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| Author | : C. Overcash |
| Publisher | : |
| Total Pages | : 91 |
| Release | : 1977 |
| Genre | : Salisbury (N.C.) |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 91 |
| Release | : 1977 |
| Genre | : Historic buildings |
| ISBN | : |
| Author | : Luc Sante |
| Publisher | : Verse Chorus Press |
| Total Pages | : 162 |
| Release | : 2009 |
| Genre | : Antiques & Collectibles |
| ISBN | : 1891241559 |
A penetrating analysis of the real-photo postcard phenomenon of the early 1900s. These cards depict the now vanished world of small-town America, but also represent a pivotal stage in the evolution of photography. Their head-on style inherits something of the plain aesthetic of the Civil War photographers, while anticipating the great 1930s documentary artists such as Walker Evans. Fusing his skills as a chronicler of early 20th-century America, a historian of photography and a keen critic, Sante shows how these postcards offer a revealing 'self-portrait of the American nation'.
| Author | : Robert Bogdan |
| Publisher | : Syracuse University Press |
| Total Pages | : 312 |
| Release | : 2006-09-21 |
| Genre | : Photography |
| ISBN | : 9780815608516 |
The Real Photo Postcard Guide is an informative, comprehensive, and practical treatment of this wildly popular American phenomenon that dominated the United States photographic market during the first third of the twentieth century. Robert Bogdan and Todd Weseloh draw on extensive research and observation to address all aspects of the photo postcard from its history, origin, and cultural significance to practical matters like dating, purchasing, condition, and preservation. Illustrated with over 350 exceptional photo postcards taken from archives and private collections across the country, the scope of the Real Photo Postcard Guide spans technical considerations of production, characteristics of superior images, collecting categories, and methods of research for dating photo postcards and investigating their photographers. In a broader sense, the authors show how "real photo postcards" document the social history of America. From family outings and workplace awards to lynchings and natural disasters, every image captures a moment of American cultural history from the society that generated them. Bogdan and Weseloh’s book provides an admirable integration of informative text and compelling photographic illustrations. Collectors, archivists, photographers, photo historians, social scientists, and anyone interested in the visual documentation of America will find the Real Photo Postcard Guide indispensable.
| Author | : Ian Berry |
| Publisher | : Delmonico Books |
| Total Pages | : 320 |
| Release | : 2021-11-09 |
| Genre | : |
| ISBN | : 9781636810096 |
A comprehensive survey of rarely seen collages from the master of abstraction Over the course of more than 50 years, renowned American artist Ellsworth Kelly made approximately 400 postcard collages, some of which served as exploratory musings and others as studies for larger works in other mediums. They range from his first monochrome in 1949 through his last postcard collages of crashing ocean waves, in 2005. Together, these works show an unbounded space of creative freedom and provide an important insight into the way Kelly saw, experienced and translated the world in his art. Many postcards illustrate specific places where he lived or visited, introducing biography and illuminating details that make these pieces unique among his broader artistic production. Ellsworth Kelly: Postcards is the most extensive publication of Kelly's lifelong practice of collaged postcards. Ellsworth Kelly (1923-2015) was born in Newburgh, New York. In 1948 he moved to France, where he came into contact with a wide range of classical and modern art. He returned to New York in 1954 and two years later had his first exhibition at the Betty Parsons Gallery. The Museum of Modern Art, New York, organized his first retrospective in 1973. Subsequent exhibitions have been held at museums around the world, including the Solomon R. Guggenheim Museum in New York, Tate in London, Haus der Kunst in Munich and the Centre Pompidou in Paris.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 1912 |
| Genre | : |
| ISBN | : |
Referred to as "Real Photo" postcards, these cards enabled the general public to turn photographs into postcards. Photographs would be developed onto photographic paper the size and weight of postcards with a postcard back that could be mailed like a regular souvenir postcard.
| Author | : Rosamond B. Vaule |
| Publisher | : David R. Godine Publisher |
| Total Pages | : 228 |
| Release | : 2004 |
| Genre | : Antiques & Collectibles |
| ISBN | : 9781567922509 |
Today, no one seriously doubts the value, both aesthetic and historic, of the ubiquitous American photographic postcard. This was the medium that really brought photography to the masses; these cards were affordable, they were topical, and they could be sent for a penny anywhere in the country. The variety of imagery, much of it developed anonymously in small studios, much of it taken by inspired amateurs (these were the days when anyone could, and many folks did, own a camera) displays America in all its variety and vitality. Most postcards were mass produced and printed in ink by the collotype or halftone process. But a few were original photographic prints, exposed directly from glass plates or film negatives. Known as real photos these were real photographs, aristocrats of the genre and spectacular examples of vernacular photography. In this charming and scholarly book, Vaule selects the best of them, from all over the country, addressing their social and historical contexts, explaining the mysteries of their manufacture and dissemination, and describing the characteristics and identities of their makers, many of whose names and studios are listed in the book. But without doubt, it is the images themselves that still hold us: storefronts and townships, frisky children and sober adults, air ships and barn raisings. Over one hundred are reproduced here, each in fine-line duotone, each as fascinating and compelling today as when first fixed on paper.
| Author | : Laetitia Wolff |
| Publisher | : Princeton Architectural Press |
| Total Pages | : 216 |
| Release | : 2005-09-22 |
| Genre | : Antiques & Collectibles |
| ISBN | : 9781568985565 |
"Carefully assembled from the collection of Harvey Tulcensky and including cards from all over the world, Real Photo Postcards consists of images of natural phenomena (floods, storms, fires), rural life, politics (parades and platforms), science, art (beautiful still lifes and collages), and wacky "exaggeration" cards (including a photographically manipulated giant rabbit!). Together these cards show an oddly personal and intimate perspective of the world at the turn of the twentieth century."--BOOK JACKET.
| Author | : Robert E. King |
| Publisher | : |
| Total Pages | : 176 |
| Release | : 2007-05-01 |
| Genre | : Alaska |
| ISBN | : 9780936425986 |
More than 400 mistoric Alaska postcards from the 1890s through the opening of the Alaska Highway to civilians in the late 1940s tells the story of Alaska's earliest postcards and also includes a special dating guide to help collectors and hobbiests estimate the age of a given card.
| Author | : Frank Jacob |
| Publisher | : Vernon Press |
| Total Pages | : 180 |
| Release | : 2019-03-31 |
| Genre | : Social Science |
| ISBN | : 1622734513 |
For many the postcard may seem trivial, little more than a mundane souvenir or a way to keep in touch with friends and relatives while on vacation. But if we look carefully, postcards offer valuable insights into the time periods in which they were created and the mentalities of those who bought or sent them. Frank Marhefka, while serving in the U.S. Army Motor Transportation Corps during the First World War, amassed a collection of more than 150 postcards and photographs while in France, and bound them into a souvenir album. Marhefka’s collection provides a diverse and vivid look into a period of history that – in many soldiers’ accounts – is not usually visualized with all its cruelties. Emphasizing the pictorial turn of the Great War, this album offers personal insight into a conflict that caused so much death and destruction. The book begins with an introduction providing a history of postcards and their extensive use by soldiers during the Great War. Then, after a biography of Marhefka, his postcard collection is presented in its entirety. Accompanying the images are brief texts that place them into historical context, as well as suggestions for further reading. As a visual artifact of the First World War and the perspective of one U.S. soldier, this book is aimed at students, scholars, postcard collectors, and general readers alike who have an interest in military history and popular culture.
