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Staging the Court of Burgundy

Staging the Court of Burgundy
Author: Willem Pieter Blockmans
Publisher: Harvey Miller Pub
Total Pages: 394
Release: 2013
Genre: Art
ISBN: 9781905375820

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In the course of the fifteenth century, the reputation of the Burgundian court rose to an unprecedented level, catapulted forward by ever growing territorial ambitions and accumulation of wealth. This reached a climax during the reign of Charles the Bold (1433-1477), the living embodiment of the pomp and pageantry of the Burgundian court and a generous patron of the fine arts. Rather than focusing on a single domain, this volume aims to shed light on Burgundian court culture as an organic whole, between the start of the reign of Philip the Good (1419) and the death of Mary of Burgundy (1482). It is intended to provide a forum for new research from the fields of History, History of Art, Literature and Musicology. With contributions (among others) from Wim Blockmans, Herman Brinkman, Barbara Haggh, Andrea Berlin, James Bloom, Till-Holger Borchert, Andrew Brown, Hendrik Callewier, Anna Campbell, Mario Damen, Sonja Duennebeil, Jonas Goossenaerts, Bieke Hillewaert, Andrew Hamilton, Eva Helfenstein, Jesse Hurlbut, Sophie Jolivet, Sascha Kohl, Sherry Lindquist, Jana Lucas, Samuel Mareel, Elizabeth J. Moodey, Klaus Oschema, Kathryn Rudy, Emily Snow, Olga Vassilieva-Codognet, Hanno Wijsman.


The Court as a Stage

The Court as a Stage
Author: Steven J. Gunn
Publisher: Boydell Press
Total Pages: 226
Release: 2006
Genre: History
ISBN: 9781843831914

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European and English courtly culture and history reappraised through the prism of the court as theatre. In the past half-century, court history has lost the air of frivolity that once relegated it to the margins of serious historical study and has rightfully taken a central part in the study of European states and societies in the age of personal monarchy. Yet it has been approached from so many different angles and appropriated to so many different models that it can be hard to put all our new understandings together to achieve a proper perspective on the functions of the court as a whole. This collection of essays uses the idea of the court as a stage for social and political interaction to re-integrate different styles of court history, focusing on courts in England and the Low Countries from the age of Richard II and Albert of Bavaria to that of Elizabeth I and Philip II. Themes studied include the relationship between court politics and cultural change, the social and political functions of court office-holding, the military, judicial and propagandist roles of the court, the economic relationships between courts and cities and the wider social and political significance of court rituals and traditions.


The Court of Burgundy

The Court of Burgundy
Author: Otto Cartellieri
Publisher: Routledge
Total Pages: 360
Release: 2005
Genre: Burgundy (France)
ISBN:

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This work explores the spiritual and social sides of knighthood's last vestiges. The author leads the reader through the interplay of politics, extravagance, and tragedy which shaped the House of Burgundy.


Splendour of the Burgundian Court

Splendour of the Burgundian Court
Author: Susan Marti
Publisher: Cornell University Press
Total Pages: 0
Release: 2009
Genre: Art, Medieval
ISBN: 9780801448539

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Distributed in North America for Mercatorfonds.Charles the Bold (1433-1477) was ambitious, well educated, and tireless in his pursuit of power and recognition. At the close of the Middle Ages, in the fourth generation of his dynasty, he made the duchy of Burgundy into a significant European power. The house of Burgundy celebrated its rise by establishing a glittering court life, in which objects of exquisite taste were constantly sought after. The essays in Splendour of the Burgundian Court--biographies of rulers, political history, and analyses of court art--form a comprehensive portrait of the Burgundian court. Its splendid full-color illustrations vividly bring to life both the brilliance and the drama of the epoch.The dukes of Burgundy ruled over a conglomeration of territories, each with its own political and legal traditions. Because their dynasty was relatively new and flanked by the much more powerful French kingdom and German empire, Burgundian dukes invested in lavish public ceremonial displays to assert their status and reinforce the court's position as a center of power. The theater of Burgundian rule depended upon the display of ever more elaborate objects, from clothing and armor to furniture, tableware, tapestries, and paintings-many of which are of outstanding quality. Charles the Bold grew up on this ritualized stage, and his eventful life is reflected in the ceremonies and objects that conveyed his authority. Splendour of the Burgundian Court welcomes readers into that world.


