Contingency in the Education, Art and Sport
Author | : Anna Hogenová |
Publisher | : |
Total Pages | : |
Release | : 2017 |
Genre | : |
ISBN | : 9788072909360 |
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Author | : Anna Hogenová |
Publisher | : |
Total Pages | : |
Release | : 2017 |
Genre | : |
ISBN | : 9788072909360 |
Author | : Anna Hogenová |
Publisher | : Vydavatelství PedF UK |
Total Pages | : 134 |
Release | : 2017-01-01 |
Genre | : Education |
ISBN | : 8072909223 |
Author | : Jaquelyn Lisa Osborne |
Publisher | : |
Total Pages | : 190 |
Release | : 1996 |
Genre | : Arts |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : |
Release | : 2017 |
Genre | : |
ISBN | : 9788072909247 |
Author | : Andrew Edgar |
Publisher | : Routledge |
Total Pages | : 191 |
Release | : 2016-04-08 |
Genre | : Sports & Recreation |
ISBN | : 1134913524 |
Sport and Art explores relationship of sport to art. It does not argue that sport is one of the arts, but rather that sport and art hold common ground. Both are ways in which humans confront philosophical challenges, though they do this through very different media. While art deploys sensual media such as paint or sound, sport is the pursuit of a physical challenge at which the athlete may fail. This is to propose, in an argument that has its roots in Hegel’s aesthetics, that sport may be interpreted as a way of reflecting upon metaphysical and normative issues, such as the nature of human freedom, fate and chance, and even our sense of space and time. This argument is developed by proposing the concept of a ‘sportworld’, an ‘atmosphere of theory’ and a ‘knowledge of history’ through which an event is interpreted and thereby constituted as sport. Ultimately, Sport and Art argues that in order to be truly appreciated, sport must be understood within a modernist aesthetics. That is to say that sport is not about beauty, but rather about the struggle to find meaning in sporting triumph and crucially sporting failure. This book was published as a special issue of Sport, Ethics and Philosophy.
Author | : Andrew Light |
Publisher | : Columbia University Press |
Total Pages | : 243 |
Release | : 2005-02-23 |
Genre | : Philosophy |
ISBN | : 0231509359 |
The aesthetics of everyday life, originally developed by Henri Lefebvre and other modernist theorists, is an extension of traditional aesthetics, usually confined to works of art. It is not limited to the study of humble objects but is rather concerned with all of the undeniably aesthetic experiences that arise when one contemplates objects or performs acts that are outside the traditional realm of aesthetics. It is concerned with the nature of the relationship between subject and object. One significant aspect of everyday aesthetics is environmental aesthetics, whether constructed, as a building, or manipulated, as a landscape. Others, also discussed in the book, include sport, weather, smell and taste, and food.
Author | : Charles L. T. Corsby |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 187 |
Release | : 2019-03-07 |
Genre | : Sports & Recreation |
ISBN | : 1527530817 |
This volume of abstracts provides an insight into the contested nature of sports coaching. Detailed, yet concise, this compilation of work recognises the importance of context and the socio-historical learning environments that coaches operate within. The text draws upon the work of a range of scholars varying from doctoral students, to leading international scholars, to provide a critical ‘snapshot’ of the current literature in sport coaching pedagogy. In doing so, this book outlines the challenges and potential developments of sports coaching as a discipline. The gathering of such work provides an insight to a variety of research projects, proposals and findings, varying from professional football and rugby union academies to community coaching and martial arts. This is the first book to present such an array of research projects in this format and, as such, is essential reading for any serious students of sports coaching, sport pedagogy, and for practitioners looking to engage in the study of sports coaching.
Author | : Martha Buskirk |
Publisher | : MIT Press |
Total Pages | : 324 |
Release | : 2005-02-18 |
Genre | : Art |
ISBN | : 9780262524421 |
An exploration of transformations in the nature of the art object and artistic authorship in the last four decades. In this book, Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Among other practices, contemporary artists have employed mass-produced elements, impermanent materials, and appropriated imagery, have incorporated performance and video, and have created works through instructions carried out by others. Furthermore, works of art that lack traditional signs of authenticity or permanence have been embraced by institutions long devoted to the original and the permanent. Buskirk begins with questions of authorship raised by minimalists' use of industrial materials and methods, including competing claims of ownership and artistic authorship evident in conflicts over the right to fabricate artists' works. Examining recent examples of appropriation, she finds precedents in pop art and the early twentieth-century readymade and explores the intersection of contemporary artistic copying and the system of copyrights, trademarks, and brand names characteristic of other forms of commodity production. She also investigates the ways that connections between work and context have transformed art and institutional conventions, the impact of new materials on definitions of medium, the role of the document as both primary and secondary object, and the significance of conceptually oriented performance work for the intersection of photography and the human body in contemporary art. Buskirk explores how artists active in the 1980s and 1990s have recombined strategies of the art of the 1960s and 1970s. She also shows how the mechanisms through which art is presented shape not only readings of the work but the work itself. She uses her discussion of the readymade and conceptual art to explore broader issues of authorship, reproduction, context, and temporality.
Author | : DS Mayfield |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 1115 |
Release | : 2020-10-26 |
Genre | : Literary Criticism |
ISBN | : 3110701774 |
Human life is susceptible of changing suddenly, of shifting inadvertently, of appearing differently, of varying unpredictably, of being altered deliberately, of advancing fortuitously, of commencing or ending accidentally, of a certain malleability. In theory, any human being is potentially capacitated to conceive of—and convey—the chance, view, or fact that matters may be otherwise, or not at all; with respect to other lifeforms, this might be said animal’s distinctive characteristic. This state of play is both an everyday phenomenon, and an indispensable prerequisite for exceptional innovations in culture and science: contingency is the condition of possibility for any of the arts—be they dominantly concerned with thinking, crafting, or enacting. While their scope and method may differ, the (f)act of reckoning with—and taking advantage of—contingency renders rhetoricians and philosophers associates after all. In this regard, Aristotle and Blumenberg will be exemplary, hence provide the framework. Between these diachronic bridgeheads, close readings applying the nexus of rhetoric and contingency to a selection of (Early) Modern texts and authors are intercalated—among them La Celestina, Machiavelli, Shakespeare, Wilde, Fontane.
Author | : |
Publisher | : |
Total Pages | : 638 |
Release | : 1916 |
Genre | : |
ISBN | : |