Spirit Photographs Are Objective Copies From Subjective Images Impressed Upon The Ether Of Space And Constantly Thrown Out By Our Thoughts And Deeds PDF Download

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Spirit-photographs are objective copies from subjective images impressed upon the ether of space, and constantly thrown out by our thoughts and deeds.

Spirit-photographs are objective copies from subjective images impressed upon the ether of space, and constantly thrown out by our thoughts and deeds.
Author: Helena Petrovna Blavatsky
Publisher: Philaletheians UK
Total Pages: 7
Release: 2019-04-07
Genre: Religion
ISBN:

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“Spirit” photographs allow a large margin for criticism, as they leave everything unexplained, and the figures are by no means satisfactory. There exists an infinite ocean of ether, in which all material substance floats, and through which are transmitted all the forces in the physical universe. An occult explanation of “Spirit” photographs is that they are objective copies from subjective photographs impressed upon the ether of space, and constantly thrown out by our thoughts, words, and deeds. So long as “Spirit” photography instead of being regarded as a science, is presented to the public as a new Revelation from the God of Israel and Jacob, the jury will continue deliberating for much longer.


The Fire of Aether is the all-vivifying Spirit of Cosmic Matter

The Fire of Aether is the all-vivifying Spirit of Cosmic Matter
Author: Helena Petrovna Blavatsky
Publisher: Philaletheians UK
Total Pages: 44
Release: 2019-04-07
Genre: Religion
ISBN:

