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| Author | : Carolyn Mazloomi |
| Publisher | : Clarkson Potter |
| Total Pages | : 202 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : |
The author presents a collection of 150 contemporary African American quilts and the stories behind both the quilts and the quilters.
| Author | : Carolyn Mazloomi |
| Publisher | : Clarkson Potter |
| Total Pages | : 200 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : |
The author presents a collection of 150 contemporary African American quilts and the stories behind both the quilts and the quilters.
| Author | : Kyra E. Hicks |
| Publisher | : McFarland |
| Total Pages | : 0 |
| Release | : 2016-03-02 |
| Genre | : Social Science |
| ISBN | : 9781476667102 |
One million African Americans spend approximately $118 million annually on quilting. Some believe that recent studies of oral histories telling of the role quilting played in the Underground Railroad have inspired African Americans to take up their fabric and needles, but whatever the reason, quilters like Faith Ringgold, Clementine Hunter, Winnie McQueen, and many others are keeping the African American traditions of quilting alive. This is the first comprehensive guide to African American quilt history and contemporary practices. It offers more than 1,700 bibliographic references, many of them annotated, covering exhibit catalogs, books, newspapers, magazines, dissertations, films, novels, poetry, speeches, works of art, advertisements, patterns, greeting cards, auction results, ephemeral items, and online resources on African American quilting. The book also includes primary research done by the author on the Internet usage of African American quilters, a listing of over 100 museums with African American-made quilts in their permanent collections, a directory of African American quilting groups in 29 states, and a detailed timeline that covers 200 years of African American quilting and needle arts events.
| Author | : Jenny Williamson |
| Publisher | : American Quilter's Society |
| Total Pages | : 92 |
| Release | : 2004 |
| Genre | : Crafts & Hobbies |
| ISBN | : 9781574328523 |
The best-selling textbook in its field, The Last Dance offers an interdisciplinary approach to the study of death and dying. Integrating the experiential, scholarly, social, individual, emotional, and intellectual dimensions of death and dying, this acclaimed text provides solid grounding in theory and research, as well as practical application to students' lives. The ninth edition has been updated to offer cutting-edge and comprehensive coverage of death studies.
| Author | : Charles D. Thompson Jr. |
| Publisher | : University of Illinois Press |
| Total Pages | : 307 |
| Release | : 2011-04-20 |
| Genre | : History |
| ISBN | : 025209526X |
Spirits of Just Men tells the story of moonshine in 1930s America, as seen through the remarkable location of Franklin County, Virginia, a place that many still refer to as the "moonshine capital of the world." Charles D. Thompson Jr. chronicles the Great Moonshine Conspiracy Trial of 1935, which made national news and exposed the far-reaching and pervasive tendrils of Appalachia's local moonshine economy. Thompson, whose ancestors were involved in the area's moonshine trade and trial as well as local law enforcement, uses the event as a stepping-off point to explore Blue Ridge Mountain culture, economy, and political engagement in the 1930s. Drawing from extensive oral histories and local archival material, he illustrates how the moonshine trade was a rational and savvy choice for struggling farmers and community members during the Great Depression. Local characters come alive through this richly colorful narrative, including the stories of Miss Ora Harrison, a key witness for the defense and an Episcopalian missionary to the region, and Elder Goode Hash, an itinerant Primitive Baptist preacher and juror in a related murder trial. Considering the complex interactions of religion, economics, local history, Appalachian culture, and immigration, Thompson's sensitive analysis examines the people and processes involved in turning a basic agricultural commodity into such a sought-after and essentially American spirit.
| Author | : Carolyn Mazloomi |
| Publisher | : Paper Moon Publishing |
| Total Pages | : 128 |
| Release | : 2007-01-01 |
| Genre | : African American quilts |
| ISBN | : 9780979267505 |
Jazz, like quilting, is a woven art form. Both genres produce textural harvests spun from the life fibers of masters of the imagination who create for our contemplation. Quiltmaking, as in jazz, evokes a host of complex rhythms and moods. Some quilt artists listen to jazz music while working on their quilts because the one form of artistic inspiration ignites in the other. When the two forms connect, the creative energy explodes exponentially. Textural Rhythms: Quilting the Jazz Tradition releases both the individual particles and the synergistic power of this explosion. The 83 quilts pictured include traditional, improvisational, and art quilts from some of the countries best known African American quilters. Textural Rhythms: Quilting the Jazz Tradition unite the two most well known, and popular artistic forms in African American culture jazz and quilts. These quilt artists have harnessed in cloth the spirit of jazz, and let us feel, hear, and see jazz music.
