's Igitur and Un Coup de dés; Apollinaire's 'Zone' and various of his calligrammes; Maeterlinck's early one-act plays: L'Intruse, Les Aveugles, and Intérieur; and Jarry's Ubu roi and César-Antechrist.. The poetic and dramatic practices of these four authors are assessed against the broader cultural and philosophical contexts of the fin de siècle. The fin de siècle witnessed a profound epistemological shift: the Newtonian-Cartesian paradigm, increasingly challenged throughout the nineteenth century, was largely dismantled, with ramifications beyond physics, philosophy, and psychology. Chapter 1 introduces three foundational notions—Newtonian absolute space, the unitary Cartesian subject, and subject-object dualism—that were challenged and ultimately overthrown in turn-of-the-century science and art. Developments in theatre architecture and typographic design are examined against this philosophical backdrop with a view to establishing a diachronic and interdisciplinary framework of the authors in question. Chapter 2 focuses on the spatial dimension of Mallarmé's Un Coup de dés and Apollinaire's calligrammes—works which defamiliarise page-space by undermining various (naturalised) conventions of paginal configuration. In Chapter 3, the notion of liminality is implemented in an analysis of character and diegetic space as constructed in Jarry's Ubu roi and Maeterlinck's one-acts. Chapters 4 and Chapter 5 undertake a more abstract investigation of parallel inverse processes-the subjectivisation of space and the spatialisation of the subject—manifest not only in the works of Mallarmé, Maeterlinck, Apollinaire, and Jarry, but in the period's poetry and drama more generally.
| Author | : Michelle Osterfeld Li |
| Publisher | : Stanford University Press |
| Total Pages | : 337 |
| Release | : 2009-03-10 |
| Genre | : Literary Criticism |
| ISBN | : 0804771065 |
Ambiguous Bodies draws from theories of the grotesque to examine many of the strange and extraordinary creatures and phenomena in the premodern Japanese tales called setsuwa. Grotesque representations in general typically direct our attention to unfinished and unrefined things; they are marked by an earthy sense of the body and an interest in the physical. Because they have many meanings, they can both sustain and undermine authority. This book aims to make sense of grotesque representations in setsuwa—animated detached body parts, unusual sexual encounters, demons and shape-shifting or otherwise wondrous animals—and, in a broader sense, to show what this type of critical focus can reveal about the mentality of Japanese people in the ancient, classical, and early medieval periods. It is the first study to place Japanese tales of this nature, which have received little critical attention in English, within a sophisticated theoretical framework. Li masterfully and rigorously focuses on these fascinating tales in the context of the historical periods in which they were created and compiled.
| Author | : Mikel Burley |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 264 |
| Release | : 2020-01-23 |
| Genre | : Philosophy |
| ISBN | : 1350098329 |
This book is a unique introduction to studying the philosophy of religion, drawing on a wide range of cultures and literary sources in an approach that is both methodologically innovative and expansive in its cross-cultural and multi-religious scope. Employing his expertise in interdisciplinary and Wittgenstein-influenced methods, Mikel Burley draws on works of narrative fiction and ethnography, including Dostoevsky's The Brothers Karamazov and Soyinka's Death and the King's Horseman, to critically engage with existing approaches to the philosophy of religion and advocate a radical, pluralist approach. Breaking away from the standard fixation on a narrow construal of theism, topics discussed include conceptions of compassion in Buddhist ethics, cannibalism in mortuary rituals, divine possession and animal sacrifice in Hindu Goddess worship and animism in indigenous traditions. Original and engaging, Burley's synthesis of philosophical, anthropological and literary elements expands and diversifies the philosophy of religion, providing an essential introduction for anyone interested in studying the radical plurality of forms that religion takes in human life.