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Part 1. Aether is the Father of the Universe and the all-vivifying Spirit of Cosmic Matter. Myths always speak to those who listen. In Kosmos there are three higher principles: Chthonia (Chaos), Æther (Zeus) and Chronos (Time). Æther is the Spirit of Cosmic Matter, represented by Zeus, Osiris, and other androgynous deities; Astral Light is their shadow on earth. Fire is the unity of Æther in its universality. But there are two Kosmic “Fires,” and a distinction is made between them in the Occult teachings. Æther and Hemera are the light of the superior and the light of the inferior or terrestrial regions. Æther–Chaos–Akasha is Deity. The Æther of the Greeks is the Akasha of the Hindus; the Ether of modern physics is one of Æther’s subdivisions on our plane. Æther and Chaos (Plato’s Mind and Matter) are the two primeval and eternal principles of the universe, utterly independent of anything else. Æther is the all-vivifying intellectual principle; Chaos, a shapeless liquid principle, without “form or sense,” from the union of which two sprung into existence the Universe the first androgynous deity — the chaotic matter becoming its body, and æther its soul. Chaos–Theos–Kosmos are aspects of the Unknown Space. Deity, in the shape of Æther–Chaos–Akasha, Soul of the Universe and noumenon of Astral Light, pervades all things. The Theurgists called it the Living Fire, and the Spirit of Light. The science of physics, and of metaphysics for that matter, know nothing of Æther. Yet Father-Æther is re-welcomed with open arms; and wedded to gravitation. Æther is the source and cause of all forces, whether cohesive, chemical, thermal, electric, or magnetic. Æther is septenary, whether Akasha is meant by the term, or its lower principle — Ether. Akasha is the Matrix of the Universe and the “Mysterium Magnum,” from which all that exists is born by separation or differentiation: it is the cause of existence; it fills the infinite Space; and is Space itself, in one sense. But as the finite within the Infinite, this light must have its shadowy side — the “Astral Light,” which is no light. Individual human beings can overpower that “fatal light” but only by the holiness of their lives, and by acts of kindness and brotherly love. In Buddhism there are no compulsory beliefs. We are to believe only when the writing, doctrine, or teaching is corroborated by our own reason and consciousness. But then, we have to act accordingly and abundantly. Nihil is synonym for the impersonal divine Principle, the Infinite All, which is neither “being” nor “thing.” It is the Parabrahman of the Vedantist, The One Life of the Buddhist, “That” of the Chhandogya Upanishad, the Ain-Soph of the Kabbalah, The Absolute of Hegel. Lord Buddha taught that the Primitive Substance is eternal and unchangeable. Its vehicle is the pure, luminous Æther, boundless, infinite Space — still a creation of maya. Mastery of Buddhist dogmas can be attained only by following the Platonic deductive method, i.e., proceeding from universals to particulars. In Buddhist philosophy annihilation implies only a dispersion of matter in whatever form or semblance of form it may be. Even our astral bodies, pure ether, are but illusions of matter, so long as they retain their terrestrial outline. Æther is incorruptible. The spirits of creatures, who are emanations of the most sublimated portions of Æther, are Breaths not forms. The body of Jesus was abandoned to the earth while Christos, the Inner Man, was clothed with a luminous body made up of Æther. Part 2. Ether is the Mother of differentiated matter vivified by the formless Fire of Aether. When we recall pictures from the ether, the returning current meeting the outgoing wave of crystallised sound takes it up by magnetic attraction, and returns to us simultaneously the images of the past and the vibrations of its sounds. Each particle of matter is the register of all that has happened and previsionally apprehends even unspoken thought which, once conceived, displaces the particles of the brain by setting them in motion, and scatters its ideas throughout the universe, thus impressing them indelibly upon the eternal and boundless expanse of ether. The Divine Intellect is veiled in man. His animal brain alone philosophizes. When “astral light” circulates in harmony with the divine spirit, the occult powers of plants, animals, and minerals magically sympathize with the “superior natures,” and the divine soul of man attunes with the “inferior” ones. But during the barren periods, the latter lose their magic sympathy, and the spiritual sight of the majority of mankind is so blinded as to lose every notion of the innate powers of its divine lineage and essence. Spirit is the personal god of each mortal and his only divine element. The dual soul, on the contrary, is semidivine, i.e., potentially divine. It is only when the human individuality, soiled with earthly impurities, overcomes separateness and identifies itself with the divine intelligence within, that the aroma of personal experience can become immortal. Although invisible, thought is a material force. Let the least cerebral motion reverberate in the Ether of Space and it will produce a disturbance reaching to infinity. Akasha is not the Holy Ghost, because it would then be Shekh?nah (M?laprakriti). Akasha is the noumenon of the Cosmic Septenary, whose soul is Ether. Ether is the lining of Akasha, and Akasha is the Anima Mundi and Mother of Kosmos. Akasha, whose lowest form is the Ether of Space, is entirely different from the medium of Science. Fire is the Spirit of Deity, the active, male, generative principle; and Ether, the Soul of Matter, is the light of the Fire, the passive female principle from which everything in this Universe emanated. Hence, Ether or “Water” is Mother, and Fire is Father. Sound is the characteristic of Akasha (Ether): it generates air, the property of which is touch, and which, by friction, generates colour and light. The ether of Science is the grossest manifestation of Akasha, though on our plane, it is the seventh principle of the astral light, and three degrees higher than “radiant matter.” When ether penetrates or informs something, it may be molecular because it takes on the form of the latter, and its atoms inform the particles of that “something.” We may perhaps call matter “crystallised ether.” There is no such things as light, heat, sound, or electricity. There is nothing but radiant energy due to one thing — Motion of Ether. Modern Science may divide its hypothetically conceived ether in as many ways as it likes; the real Ether of Space, i.e., Æther, will remain as it is throughout. Ether is the vibrating sound-board in Nature, in all of her seven differentiations. Where there was no Ether there would be no sound. The “Astral Light,” or Ether of Space, preserves the images of all beings and things on its sensitised waves. An occult explanation of “Spirit” photographs is that they are objective copies from subjective photographs impressed upon the ether, and constantly thrown out by our thoughts, words, and deeds. There exists an infinite ocean of ether, in which all material substance floats, and through which are transmitted all forces in the physical universe. So long as “Spirit” photography, instead of being regarded a science, is presented to the public as a new revelation from the God of Israel and Jacob, the jury will go on deliberating much longer. The mediumistic rapping is a correlation of vital force, emitted from the person of the rapper, with the potential energy of the ether. Cyprianus, the reformed sorcerer of Antioch, confessed that he knew of the Chaldæan division of ether into parts. Part 3. The Seven Cosmic Elements, with their numberless sub-Elements, are modifications of One Element. There is but One Element in Nature, and at its rootless root is Deity. The so-called Seven Elements, of which five have already manifested and asserted their existence, are the fabric veiling Deity. Father-Æther has pre-eminence over, and is the synthesis of, all elements. Chaos-Theos-Kosmos is Unknown Space, producing the four primary Elements, which are known on the terrestrial plane as Seven Cosmic Elements. The attempt to derive God from the Anglo-Saxon word “good” is an abandoned idea. God is Jod, a phallic hook. He may be the creator of physical man, “out of nothing,” but not the spark of divine intelligence that “fell” in order to make animal man divine. The Seven “immortal gods who give birth and life to all” are constantly forming matter under the never-ceasing impulse of the One Element. The Seven Cosmic Elements, with their numberless sub-Elements, are modifications and aspects of the One and only Element. Four are entirely physical, and the fifth (Ether) semi-material. Akasha, of which Ether is the grossest form, is the Fifth Cosmic Principle which corresponds to, and from which unfolds, the human Manas. The first four numbers in German are named after four elements. But the Ancients represented the world by five elements. Had they been ignorant of the heterogeneity of the elements they would have had no personifications of Fire, Air, Water, Earth, and Æther. Of the Seven Elements on our Earth, four are now fully manifested, while the fifth — Ether — is only partially so, as we are hardly in the second half of the Fourth Round and, consequently, the Fifth Element will manifest fully only in the Fifth Round. It will only be in the next, or Fifth Round, that Ether, the gross body of Akasha, will become a familiar fact of Nature to all men, as air is familiar to us now. Cosmic Elements are the noumena of the terrestrial elements. “Water” is Matter in its precosmic state. Ether contains all other states of matter and their properties. The “waters” of creation are not the liquid we know, but Æther — the Fiery Waters of Invisible Space. Fohat is the “Son of Æther,” in its highest aspect. From Mahat-Intelligence proceeds ether; from ether, air; from air, heat; from heat, water; and from water, earth with everything on her. Æther is universal Fire — imponderable power and potency. Ether is one of Seven Cosmic Principles. Akasha is the synthesis of Æther; and Ether, an aspect of Akasha. The Astral Light is no “light,” it is the dark side of Ether, teeming with conscious, semi-conscious, and unconscious entities.


