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Staging Indigeneity

Staging Indigeneity
Author: Katrina Phillips
Publisher: UNC Press Books
Total Pages: 263
Release: 2021-01-29
Genre: Social Science
ISBN: 1469662329

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As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls "salvage tourism"—a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing. Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.


Setting the Stage

Setting the Stage
Author: Eddo Hartmann
Publisher: Cannibal Publishing
Total Pages: 120
Release: 2017
Genre: Architectural photography
ISBN: 9789492677150

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-One of the few western photographers allowed access to the capital of North Korea, Eddo Hartmann captures the surreal character of North Korean ambition -Published to accompany an exhibition at the Museum Huis van Marseille in Amsterdam In Setting the Stage: North Korea photographer Eddo Hartmann shows the North Korean regime's ambitions to build the ultimate socialist city and to mould the people living in that city to their ideals. Hartmann is one of very few Western photographers who has been allowed almost full access to the country. This publication is the result of many years of research and four visits to Pyongyang. After the total destruction of Pyongyang during the Korean War (1950-53), the government took its chance to rebuild the capital from scratch and to turn it into the perfect setting for their propaganda. Pyongyang was to become the city in which every North Korean could experience true modern socialism. The buildings were to be the utopian background against which the inhabitants could live their daily lives. Pyongyang was to immortalize the socialist revolution. Eddo Hartmann had the exceptional opportunity to photograph this architecture of artificiality. In a series of evocative images, he captures the forced and almost surreal character of North Korean ambition. In a very personal and original style, Hartmann focuses on the individual.


Staging Depth

Staging Depth
Author: Joel Pfister
Publisher: Univ of North Carolina Press
Total Pages: 491
Release: 2000-11-09
Genre: Performing Arts
ISBN: 0807863858

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Until now, Eugene O'Neill's psychological dramas have been analyzed mainly by critics who relied on obvious parallels between O'Neill's life, his family, and his plays. In this theoretically expansive and interdisciplinary book, Joel Pfister reassesses what was at stake ideologically in O'Neill's staging and modernizing of 'psychological' individualism for his social class. Pfister examines the history of the middle-class family and of Freudian pop psychology in the 1910s and 1920s to reconstruct the cultural conditions for the imagining and popularizing of 'depth,' a trope that was central to O'Neill's dramatic vision. He also recovers provocative critiques by contemporary critics on the Left who challenged O'Neill's preoccupation with dramatizing psychological, familial, and aesthetic 'depth.' One of the few sustained works on O'Neill in recent years, this wide-ranging book makes a major contribution to cultural studies, to the history of subjectivity, and to scholarship on the ideological origins of modernism and modern American drama. Originally published in 1995. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.


Staging Cultural Encounters

Staging Cultural Encounters
Author: Jane E. Goodman
Publisher: Indiana University Press
Total Pages: 278
Release: 2020-10-06
Genre: Social Science
ISBN: 0253049636

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Staging Cultural Encounters tells stories about performances of cultural encounter and cultural exchange during the US tour of the Algerian theater troupe Istijmam Culturelle in 2016. Jane E. Goodman follows the Algerian theater troupe as they prepare for and then tour the U.S. under the auspices of the Center Stage program, sponsored by the US State Department to promote cross-cultural dialogue and understanding. The title of the play Istijmam produced was translated as "Apples," written by Abdelkader Alloula, a renowned Algerian playwright, director, and actor who was assassinated in 1994. Goodman take readers on tour with the actors as they move from the Kennedy Center in Washington, D.C. to the large state universities of New Hampshire and Indiana, and from a tiny community theater in small-town New England to the stage of the avant-garde La MaMa Theater in New York City. Staging Cultural Encounters takes up conundrums of cross-cultural encounter, challenges in translation, and audience reception, offering a frank account of the encounters with American audiences and the successes and disappointments of the experience of exchange.