Court and civic society in the Burgundian Low Countries c.1420–1530

Court and civic society in the Burgundian Low Countries c.1420–1530
Author: Andrew Brown
Publisher: Manchester University Press
Total Pages: 293
Release: 2014-01-01
Genre: History
ISBN: 1526112841

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This book is about the spectacles and ceremonies of society in the Low Countries. It is the first ever attempt to unite and translate some of the key texts which informed Johan Huizinga's famous study of the Burgundian court in The Waning of the Middle Ages, a work which has never gone out of print.


Rethinking the Renaissance

Rethinking the Renaissance
Author: Marina Belozerskaya
Publisher: Cambridge University Press
Total Pages: 0
Release: 2012-03-26
Genre: Art
ISBN: 9781107605442

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In this study, Marina Belozerskaya re-establishes the importance of the Burgundian court as a center of art production and patronage in early modern Europe. Beginning with a historiographical and theoretical overview, she offers an analysis of contemporary documents and patterns of patronage, demonstrating that Renaissance tastes were formed through a fusion of international currents and art works in a variety of media. Among the most prestigious were those emanating out of the Burgundian court, which embodied prevailing contemporary values: magnificence in appearance, ceremony and surroundings, chivalry inspired by Greco-Roman antiquity, and power manifested through ingenious ensembles of luxury arts. The potency of this 'Burgundian mode' fostered a pan-European demand for its arts and their creators, with rulers in England, Germany, Spain and Italy itself eagerly acquiring Burgundian art works. This interdisciplinary study of the Burgundian arts provides a new paradigm for further inquiry into the pluralism and cosmopolitanism of the Renaissance.


Philip the Bold

Philip the Bold
Author: Richard Vaughan
Publisher: Boydell Press
Total Pages: 324
Release: 2002
Genre: Biography & Autobiography
ISBN: 9780851159157

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A biography of Philip and a study of the emergence of the Burgundian state under his aegis in the years 1384-1404, paying particular attention to his crucial aquisition of Flanders. There is comprehensive analysis of how Philip'sgovernment worked. Boydell & Brewer does a major service by the simultaneous reissue of Richard Vaughan's studies of the Valois Dukes of Burgundy. Four distinguished scholars add extra value by contributing an introductory chapter for each ducal reign, surveying its historiography since the original publication... The story, which Vaughan tells with verve, has its full share of dramatic turns[: ] this is much more, though, than simply a narrative history; Vaughan's meticulousexplorations of the administrative and financial structures that underpinned ducal authority, and of the court and its culture, are integral to his exposition [...] His achievement remains monumental. There are no comparable, modern, in-depth studies of these four larger-than-life players on the late medieval European stage, in English or in any other language. They are, besides, eminently readable. Maurice Keen, TIMES LITERARY SUPPLEMENT Whenin 1363 the duke of Burgundy died without an heir, the duchy returned to the French crown. John II's decision to give it to his fourth son, Philip, had some logic behind it, given the independence of the inhabitants; but in so doing he created the basis for a power which was to threaten France's own existence in the following century, and which was to become one of the most influential and glittering courts of Europe. Much of this was due to the characterof Philip the Bold; by marrying the daughter of the count of Flanders, he inherited the wealth of the great Flemish towns in 1384, and the union of the two great fiefdoms to the north and east of France under one ruler meant thatthe resources of the duke of Burgundy were as great as those of the kingdom itself. From 1392 onwards, he was at loggerheads with the regent of France, his brother Louis, duke of Orleans, and this schism was to prove fatal to thekingdom, weakening the administration and leading to the French defeat by Henry V in 1415. Richard Vaughan describes the process by which Philip fashioned this new power, in particular his administrative techniques; but he also gives due weight to the splendours of the new court, in the sphere of the arts, and records the history of its one disastrous failure, the crusade of Nicopolis in 1396. He also offers a portrait of Philip himself, energetic, ambitious and shrewd, the driving force behind the new duchy and its rapid rise to an influential place among the courts of Europe.


