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Staging Authority in Caroline England

Staging Authority in Caroline England
Author: Jessica Dyson
Publisher: Routledge
Total Pages: 234
Release: 2016-04-01
Genre: Literary Criticism
ISBN: 1317050894

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Considering plays by Philip Massinger, Richard Brome, Ben Jonson, John Ford and James Shirley, this study addresses the political import of Caroline drama as it engages with contemporary struggles over authority between royal prerogative, common law and local custom in seventeenth-century England. How are these different aspects of law and government constructed and negotiated in plays of the period? What did these stagings mean in the increasingly unstable political context of Caroline England? Beginning each chapter with a summary of the legal and political debates relevant to the forms of authority contested in the plays of that chapter, Jessica Dyson responds to these kinds of questions, arguing that drama provides a medium whereby the political and legal debates of the period may be presented to, and debated by, a wider audience than the more technical contemporary discourses of law could permit. In so doing, this book transforms our understanding of the Caroline commercial theatre’s relationship with legal authority.


Staging Authority in Caroline England

Staging Authority in Caroline England
Author: Jessica Dyson
Publisher:
Total Pages: 224
Release: 2013
Genre: Authority in literature
ISBN: 9781315610481

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Performing Multilingualism on the Caroline Stage in the Plays of Richard Brome

Performing Multilingualism on the Caroline Stage in the Plays of Richard Brome
Author: Margaret Rose
Publisher: Cambridge Scholars Publishing
Total Pages: 132
Release: 2018-06-11
Genre: Performing Arts
ISBN: 1527512355

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The book investigates the issue of multilingualism in the Caroline age through the lens of Richard Brome’s theatre. It analyses Brome’s multilingual representation of early modern London between 1625 and 1642, a multilingual and cosmopolitan city, a pole of attraction, a crossroads of religious, linguistic, political, and cultural experiences in a national and European context. The interaction between English and foreign languages has always been a sort of obsession for early modern England but, in this specific period, its role becomes increasingly important: interpreting this delicate, and unjustly labelled as decadent, phase of English drama through the lens of multilingualism generates a new perspective on the social dynamics, and on contemporary political events in domestic and foreign politics, while casting new light on a relatively neglected playwright. Taking a multifaceted approach, the book discusses the recourse to three types of language found in Brome’s plays, namely modern languages other than English, classical languages, and dialects, and explores the relationship between the use of one or more languages in a play and the contemporary early modern context. The book also analyses the implications of such use, since it allowed the playwright to dramatize social dynamics, while commenting on contemporary political events in England.


The genres of Renaissance tragedy

The genres of Renaissance tragedy
Author: Daniel Cadman
Publisher: Manchester University Press
Total Pages: 250
Release: 2019-02-25
Genre: Performing Arts
ISBN: 1526138271

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These twelve new essays show the variety and versatility of Renaissance tragedy and highlight the issues it explores. Each chapter defines a particular kind of Renaissance tragedy and offers new research on a particularly striking example. Collectively the essays offer a critical overview of Renaissance tragedy as a genre.


The Medieval and Early Modern Garden in Britain

The Medieval and Early Modern Garden in Britain
Author: Patricia Skinner
Publisher: Routledge
Total Pages: 273
Release: 2018-04-09
Genre: History
ISBN: 1351051407

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What was a "garden" in medieval and early modern British culture and how was it imagined? How did it change as Europe opened up to the wider world from the 16th century onwards? In a series of fresh approaches to these questions, the contributors offer chapters that identify and discuss newly-discovered pre-modern garden spaces in archaeology and archival sources, recognize a gendered language of the garden in fictional descriptions ("fictional" here being taken to mean any written text, regardless of its purpose), and offer new analysis of the uses to which gardens - real and imagined - might be put. Chapters investigate the definitions, forms and functions of physical gardens; explore how the material space of the garden was gendered as a secluded space for women, and as a place of recreation; examine the centrality of garden imagery in medieval Christian culture; and trace the development of garden motifs in the literary and artistic imagination to convey the sense of enclosure, transformation and release. The book uniquely underlines the current environmental "turn" in the humanities, and increasingly recognizes the value of exploring human interaction with the landscapes of the past as a route to health and well-being in the present.


