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Space and being in contemporary French cinema

Space and being in contemporary French cinema
Author: James S. Williams
Publisher: Manchester University Press
Total Pages: 373
Release: 2015-11-01
Genre: Performing Arts
ISBN: 1526102226

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This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new ‘space of the cinematic subject’. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies. Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser)


Contemporary French cinema

Contemporary French cinema
Author: Guy Austin
Publisher: Manchester University Press
Total Pages: 265
Release: 2019-01-04
Genre: Performing Arts
ISBN: 1526141280

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Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.


Screening Youth

Screening Youth
Author: Chareyron Romain Chareyron
Publisher: Edinburgh University Press
Total Pages: 314
Release: 2019-05-22
Genre: Motion pictures
ISBN: 147444945X

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Youth has been represented on screen for decades and has informed many directors' visual, narrative and social perspectives, but there has not been a body of work addressing the richness and complexity of this topic in a French and Francophone context. This volume offers new insights into the works of emerging and well-established directors alike, who all chose to place youth at the heart of their narrative and aesthetic concerns. Showing how the topic of 'youth' has inspired filmmakers to explore and reinvent common tropes associated with young people, the book also addresses how the representation of youth can be used to mirror the tensions - political, social, religious, economic or cultural - that agitate a society at a given time in its history.


Decentring France

Decentring France
Author: Gemma King
Publisher: Manchester University Press
Total Pages: 285
Release: 2017-10-03
Genre: Performing Arts
ISBN: 1526113600

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In a world defined by the flow of people, goods and cultures, many contemporary French films explore the multicultural nature of today’s France through language. From rival lingua francas such as English to socio-politically marginalised languages such as Arabic or Kurdish, multilingual characters in these films exploit their knowledge of multiple languages, and offer counter-perspectives to dominant ideologies of the role of linguistic diversity in society. Decentring France is the first substantial study of multilingual film in France. Unpacking the power dynamics at play in the dialogue of eight emblematic films, this book argues that many contemporary French films take a new approach to language and power, showing how even the most historically-maligned languages can empower their speakers. This book offers a unique insight to academics and students alike, into the place of language and power in French cinema today.


The French Road Movie

The French Road Movie
Author: Neil Archer
Publisher: Berghahn Books
Total Pages: 205
Release: 2012
Genre: Foreign Language Study
ISBN: 0857457705

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The traditionally American genre of the road movie has been explored and reconfigured in the French context since the later 1960s. Comparative in its approach, this book studies the inter-relationship between American and French culture and cinemas, and in the process considers and challenges histories of the road movie. It combines film history with film theory methodologies, analysing transformations in social, political and film-industrial contexts alongside changing perspectives on the meaning and possibilities of film. At once chronological and thematic in structure, The French Road Movie provides in each chapter a comprehensive introduction to key themes emerging from the genre in the French context - liberty, identity and citizenship, masculinity, femininity, border-crossing - followed by detailed, innovative and often revisionist readings of the chosen films. Through these readings the author justifies the place of the road genre within French cinema histories and reinvigorates this often neglected and misunderstood area of study.


Queer Topographies in Contemporary French Cinema

Queer Topographies in Contemporary French Cinema
Author: Clemence G. Ozel
Publisher:
Total Pages: 392
Release: 2018
Genre:
ISBN:

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Until the 1980s, the history of French cinema was for the most part written without the work of women filmmakers. Despite a recent surge of interest, the works that focus on the films of women filmmakers remain few. This project therefore seeks to replace women at the center of French film production by focusing on the films of three directors with very diverse backgrounds. Close readings of the films of Céline Sciamma, Virginie Despentes, and Emilie Jouvet, as well as the consideration of changing modes of film production will shed light onto the existence of a queer space within French film production. This project will therefore pave the way for the study of French films through an original lens, which will disrupt the history of French cinema as well as the very ways in which queer films have been examined. Instead of focusing on the thematic content of the films, this work will demonstrate that their queerness lies in their aesthetics and modes of production. In other words, this project opens up a new space for French film studies, at the center of which is queer.


A Companion to Contemporary French Cinema

A Companion to Contemporary French Cinema
Author: Alistair Fox
Publisher: John Wiley & Sons
Total Pages: 717
Release: 2015-01-27
Genre: Performing Arts
ISBN: 1444338994

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A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day. Features original contributions from top film scholars relating to all aspects of contemporary French cinema Includes new research on matters relating to the political economy of contemporary French cinema, developments in cinema policy, audience attendance, and the types, building, and renovation of theaters Utilizes groundbreaking research on cinema beyond the fiction film and the cinema-theater such as documentary, amateur, and digital filmmaking Contains an unusually large range of methodological approaches and perspectives, including those of genre, gender, auteur, industry, economic, star, postcolonial and psychoanalytic studies Includes essays by important French cinema scholars from France, the U.S., and New Zealand, many of whose work is here presented in English for the first time


Vivre Ici

Vivre Ici
Author: Alison J. Murray Levine
Publisher: Liverpool University Press
Total Pages: 320
Release: 2018-03-19
Genre: Performing Arts
ISBN: 1786948230

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Vivre Ici analyzes a diverse selection of contemporary French documentaries about spaces and places in France. Integrating film theory, eco-criticism and cultural history, Levine investigates documentary cinema as experience. The book reveals a collage-like, fragmented vision of France as seen through documentary cameras and explores the social and political consequences of these “films that matter.”


French B Movies

French B Movies
Author: David A. Pettersen
Publisher: Indiana University Press
Total Pages: 346
Release: 2023-03-07
Genre: History
ISBN: 0253064902

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In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film. French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along with the major Netflix hit series Lupin. David Pettersen traces how, in these works and others, directors fuse features of banlieue cinema with genre formulas associated with both Hollywood and Black cultural models, as well as how transnational genre hybridizations, such as B movies, have become part of the ecosystem of the French film industry. By combining film analysis, cultural history, critical theory, and industry studies, French B Movies reveals how featuring banlieues is as much about trying to imagine new identities and production models for French cinema as it is about representation.


French B Movies

French B Movies
Author: David A. Pettersen
Publisher: Indiana University Press
Total Pages: 327
Release: 2023-03-07
Genre: Performing Arts
ISBN: 0253064910

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In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film. French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along with the major Netflix hit series Lupin. David Pettersen traces how, in these works and others, directors fuse features of banlieue cinema with genre formulas associated with both Hollywood and Black cultural models, as well as how transnational genre hybridizations, such as B movies, have become part of the ecosystem of the French film industry. By combining film analysis, cultural history, critical theory, and industry studies, French B Movies reveals how featuring banlieues is as much about trying to imagine new identities and production models for French cinema as it is about representation.