Spain, a History in Art
Author | : Bradley Smith |
Publisher | : Doubleday Books |
Total Pages | : 302 |
Release | : 1971 |
Genre | : Art |
ISBN | : |
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Spanish history thru art.
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Author | : Bradley Smith |
Publisher | : Doubleday Books |
Total Pages | : 302 |
Release | : 1971 |
Genre | : Art |
ISBN | : |
Spanish history thru art.
Author | : Jonathan Brown |
Publisher | : Yale University Press |
Total Pages | : 326 |
Release | : 1998-01-01 |
Genre | : Art |
ISBN | : 9780300064742 |
El Greco, Ribera, Velázquez, Murillo--these are but a few of the great sixteenth- and seventeenth-century artists of Spain's golden age of painting. In this authoritative and handsome book, an enlarged, extended, and revised version of his Golden Age of Painting in Spain, eminent Spanish art scholar Jonathan Brown surveys the development of painting in Spain during this fascinating period. Focusing on the interaction between art and the socioeconomic and political conditions that prevailed in Spain's golden age, this book offers information about religious beliefs, social attitudes, the activities of patrons and collectors, and how these were absorbed and interpreted by painters. The author sets the history of Spanish paintings within a European context and explores Spain's contact with artistic centers in Italy and the Netherlands. He discusses not only Spanish artists but also such non-Spanish painters as Titian, Ruben, and Luca Giordano, who either worked in Spain or influenced other artists there. Brown also examines the collections of foreign paintings that Spanish noblemen and prelates assembled and how these collections affected the production of art and the social status of the Spanish artist. In this up-to-date and innovative analysis of two hundred years of Spanish painting, Brown describes a country that brilliantly transformed the artistic impulses it received from abroad to fit the needs of its own society.
Author | : Jerrilynn D. Dodds |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 374 |
Release | : 1993 |
Genre | : Art, Medieval |
ISBN | : 0810964333 |
Author | : Indianapolis Museum of Art |
Publisher | : |
Total Pages | : 368 |
Release | : 2009 |
Genre | : Art |
ISBN | : |
An exhibition catalogue that examines the cultural role of the Church in the seventeenth-century religious art of Spain and Spanish America, illustrated with numerous color and black-and-white reproductions of paintings, sculptures, metalwork, and books.
Author | : |
Publisher | : Penn State Press |
Total Pages | : 328 |
Release | : |
Genre | : Art |
ISBN | : 9780271047201 |
The news media have given us potent demonstrations of the ambiguity of ostensibly truthful representations of public events. Jordana Mendelson uses this ambiguity as a framework for the study of Spanish visual culture from 1929 to 1939--a decade marked, on the one hand, by dictatorship, civil war, and Franco's rise to power and, on the other, by a surge in the production of documentaries of various types, from films and photographs to international exhibitions. Mendelson begins with an examination of El Pueblo Español, a model Spanish village featured at the 1929 International Exposition in Barcelona. She then discusses Buñuel's and Dalí's documentary films, relating them not only to French Surrealism but also to issues of rural tradition in the formation of regional and national identities. Her highly original book concludes with a discussion of the 1937 Spanish Pavilion, where Picasso's famed painting of the Fascist bombing of a Basque town--Guernica--was exhibited along with monumental photomurals by Josep Renau. Based upon years of archival research, Mendelson's book opens a new perspective on the cultural politics of a turbulent era in modern Spain. It explores the little-known yet rich intersection between avant-garde artists and government institutions. It shows as well the surprising extent to which Spanish modernity was fashioned through dialogue between the seemingly opposed fields of urban and rural, fine art, and mass culture.
Author | : Brandon Ruud |
Publisher | : Other Distribution |
Total Pages | : 0 |
Release | : 2020 |
Genre | : Painters |
ISBN | : 9780300252965 |
A revealing exploration of Spain's significant impact on American painting in the 19th and early 20th century
Author | : Marion Oettinger |
Publisher | : |
Total Pages | : 530 |
Release | : 1997 |
Genre | : Folk art |
ISBN | : |
"The unique charm of the folk art of Spain and the Americas is celebrated in this book. Encompassing ceramics, paintings and drawings, sculpture, furniture, kitchen tools, jewelry, and votive art, as well as objects used in the performing arts, this wide-ranging book presents the full spectrum of Spanish folk art expression." "The 124 paintings and objects featured here, mostly in color, span almost five hundred years and have been drawn from museums and private collections from every region of Spain as well as Latin America and the United States. The works demonstrate the vibrancy and appeal of objects designed to be purely decorative as well as those fashioned to fill specific needs. They range from wooden bread stamps used to distinguish a family's loaves and intricately crafted model ships offered to saints in thanks for deliverance from dangerous seas to glazed pottery introduced by Spaniards centuries ago and reinterpreted in Mexico, Guatemala, Peru, and Ecuador." "The text, edited by Marion Oettinger, Jr., with contributions by leading scholars, describes the full range of folk art expression that has been part of Spanish cultural life for hundreds of years and that was transformed into a new aesthetic after arriving in the Americas."--Jacket.