Law as Performance

Law as Performance
Author: Julie Stone Peters
Publisher: Oxford University Press
Total Pages: 367
Release: 2022-04-14
Genre: Literary Criticism
ISBN: 0192653598

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Tirades against legal theatrics are nearly as old as law itself, and yet so is the age-old claim that law must not merely be done: it must be "seen to be done." Law as Performance traces the history of legal performance and spectatorship through the early modern period. Viewing law as the product not merely of edicts or doctrines but of expressive action, it investigates the performances that literally created law: in civic arenas, courtrooms, judges' chambers, marketplaces, scaffolds, and streets. It examines the legal codes, learned treatises, trial reports, lawyers' manuals, execution narratives, rhetoric books, images (and more) that confronted these performances, praising their virtues or denouncing their evils. In so doing, it recovers a long, rich, and largely overlooked tradition of jurisprudential thought about law as a performance practice. This tradition not only generated an elaborate poetics and politics of legal performance. It provided western jurisprudence with a set of constitutive norms that, in working to distinguish law from theatrics, defined the very nature of law. In the crucial opposition between law and theatre, law stood for cool deliberation, by-the-book rules, and sovereign discipline. Theatre stood for deceptive artifice, entertainment, histrionics, melodrama. And yet legal performance, even at its most theatrical, also appeared fundamental to law's realization: a central mechanism for shaping legal subjects, key to persuasion, essential to deterrence, indispensable to law's power, —as it still does today.


James Shirley and Early Modern Theatre

James Shirley and Early Modern Theatre
Author: Barbara Ravelhofer
Publisher: Taylor & Francis
Total Pages: 234
Release: 2016-10-04
Genre: Performing Arts
ISBN: 1317111524

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James Shirley was the last great dramatist of the English Renaissance, shining out among other luminaries such as John Ford, Ben Jonson, or Richard Brome. This collection considers Shirley within the culture of his time, and highlights his contribution to seventeenth-century English literature as poet and playwright. Individual essays explore Shirley’s musical theatre and spoken verse, performance conditions, female agency and politics, and the presentation of his work in manuscript and print. Collectively, the essays assemble a larger picture of Caroline drama, showing it to be more than simply a nostalgic endgame, its poets daintily sipping hemlock on the eve of the Civil Wars. Shirley’s literary versatility and long life, spanning the last days of Queen Elizabeth I to the ascension of Charles II, make him an ideal writer through whom to examine the distinctive qualities of Caroline theatre.


Literature's Critique, Subversion, and Transformation of Justice

Literature's Critique, Subversion, and Transformation of Justice
Author: Ruben Moi
Publisher: Lexington Books
Total Pages: 223
Release: 2024-03-15
Genre: Literary Criticism
ISBN: 1666952591

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Literature’s Critique, Subversion, and Transformation of Justice explores two of the fundamental institutions in human existence and social democracy that attend to philosophical consideration and critical discussion of how literature interacts with the phenomena of justice.


The Legal Epic

The Legal Epic
Author: Alison A. Chapman
Publisher: University of Chicago Press
Total Pages: 304
Release: 2017-02-15
Genre: Law
ISBN: 022643513X

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The seventeenth century witnessed some of the most important jurisprudential changes in England s history, yet it is relatively untouched territory in the rich field of literature and law. Alison Chapman s book fills this gap by situating the poet and polemicist John Milton in the center of late-seventeenth-century legal history. One of England s greatest poets, Milton was arguably also the most litigious, and he had an exceptionally wide and deep knowledge of law and judicial processes. While this book ranges widely across Milton s life and work, its primary focus is on the role that law plays in "Paradise Lost." Throughout "Paradise Lost," Chapman shows, Milton invites his readers to judge the ways of God both according to the dictates of reason and conscience and also according to prevailing ideas about legal justice. Law, Chapman argues, forms a crucial albeit unrecognized part of Milton s attempt in" Paradise Lost" to justify the ways of God to men. "


Taming Capitalism before its Triumph

Taming Capitalism before its Triumph
Author: Koji Yamamoto
Publisher: Oxford University Press
Total Pages: 304
Release: 2018-04-20
Genre: Business & Economics
ISBN: 0191059684

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This study examines the darker side of England's culture of economic improvement between 1640 and 1720. It is often suggested that England in this period grew strikingly confident of its prospect for unlimited growth. Indeed, merchants, inventors, and others promised to achieve immense profit and abundance. Such flowery promises were then, as now, prone to perversion, however. This volume is concerned with the taming of incipient capitalism — how a society in the past responded when promises of wealth creation went badly wrong. It reveals a history of numerous visible hands taming incipient capitalism, a story that Adam Smith and his admirers have long set aside. The notion of 'projecting' played a key role in this process. Thriving theatre, literature, and popular culture in the age of Ben Jonson began elaborating on predominantly negative images of entrepreneurs or 'projectors' as people who pursued Crown's and their own profits at the public's expense. This study examines how the ensuing public distrust came to shape the negotiation in the subsequent decades over the nature of embryonic capitalism. The result is a set of fascinating discoveries. By scrutinising greedy 'projectors', the incipient public sphere helped reorient the practices and priorities of entrepreneurs and statesmen away from the most damaging of rent-seeking behaviours. Far from being a recent response to mainstream capitalism, ideas about socially responsible business have long shaped the pursuit of wealth, power, and profit. Taming Capitalism before its Triumph unravels the rich history of broken promises of public service and ensuing public suspicion — a story that throws fresh light on England's 'transition to capitalism', especially the emergence of consumer society and the financial revolution towards the end of the seventeenth century.