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Space, Time and Ways of Seeing

Space, Time and Ways of Seeing
Author: Mundoli Narayanan
Publisher: Taylor & Francis
Total Pages: 244
Release: 2021-08-23
Genre: Social Science
ISBN: 1000425266

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This volume explores the constitutive role played by space in the performance of Kutiyattam. The only surviving form of Sanskrit theatre, Kutiyattam is distinctive in terms of its performance conventions and its unique culture of extensive elaboration and interpretation. Drawing upon the concepts of phenomenology on the processes of perception, particularly on the works of Edmund Husserl, Martin Heidegger and Maurice Merleau-Ponty, it analyses the role of space in the communicative structures of performance of Kutiyattam and its contribution to the production of meaning in theatre, especially in the context of contemporary theatre. The book explores the theatrical event as a phenomenon that comes into existence through a triangular relationship among the ‘ways of being’ of the performers, the ‘ways of seeing’ of the audience, and the space which brings them together. Based on this formulation, Kutiyattam is approached as a ‘theatre of elaboration,’ made possible by the ‘intimate,’ ‘proximal’ ways of seeing of the audience, in the particular theatrical space of the kūttampalaṃs, the temple theatres, where Kutiyattam has customarily been performed for more than five centuries. This volume will be of great interest to scholars and researchers of cultural studies, theatre and performance studies, cultural anthropology, phenomenology and South Asian studies.


Ways of Seeing, Ways of Speaking

Ways of Seeing, Ways of Speaking
Author: Kristie S. Fleckenstein
Publisher: Parlor Press LLC
Total Pages: 236
Release: 2007-10-11
Genre: Philosophy
ISBN: 1602356904

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The essays in Ways of Seeing, Ways of Speaking: The Integration of Rhetoric and Vision in Constructing the Real explore the intersections among image, word, and visual habits in shaping realities and subjectivities.


Space, Time, and Presence in the Icon

Space, Time, and Presence in the Icon
Author: Dr Clemena Antonova
Publisher: Ashgate Publishing, Ltd.
Total Pages: 210
Release: 2013-06-28
Genre: Religion
ISBN: 1409480593

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This book contributes to the re-emerging field of 'theology through the arts' by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of 'reverse perspective', which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 'supplementary planes' can be used productively within a new approach to the question. Antonova works up new criteria for the understanding of how space and time can be handled in a way that does not reverse standard linear perspective (as conventionally claimed) but acts in its own way to create eternalised images which are not involved with perspective at all. Arguing that the structure of the icon is determined by a conception of God who exits in past, present, and future, simultaneously, Antonova develops an iconography of images done in the Byzantine style both in the East and in the West which is truer to their own cultural context than is generally provided for by western interpretations. This book draws upon philosophy, theology and liturgy to see how relatively abstract notions of a deity beyond time and space enter images made by painters.


Nine Ways of Seeing a Body

Nine Ways of Seeing a Body
Author: Sandra Reeve
Publisher: Triarchy Press
Total Pages: 72
Release: 2011-06-25
Genre: Music
ISBN: 1908009950

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This book presents nine lenses through which the body is conventionally viewed. The body as object, the body as subject, the phenomenological body, the contextual body, the interdependent body, the environmental body, the cultural body and, finally, the ecological body. Designed to be a guide and stimulus for teachers, students and practitioners of dance, performance, movement, somatics and the arts therapies - and for anyone troubled by the idea of a brain on legs.


Space and Time

Space and Time
Author: David C. Wright, Jr.,
Publisher: McFarland
Total Pages: 233
Release: 2010-04-19
Genre: Performing Arts
ISBN: 0786456345

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Essays in this work examine treatments of history in science fiction and fantasy television programs from a variety of disciplinary and methodological perspectives. Some essays approach science fiction and fantasy television as primary evidence, demonstrating how such programs consciously or unconsciously elucidate persistent concerns and enduring ideals of a past era and place. Other essays study television as secondary evidence, investigating how popular media construct and communicate narratives about past events.