Author | : Mitchell A. Brown |
Publisher | : |
Total Pages | : 200 |
Release | : 2019-06-30 |
Genre | : Art |
ISBN | : 9780937108604 |
Spain’s Golden Age may be defined as the extraordinary moment when the visual arts, architecture, literature, and music all reached unprecedented heights. Featuring a diverse selection of more than 100 outstanding works produced by leading artists from Spain and its global territories, Art and Empire: The Golden Age of Spain is the first exhibition in the United States to expand the notion of the “Golden Age” to include the Hispanic world beyond the shores of the Iberian Peninsula. Such far-flung Spanish-controlled centers as Antwerp, Naples, Mexico, Lima, and the Philippines are represented by paintings, sculpture and decorative arts of astounding quality and variety from the pivotal years of about 1600 to 1750. Artists featured in the exhibition include Diego Velázquez, Peter Paul Rubens, Bartolomé Esteban Murillo, Francisco de Zurbarán, Jusepe de Ribera, El Greco, Juan de Valdés Leal, Juan Sánchez Cotán, and many more. This exhibition also marks the first time since the 1935 exhibition for the California Pacific International Exposition that all five of the Spanish masters represented on the Museum’s building façade—Velázquez, Murillo, Zurbarán, Ribera and El Greco—will be shown together at the Museum. Art and Empire: The Golden Age of Spain is organized into four sections including The Courtly Image: Portraiture in the Hispanic World; The Rise of Naturalism; Art in the Service of Faith; and Splendors of Daily Life and Global Materials, and represent more than 10 countries, including Belgium, Italy, Mexico, Peru and the Philippines. There will also be a wide variety of public programming to complement the show, including a symposium featuring notable scholars from around the world, a lecture by Gabriele Finaldi, director of the National Gallery, London, as well as a film series, textile and cochineal dye workshops, performances by the San Diego Ballet, a Spanish jazz band, traditional Flamenco performances, community and outreach programs, and much more.--from Exhibition's website
Author | : Susan Verdi Webster |
Publisher | : |
Total Pages | : 298 |
Release | : 1998 |
Genre | : Art |
ISBN | : 9780691048192 |
For nearly five centuries, lay religious groups throughout the Spanish-speaking world have staged elaborate public processions commemorating the events of Christ's passion during Holy Week. In the Golden Age, such processions featured extraordinarily lifelike sculpted images that were naturalistically painted, elaborately clothed and adorned, and surrounded by convincing stage properties and scenography--all of which combined to create a profound impression on spectators. Long dismissed as a minor form of popular art, these polychrome wood sculptures emerge from this book as a unique genre, one that can be best understood within its ritual context. Here, Susan Verdi Webster explores the Holy Week processions of penitential confraternities in Golden-Age Seville, for which many of Spain's greatest sculptors created some of the most illusionistic works ever. She demonstrates how the pivotal role of the sculptures in procession transformed them from carved wooden objects to catalysts for intense spiritual and emotional experiences shared by spectators in the streets. Drawing on extensive archival evidence and contemporary chronicles, Webster is among the first to examine in depth Spanish processional sculpture, its patrons, and its ritual function. Her inquiry wends through a kaleidoscopic variety of arenas--artistic, religious, social, cultural, and political--to provide a fascinating perspective on popular religious devotion in Golden-Age Spain and on a previously undervalued dimension of Spanish sculpture.
Author | : John Francis Moffitt |
Publisher | : Thames & Hudson |
Total Pages | : 240 |
Release | : 1999 |
Genre | : Art |
ISBN | : 9780500203156 |
This text presents a representative anthology of examples of painting, architecture and sculpture to provide a critical overview of Spain. From Iberian and Roman beginnings, the book traces the development of the arts in Spain, examining the magnificent Islamic and Christian foundations at Cordoba and the Escorial, the idiosyncratic masterworks of El Greco, the Golden Age of Zurbaran and Velazquez, the art of Goya, and the innovative works of Picasso, Dali and Miro, and revealing that many of the most characteristic Spanish artistic currents had their origins at the dawn of history.