Staging the Past

Staging the Past
Author: Judith Schlehe
Publisher: transcript Verlag
Total Pages: 275
Release: 2014-03-31
Genre: Social Science
ISBN: 3839414814

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Popular representations of history are taking on new forms and reaching wider audiences. The search for usable pasts is branching out into active appropriations of history such as historical theme parks, housing developments, and live-action role play. Drawing on themed environments across the continents, the articles in this volume focus on how these appropriations bypass, are different from, or even contradict traditional as well as scientific modes of disseminating historical knowledge. Bringing together theorists and practitioners, they provide the basis for an interdisciplinary as well as a transcultural theory of how pasts are staged in various social contexts.


Great North American Stage Directors Volume 1

Great North American Stage Directors Volume 1
Author: Cheryl Black
Publisher: Bloomsbury Publishing
Total Pages: 281
Release: 2024-01-25
Genre: Performing Arts
ISBN: 1350189324

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This volume assesses the contributions of David Belasco, Arthur Hopkins, and Margaret Webster, whose careers shaped the artistic and specialist identity of the Broadway director. Their work spans almost a century and captures the rapidly changing social and cultural landscape of 20th-century America. While their aesthetic styles differed greatly, they were united in their mastery of theatre craft and their impact on theatrical collaboration. The essays in this volume explore how these directors established and exploited Broadway as the epicentre of theatre in the United States, blended the role of producer and director, and managed the tensions between commercial success and artistic ambition. The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.


Great North American Stage Directors Volume 5

Great North American Stage Directors Volume 5
Author: Joan Herrington
Publisher: Bloomsbury Publishing
Total Pages: 334
Release: 2024-01-25
Genre: Performing Arts
ISBN: 1350193232

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Richard Schechner, Lee Breuer, and Anne Bogart share a spirit of profound adventure and that adventure is the redefinition of theatre itself. They are rare hybrids; the confluence of their theatrical roles as directors, scholars, theorists and teachers has placed them among the most influential thinker/practitioners of their generation. This book reveals the ways in which their consistent inquiry enabled them to re-examine, re-frame, and re-invent their own practice. The essays in this volume explore the ways in which Schechner, Breuer and Bogart have established powerful legacies of consistently innovative theatre most often created in the company of an ensemble of collaborative artists. Their influence is undeniable in the reformulation of theatre practices from the 1970s onward. The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.


Great North American Stage Directors Volume 8

Great North American Stage Directors Volume 8
Author: James Peck
Publisher: Bloomsbury Publishing
Total Pages: 225
Release: 2024-01-25
Genre: Performing Arts
ISBN: 135020451X

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The three directors gathered in this volume all approach theatre-making in part as an act of citizenship. Jesusa Rodríguez, Peter Sellars, and Reza Abdoh differ markedly in many important respects, but they all come to the theatre as an intervention in the public sphere. Rodríguez, Sellars, and Abdoh blend a spirit of social critique with acts of democratic community building. These essays examine how theatre, for them, is not a sphere of aesthetic experience insulated from the divisions, antagonisms, and alliances of a conflicted society. It is a way to forge fleeting but consequential communities that might reverberate through that society and affect its future development. The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.


Great North American Stage Directors Volume 4

Great North American Stage Directors Volume 4
Author: Henry Bial
Publisher: Bloomsbury Publishing
Total Pages: 241
Release: 2024-01-25
Genre: Performing Arts
ISBN: 1350202355

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George Abbott, Vinnette Carroll, and Harold (Hal) Prince were trailblazing figures who helped shape and define the Broadway musical over the course of the 20th century. Their careers expanded the boundaries of the genre, highlighting the critical role of the director in the creation of a new musical. As theatre history, the essays in this volume help to complicate and deepen the reader's understanding of the musical genre of Broadway and of the enduring legacies of these three pioneers. As lessons in theatrical direction, they illustrate the particular issues involved in directing musicals, as well as the stakes of working commercially at the highest levels of the industry. The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.