Spectacular Native Performances PDF Download
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| Author | : Linda Scarangella McNenly |
| Publisher | : |
| Total Pages | : 338 |
| Release | : 2008 |
| Genre | : Circus performers |
| ISBN | : |
Download Spectacular Native Performances Book in PDF, ePub and Kindle
This dissertation engages with anthropological debates of the representation of Native peoples in performance through a series of comparative case studies that examine Native North American participation in wild West shows. Using multi-sited ethnographic and ethnohistorical approaches, it investigates the experience of some Native performers with the top wild West shows historically (1885-1930), of three Mohawk families who performed in a variety of spectacles (early 1900s), and of contemporary performers in wild West show re-creations at EuroDisney (France) and Buffalo Bill Days (Sheridan, Wyoming, U.S.A.). This research focuses on Native performers' perspectives and experiences in order to complicate the picture of exploitation and commercialization in this context. In this dissertation, rather than focusing solely on the production of stereotypes, I trace the extent and various forms of Native agency and expressions of identity through a series of encounters that occur in a wild West show "contact zone." Drawing on the concept of transculturation, I argue that Native performers adopted and used contact zone encounters as a space to express their opinions or to maintain, express, and/or contest Native identity. I thus elucidate the various forms of agency that Native performers wielded, whether expressive, communicative, performative, or agency of cultural projects. A "cultural projects" approach to agency considers Native performers' own goals and social relationships in addition to the socio-political constraints and power relations that structure their lives. Native performers had their own cultural projects; they actively pursued the opportunities and benefits of working in wild West shows. I argue that narratives of opportunity, success, and pride found in the employment encounter, in oral histories of Mohawk performers' experiences, and in interviews with contemporary performers, represent agency of cultural projects. Oral histories from Mohawk performers' descendants and their interpretations of the archival record were crucial for revealing and substantiating these alternative perspectives of Native experiences in wild West shows and spectacles.
| Author | : Linda Scarangella McNenly |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 279 |
| Release | : 2015-04-23 |
| Genre | : Social Science |
| ISBN | : 0806149809 |
Download Native Performers in Wild West Shows Book in PDF, ePub and Kindle
Now that the West is no longer so wild, it’s easy to dismiss Buffalo Bill Cody’s world-famous Wild West shows as promoters of stereotypes and clichés. But looking at this unique American genre from the Native American point of view provides thought-provoking new perspectives. Focusing on the experiences of Native performers and performances, Linda Scarangella McNenly begins her examination of these spectacles with Buffalo Bill’s 1880s pageants. She then traces the continuing performance of these acts, still a feature of regional celebrations in both Canada and the United States—and even at Euro Disney. Drawing on interviews with contemporary performers and descendants of twentieth-century performers, McNenly elicits insider perspectives to suggest new interpretations of their performances and experiences; she also uses these insights to analyze archival materials, especially photographs. Some Native performers saw Wild West shows not necessarily as demeaning, but rather as opportunities—for travel, for employment, for recognition, and for the preservation and expression of important cultural traditions. Other Native families were able to guide their own careers and even create their own Wild West shows. Today, Native performers at Buffalo Bill Days in Sheridan, Wyoming, wear their own regalia and choreograph their own performances. Through dancing and music, they express their own vision of a contemporary Native identity based on powwow cultures. Proud of their skills and successes, Native performers at Euro Disney are establishing promising careers. The effects of colonialism are undeniable, yet McNenly’s study reveals how these Native peoples have adapted and re-created Wild West shows to express their own identities and to advance their own goals.
| Author | : Maximilian Christian Forte |
| Publisher | : Peter Lang |
| Total Pages | : 238 |
| Release | : 2010 |
| Genre | : Congresses and conventions |
| ISBN | : 9781433101021 |
Download Indigenous Cosmopolitans Book in PDF, ePub and Kindle
"Timely and original, this volume looks at indigenous peoples from the perspective of cosmopolitan theory and at cosmopolitanism from the perspective of the indigenous world. In doing so, it not only sheds new light on both, but also has something important to say about the complexities of identification in this shrinking, overheated world. Analysing ethnoqraphy from around the world, the authors demonstrate the universality of the local-indigeneity-and the particularity of the universal--cosmopolitanism. Anthropology doesn't get much better than this." --Thomas Hylland Eriksen, Professor of Anthropology, University of Oslo; Author of Globalisation --Book Jacket.
| Author | : Steve Friesen |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 275 |
| Release | : 2017-06-08 |
| Genre | : History |
| ISBN | : 0806158271 |
Download Lakota Performers in Europe Book in PDF, ePub and Kindle
From April to November 1935 in Belgium, fifteen Lakotas enacted their culture on a world stage. Wearing beaded moccasins and eagle-feather headdresses, they set up tepees, danced, and demonstrated marksmanship and horse taming for the twenty million visitors to the Brussels International Exposition, a grand event similar to a world’s fair. The performers then turned homeward, leaving behind 157 pieces of Lakota culture that they had used in the exposition, ranging from costumery to weaponry. In Lakota Performers in Europe, author Steve Friesen tells the story of these artifacts, forgotten until recently, and of the Lakota performers who used them. The 1935 exposition marked a culmination of more than a century of European travel by American Indian performers, and of Europeans’ fascination with Native culture, fanned in part by William F. “Buffalo Bill” Cody’s Wild West from the late 1800s through 1913. Although European newspaper reports often stereotyped Native performers as “savages,” American Indians were drawn to participate by the opportunity to practice traditional aspects of their culture, earn better wages, and see the world. When the organizers of the 1935 exposition wanted to include an American Indian village, Sam Lone Bear, Thomas and Sallie Stabber, Joe Little Moon, and other Lakotas were eager to participate. By doing this, they were able to preserve their culture and influence European attitudes toward it. Friesen narrates these Lakotas' experiences abroad. In the process, he also tells the tale of collector François Chladiuk, who acquired the Lakotas’ artifacts in 2004. More than 300 color and black-and-white photographs document the collection of items used by the performers during the exposition. Friesen portrays a time when American Indians—who would not long after return to Europe as allies and liberators in military garb—appeared on the international stage as ambassadors of the American West. Lakota Performers in Europe offers a complex view of a vibrant culture practiced and preserved against tremendous odds.