| Author | : Anne Fadiman |
| Publisher | : Macmillan |
| Total Pages | : 370 |
| Release | : 2012-04-24 |
| Genre | : Family & Relationships |
| ISBN | : 0374533407 |
Winner of the National Book Critics Circle Award for Nonfiction, this brilliantly reported and beautifully crafted book explores the clash between a medical center in California and a Laotian refugee family over their care of a child.
| Author | : |
| Publisher | : University of Washington Press |
| Total Pages | : 308 |
| Release | : |
| Genre | : Hand weaving |
| ISBN | : 9780295803579 |
"Cloth only wears, it does not die," the paradoxical phrase from a Bunu Yoruba prayer, emphasizes the power of cloth as a symbol of continuing social relations and identities in the face of uncertainty and death. The Bunu Yoruba people of central Nigeria mark every critical juncture in an individual’s life, from birthing ceremonies to funeral celebrations, with handwoven cloth. Anthropologist Elisha Renne explains how and why this is so and discusses why handwoven cloth is still valued although it is rarely woven in Bunu villages today. Special marriage cloths mark changes in the status of Bunu brides, as well as in the social connections of kin during traditional marriage rituals. In funerals, handwoven cloth is used to rank chiefs; in masquerade performances, it indicates the presence of ancestral spirits. As tailored and untailored dress, it expresses gender and educational differences. Further, it is worn to distinguish ritual events that have a unique Bunu identity from everyday affairs where commercial, industrially woven cloth prevails. Renne examines the use and production of cloth in Bunu society from approximately 1900 to the present. Some traditions associated with cloth have given way to changes brought about by long contact with Christian missionaries and by British colonial policies that altered methods of cotton and cloth production. Today weaving is no longer done as a matter of course by all village women, but rather has become the specialty of only a few. Why does handwoven cloth still play such a vital role in Bunu social life when, in fact, Bunu women have largely given up weaving? To explain cloth’s continued cultural importance, Renne takes the story beyond the descriptive and historic to examine the meaning of different kinds of cloth for various members of Bunu village communities -- from wives and diviners to chiefs and hunters. The details of Bunu village life in Cloth That Does Not Die complement the many uses of cloth that Renne interprets. Anthropologists, social historians, and historians of African art will find the book of great value as an example of how material culture can integrate the study of various aspects of social life. The book will interest textile artists with its close attention to the visual properties of cloth itself.
| Author | : Lois Hermann |
| Publisher | : Light Publishing |
| Total Pages | : 0 |
| Release | : 2016-04 |
| Genre | : Child labor |
| ISBN | : 9780997156706 |
This book was written in response to a promise made ten years ago, a commitment given to a group of spirits who caused accidents to get our attention. They agreed to stop their activity and go into the light if we would publish their story. This spiritual mystery shares their compelling heart-wrenching stories woven through the journey of creating the book itself. This fascinating story was communicated by the Spirits of Amoskeag, the Wounded Heroes of the Manchester Mills. We would like to hear your stories and personal insights that may shed light on the mysteries of the Spirits of Amoskeag.
| Author | : Farley Mowat |
| Publisher | : McClelland & Stewart |
| Total Pages | : 378 |
| Release | : 2009-01-13 |
| Genre | : Biography & Autobiography |
| ISBN | : 1551991519 |
In 1957, Farley Mowat shipped out aboard one of Newfoundland’s famous coastal steamers, tramping from outport to outport along the southwest coast. The indomitable spirit of the people and the bleak beauty of the landscape would lure him back again and again over the years. In the process of falling in love with a people and a place, Mowat also met the woman who would be the great love of his life. A stunningly beautiful and talented young artist, Claire Wheeler insouciantly climbed aboard Farley’s beloved but jinxed schooner as it lay on the St. Pierre docks, once again in a cradle for repairs, and changed both their lives forever. This is the story of that love affair, of summers spent sailing the Newfoundland coast, and of their decision to start their life together in Burgeo, one of the province’s last remaining outports. It is also an unforgettable portrait of the last of the outport people and a way of life that had survived for centuries but was now passing forever. Affectionate, unsentimental, this is a burnished gem from an undiminished talent. I was inside my vessel painting the cabin when I heard the sounds of a scuffle nearby. I poked my head out the companionway in time to see a lithesome young woman swarming up the ladder which leaned against Happy Adventure’s flank. Whining expectantly, the shipyard dog was endeavouring to follow this attractive stranger. I could see why. As slim and graceful as a ballet dancer (which, I would later learn, was one of her avocations), she appeared to be wearing a gleaming golden helmet (her own smoothly bobbed head of hair) and was as radiantly lovely as any Saxon goddess. I invited her aboard, while pushing the dog down the ladder. “That’s only Blanche,” I reassured my visitor. “He won’t bite. He’s just, uh . . . being friendly.” “That’s nice to know,” she said sweetly. Then she smiled . . . and I was lost. —From Bay of Spirits