The Theosophical Movement

The Theosophical Movement
Author:
Publisher:
Total Pages: 730
Release: 1945
Genre: Theosophy
ISBN:

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Modern Developments of Spirit Photography

Modern Developments of Spirit Photography
Author: Andrew Glendinning
Publisher: Independently Published
Total Pages: 60
Release: 2019-05-07
Genre:
ISBN: 9781097271979

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The publication in the British Journal of Photography of Mr. Taylor's Paper, with the proceedings of the meeting at which it was read, has aroused a wide-spread and deep interest in the subject. The principal portions of it, and, in some instances the whole of the Paper, together with editorial comments, have subsequently appeared in newspapers and journals in Canada, Australia, India, America, and other countries. As his experiments will be a matter of historical interest, many scientific men will be pleased to have his Paper in this book form, with the reproductions of two of the psychic pictures which he obtained on his photographic plates.The term "spirit photographs" is generally used to describe photographs of psychic entities who cannot be seen by ordinary persons, but can be photographed by a medium, or with the help of a medium, and with the co-operation of these unseen entities. Such portraits are obtained both indoors and in the open air, with and without a background, by natural light and by artificial light; and, in the case of "materialised" forms at séances, which are visible to every person present, the portraits have sometimes been taken by light produced by the spirits, the exact nature of which is unknown.The following may serve as a rough classification of what are called spirit photographs: -1. Portraits of psychical entities not seen by normal vision.2. Pictures of objects not seen nor thought of by the sitter or by the medium or operator; such as flowers, words, crosses, crowns, lights, and various emblematic objects.3. Pictures which have the appearance of being copied from statues, paintings, or drawings. Sometimes these are busts or heads only. The flatness in some photographs of this class is supposed, by persons who have not investigated the subject, to be proof that the photographs are produced in a fraudulent manner.4. Pictures of what are called materialised forms visible to normal sight.5. Pictures of the "wraith" or "double" of persons still in the body.6. Portraits on plates which developers have failed to bring into view, but that can be seen and described by clairvoyants and by mediums when in trance and whose descriptions agree, though made independently.


Psychic Self-Defense

Psychic Self-Defense
Author: Dion Fortune
Publisher: Phoemixx Classics Ebooks
Total Pages: 200
Release: 2021-12-12
Genre: Young Adult Fiction
ISBN: 3986775390

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Psychic Self-Defense Dion Fortune - "Psychic Self-Defense" is one of the best guides to detection and defence against psychic attack from one of the leading occult writers of the 20th century. After finding herself the subject of a powerful psychic attack in the 1930's, famed British occultist Dion Fortune wrote this detailed instruction manual on protecting oneself from paranormal attack. This classic psychic self-defence guide explains how to understand the signs of a psychic attack, vampirism, hauntings, and methods of defence. Everything you need to know about the methods, motives, and physical aspects of a psychic attack and how to overcome it is here, along with a look at the role psychic elements play in mental illness and how to recognise them.