Technology as Experience

Technology as Experience
Author: John McCarthy
Publisher: MIT Press
Total Pages: 225
Release: 2007-08-24
Genre: Computers
ISBN: 026225073X

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In Technology as Experience, John McCarthy and Peter Wright argue that any account of what is often called the user experience must take into consideration the emotional, intellectual, and sensual aspects of our interactions with technology. We don't just use technology, they point out; we live with it. They offer a new approach to understanding human-computer interaction through examining the felt experience of technology. Drawing on the pragmatism of such philosophers as John Dewey and Mikhail Bakhtin, they provide a framework for a clearer analysis of technology as experience. Just as Dewey, in Art as Experience, argued that art is part of everyday lived experience and not isolated in a museum, McCarthy and Wright show how technology is deeply embedded in everyday life. The "zestful integration" or transcendent nature of the aesthetic experience, they say, is a model of what human experience with technology might become. McCarthy and Wright illustrate their theoretical framework with real-world examples that range from online shopping to ambulance dispatch. Their approach to understanding human computer interaction—seeing it as creative, open, and relational, part of felt experience—is a measure of the fullness of technology's potential to be more than merely functional.


Persistence and Spacetime

Persistence and Spacetime
Author: Yuri Balashov
Publisher: OUP Oxford
Total Pages: 250
Release: 2010-04-29
Genre: Philosophy
ISBN: 0191614742

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Material objects persist through time and survive change. How do they manage to do so? What are the underlying facts of persistence? Do objects persist by being "wholly present" at all moments of time at which they exist? Or do they persist by having distinct "temporal segments" confined to the corresponding times? Are objects three-dimensional entities extended in space, but not in time? Or are they four-dimensional spacetime "worms"? These are matters of intense debate, which is now driven by concerns about two major issues in fundamental ontology: parthood and location. It is in this context that broadly empirical considerations are increasingly brought to bear on the debate about persistence. Persistence and Spacetime pursues this empirically based approach to the questions. Yuri Balashov begins by setting out major rival views of persistence — endurance, perdurance, and exdurance — in a spacetime framework and proceeds to investigate the implications of Einstein's theory of relativity for the debate about persistence. His overall conclusion — that relativistic considerations favour four-dimensionalism over three-dimensionalism — is hardly surprising. It is, however, anything but trivial. Contrary to a common misconception, there is no straightforward argument from relativity to four-dimensionalism. The issues involved are complex, and the debate is closely entangled with a number of other philosophical disputes, including those about the nature and ontology of time, parts and wholes, material constitution, causation and properties, and vagueness.


Live Cinema

Live Cinema
Author: Sarah Atkinson
Publisher: Bloomsbury Publishing USA
Total Pages: 336
Release: 2017-12-28
Genre: Performing Arts
ISBN: 1501324861

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Live Cinema is a term used to capture a diverse range of experiences that incorporate a 'live' element in relation to a film's exhibition. The live augmentation of cinema screenings is not a new phenomenon, indeed this tendency is present throughout the entire history of cinema in the form of live musical accompaniments to silent screenings, showmanship practices, and cult film audience behaviours. The contemporary revival of experiential cinema captured within this volume presents instances where the live transcends the mediated and escapes beyond the boundaries of the auditorium. Our contributors investigate film exhibition practices that include synchronous live performance, site specific screenings, technological intervention, social media engagement, and all manner of simultaneous interactive moments including singing, dancing, eating and drinking. These investigations reveal new cultures of reception and practice, new experiential aesthetics and emergent economies of engagement. This collection brings together fifteen contributions that together trace the emergence of a vivid new area of study. Drawing on rich, diverse and interdisciplinary fields of enquiry, this volume encapsulates a broad range of innovative methodological approaches, offers new conceptual frameworks and new critical vocabularies through which to describe and analyse the emergent phenomena of Live Cinema.


Einstein, Picasso

Einstein, Picasso
Author: Arthur I Miller
Publisher: Basic Books
Total Pages: 370
Release: 2008-08-01
Genre: Science
ISBN: 0786723130

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The most important scientist of the twentieth century and the most important artist had their periods of greatest creativity almost simultaneously and in remarkably similar circumstances. This fascinating parallel biography of Albert Einstein and Pablo Picasso as young men examines their greatest creations -- Picasso's Les Demoiselles d'Avignon and Einstein's special theory of relativity. Miller shows how these breakthroughs arose not only from within their respective fields but from larger currents in the intellectual culture of the times. Ultimately, Miller shows how Einstein and Picasso, in a deep and important sense, were both working on the same problem.