| Author | : Silvia Spitta |
| Publisher | : University of Texas Press |
| Total Pages | : 295 |
| Release | : 2009-07-01 |
| Genre | : Social Science |
| ISBN | : 0292718977 |
Download Misplaced Objects Book in PDF, ePub and Kindle
"When things move, things change." Starting from this deceptively simple premise, Silvia Spitta opens a fascinating window onto the profound displacements and transformations that have occurred over the six centuries since material objects and human subjects began circulating between Europe and the Americas. This extended reflection on the dynamics of misplacement starts with the European practice of collecting objects from the Americas into Wunderkammern, literally "cabinets of wonders." Stripped of all identifying contexts, these exuberant collections, including the famous Real Gabinete de Historia Natural de Madrid, upset European certainties, forcing a reorganization of knowledge that gave rise to scientific inquiry and to the epistemological shift we call modernity. In contrast, cults such as that of the Virgin of Guadalupe arose out of the reverse migration from Europe to the Americas. The ultimate marker of mestizo identity in Mexico, the Virgin of Guadalupe is now fast crossing the U.S.-Mexico border, and miracles are increasingly being reported. Misplaced Objects then concludes with the more intimate and familial collections and recollections of Cuban and Mexican American artists and writers that are contributing to the Latinization of the United States. Beautifully illustrated and radically interdisciplinary, Misplaced Objects clearly demonstrates that it is not the awed viewer, but rather the misplaced object itself that unsettles our certainties, allowing new meanings to emerge.
| Author | : S. E. Wilmer |
| Publisher | : University of Arizona Press |
| Total Pages | : 298 |
| Release | : 2011-11-01 |
| Genre | : Social Science |
| ISBN | : 0816502749 |
Download Native American Performance and Representation Book in PDF, ePub and Kindle
Native performance is a multifaceted and changing art form as well as a swiftly growing field of research. Native American Performance and Representation provides a wider and more comprehensive study of Native performance, not only its past but also its present and future. Contributors use multiple perspectives to look at the varying nature of Native performance strategies. They consider the combination and balance of the traditional and modern techniques of performers in a multicultural world. This collection presents diverse viewpoints from both scholars and performers in this field, both Natives and non-Natives. Important and well-respected researchers and performers such as Bruce McConachie, Jorge Huerta, and Daystar/Rosalie Jones offer much-needed insight into this quickly expanding field of study. This volume examines Native performance using a variety of lenses, such as feminism, literary and film theory, and postcolonial discourse. Through the many unique voices of the contributors, major themes are explored, such as indigenous self-representations in performance, representations by nonindigenous people, cultural authenticity in performance and representation, and cross-fertilization between cultures. Authors introduce important, though sometimes controversial, issues as they consider the effects of miscegenation on traditional customs, racial discrimination, Native women’s position in a multicultural society, and the relationship between authenticity and hybridity in Native performance. An important addition to the new and growing field of Native performance, Wilmer’s book cuts across disciplines and areas of study in a way no other book in the field does. It will appeal not only to those interested in Native American studies but also to those concerned with women’s and gender studies, literary and film studies, and cultural studies.
| Author | : Richard Schoch |
| Publisher | : Cambridge University Press |
| Total Pages | : 160 |
| Release | : 2021-05-13 |
| Genre | : Literary Criticism |
| ISBN | : 110878867X |
Download A Short History of Shakespeare in Performance Book in PDF, ePub and Kindle
This short history of Shakespeare in global performance-from the re-opening of London theatres upon the restoration of the monarchy in 1660 to our present multicultural day-provides a comprehensive overview of Shakespeare's theatrical afterlife and introduces categories of analysis and understanding to make that afterlife intellectually meaningful. Written for both the advanced student and the practicing scholar, this work enables readers to situate themselves historically in the broad field of Shakespeare performance studies and equips them with analytical tools and conceptual frameworks for making their own contributions to the field.
| Author | : Kiara M. Vigil |
| Publisher | : Cambridge University Press |
| Total Pages | : 379 |
| Release | : 2015-07-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 1107070813 |
Download Indigenous Intellectuals Book in PDF, ePub and Kindle
Examines the literary output of four influential American Indian intellectuals who challenged conceptions of identity at the turn of the twentieth century.
| Author | : Birgit Däwes |
| Publisher | : SUNY Press |
| Total Pages | : 246 |
| Release | : 2013-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 1438446616 |
Download Indigenous North American Drama Book in PDF, ePub and Kindle
Traces the historical dimensions of Native North American drama using a critical perspective.
| Author | : Hanay Geiogamah |
| Publisher | : UCLA American Indian Studies Center |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Indian dance |
| ISBN | : 9780935626667 |
Download Ceremony, Spirituality, and Ritual in Native American Performance Book in PDF, ePub and Kindle
Drama. Native American Studies. Performing Arts. Approaching Native American theater as ceremonial performance comprised of centuries-old tribal traditions and aesthetic concepts, Hanay Geiogamah combines his thirty-five years of creative and experimental work and research in Native theater to illuminate the elements of myth, spirituality, and ceremony and their integration into dramatic performances. Specific observations on how ritual is constructed and activated are presented along with selected examples of the process from recent native theater works. Other topics include spirituality as the basis for dramatic text, the techniques of the shaman as director, and the creative process of integration.