The Thun-Hohenstein Album

The Thun-Hohenstein Album
Author: Chassica Kirchhoff
Publisher: Boydell & Brewer
Total Pages: 393
Release: 2023-06-06
Genre:
ISBN: 1837650438

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The first extensive study of the depiction of the armour in the Thun-Hohenstein Album against the vibrant artistic and cultural contexts that created it. In late medieval and early modern Europe, armour was more than a defensive technology for war or knightly sport. Its diverse types formed a complex visual language. Luxury armour was fitted precisely to a wearer's body, and its memorable details declared his status. Empty armour could evoke an owner's physical presence, prompting recollection of knightly personae, glittering pageantry, and impressive feats of arms. Its mnemonic power persisted long after the battle had ended, the trumpets had gone silent, and the dust had settled in the tournament arena. Previously believed to contain preliminary designs sketched by master armourers, the Thun-Hohenstein album is a bound collection of drawings by professional book painters depicting some of the most artistically and technologically innovative armours of the fifteenth and sixteenth centuries. Like a paper version of the princely armories that first formed during the 1500s, the album's images offered rich sites of meaning and memory. Their organization within the codex suggests the images' significance to their compiler. At the same time, the composition and details allow the reader to trace the transmission of recognizable armours, and the memories they embodied, from the anvil to the page. This book is the first to examine the album, and the armor it depicts, in their vibrant artistic and cultural context. In five thematic chapters, it moves from case studies of these drawings to explore the album's complex intersections with the genres of martial history, material culture, and literature. It also reveals the album's participation in cultures of remembrance that carried mythic, knightly personae constructed around powerful Habsburg princes forward in time from the Middle Ages into the early modern era, from the courts of the Holy Roman Empire to emerging urban audiences.


At Home in Renaissance Bruges

At Home in Renaissance Bruges
Author: Julie De Groot
Publisher: Leuven University Press
Total Pages: 322
Release: 2022-03-29
Genre: History
ISBN: 9462703175

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Domestic materiality in a remarkable European city How did citizens in Bruges create a home? What did an ordinary domestic interior look like in the sixteenth century? And more importantly: how does one study the domestic culture of bygone times by analysing documents such as probate inventories? These questions seem straightforward, yet few endeavours are more challenging than reconstructing a sixteenth-century domestic reality from written sources. This book takes full advantage of the inventory and convincingly frames household objects in their original context of use. Meticulously connecting objects, people and domestic spaces, the book introduces the reader to the rich material world of Bruges citizens in the Renaissance, their sensory engagement, their religious practice, the role of women, and other social factors. By weaving insights from material culture studies with urban history, At Home in Renaissance Bruges offers an appealing and holistic mixture of in-depth socio-economic, cultural and material analysis. In its approach the book goes beyond heavy-handed theories and stereotypes about the exquisite taste of aristocratic elites, focusing instead on the domestic materiality of Bruges’ middling groups. Evocatively illustrated with contemporary paintings from Bruges and beyond, this monograph shows a nuanced picture of domestic materiality in a remarkable European city.


The Burgundians

The Burgundians
Author: Bart Van Loo
Publisher: Bloomsbury Publishing
Total Pages: 748
Release: 2021-10-28
Genre: History
ISBN: 1789543452

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A masterful history of the great dynasty of the Netherlands' Middle Ages. 'A sumptuous feast of a book' The Times, Books of the Year 'Thrillingly colourful and entertaining' Sunday Times 'A thrilling narrative of the brutal dazzlingly rich wildly ambitious duchy' Simon Sebag Montefiore 5 stars! Daily Telegraph 'A masterpiece' De Morgen 'A history book that reads like a thriller' Le Soir At the end of the fifteenth century, Burgundy was extinguished as an independent state. It had been a fabulously wealthy, turbulent region situated between France and Germany, with close links to the English kingdom. Torn apart by the dynastic struggles of early modern Europe, this extraordinary realm vanished from the map. But it became the cradle of what we now know as the Low Countries, modern Belgium and the Netherlands. This is the story of a thousand years, a compulsively readable narrative history of ambitious aristocrats, family dysfunction, treachery, savage battles, luxury and madness. It is about the decline of knightly ideals and the awakening of individualism and of cities, the struggle for dominance in the heart of northern Europe, bloody military campaigns and fatally bad marriages. It is also a remarkable cultural history, of great art and architecture and music emerging despite the violence and the chaos of the tension between rival dynasties.