The Case for Spirit Photography

The Case for Spirit Photography
Author: Arthur Conan Doyle
Publisher: Forgotten Books
Total Pages: 150
Release: 2017-10-20
Genre: Body, Mind & Spirit
ISBN: 9780266524397

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Excerpt from The Case for Spirit Photography: With Corroborative Evidence by Experienced Researchers and Photographers The publicity given to the recent attacks on Psychic Photography has been out of all proportion to their scientific value as evidence. When Sir Arthur Conan Doyle returned to Great Britain, after his successful tour in America, the controversy was in full swing. With characteristic promptitude he immediately decided to meet these negative attacks by a positive counter-attack, and this volume is the outcome of that decision. We have used the term Spirit Photography on the title-page as being the popular name by which these phenomena are known. This does not imply that either Sir Arthur or I imagine that everything supernormal must be of spirit origin. There is, undoubtedly, a broad borderland where these photographic effects may be produced from forces contained within ourselves. This merges into those higher phenomena of which many cases are here described. Those desiring fuller information on this subject are referred to Photo graphing the Invisible, by James Coates. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The Case For Spirit Photography

The Case For Spirit Photography
Author: Sir Arthur Conan Doyle
Publisher:
Total Pages: 0
Release: 2024-05-14
Genre: Body, Mind & Spirit
ISBN:

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"Can the camera show us those who have passed on? Yes!" Arthur Conan Doyle said upon publishing The Case For Spirit Photography in 1923. The book offers a thorough account of his own experiences with spirit photography and those of others. The first spirit photographer, William Mumler, began working in Boston in 1861. Faint figures believed to be lost loved ones appeared in photos behind those sitting in front of the camera. Over the years, Mumler took thousands of spirit photographs, including one of Mary Todd Lincoln showing the assassinated president behind her. P.T. Barnum, always one to enjoy a good humbug, was intrigued as well and displayed several Mumler photographs in his American Museum. But with growing success came more skeptics. And eventually, some of them noticed that several spirits were actually people still living. By 1869, the police were on the case and claimed Mumler was swindling people out of their money. The spirit photographer went to court, supported by the Spiritualist community who maintained their belief that he was innocent and genuine. Mumler was exonerated when no one could prove he'd faked his photos. His legal troubles ultimately hurt his business, but spirit photography lived on through other mediums wielding otherworldly cameras. Doyle believed many of them to be genuine and often came to the defense of photographers accused of fraud. He had been one of Spiritualism's loudest and best-known evangelists in the early twentieth century. He, and its millions of followers, believed that we never die-we merely move on to another plane that could amazingly be captured on film. The author's good friend, Harry Houdini, spent many years exposing fraudulent mediums that capitalized on Spiritualism and people's willingness to believe that the dead could talk. One example was spirit photographer Alexander Martin of Denver, Colorado. Doyle told Houdini that he was "a very wonderful man in his particular line." So the magician paid him a visit, and once inside the studio he attempted to explore the dark room. After a few secretive photographic shenanigans, Martin shared some ghosts. Houdini concluded the photos were simply double exposures. "From a logical, rational point of view, Spirit photography is a most barefaced imposition and stands as evidence of the credulity of those who are in sympathy with the superstitions of occultism," he wrote in 1924's A Magician Among the Spirits. "It is also evidence of how unscrupulous mediums become and how calloused their consciences." Doyle clearly disagreed. Genuine or not, the stories presented within these pages are fascinating and a hundred years later the photos remain extraordinary. And they are faithfully reproduced as published in 1923.


How to Make Our Mental Pictures Come True

How to Make Our Mental Pictures Come True
Author: George Schubel
Publisher: Health Research Books
Total Pages: 164
Release: 1996-09
Genre: Psychology
ISBN: 9780787311834

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1922 a series of easy lessons in the art of visualization. One of the inspirational classics. Ideal for gifts.


The Production of Space

The Production of Space
Author: Henri Lefebvre
Publisher: Wiley-Blackwell
Total Pages: 464
Release: 1992-04-08
Genre: Philosophy
ISBN: 9780631181774

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Henri Lefebvre has considerable claims to be the greatest living philosopher. His work spans some sixty years and includes original work on a diverse range of subjects, from dialectical materialism to architecture, urbanism and the experience of everyday life. The Production of Space is his major philosophical work and its translation has been long awaited by scholars in many different fields. The book is a search for a reconciliation between mental space (the space of the philosophers) and real space (the physical and social spheres in which we all live). In the course of his exploration, Henri Lefebvre moves from metaphysical and ideological considerations of the meaning of space to its experience in the everyday life of home and city. He seeks, in other words, to bridge the gap between the realms of theory and practice, between the mental and the social, and between philosophy and reality. In doing so, he ranges through art, literature, architecture and economics, and further provides a powerful antidote to the sterile and obfuscatory methods and theories characteristic of much recent continental philosophy. This is a work of great vision and incisiveness. It is also characterized by its author's wit and by anecdote, as well as by a deftness of style which Donald Nicholson-Smith's sensitive translation precisely captures.