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A Source Book in Theatrical History

A Source Book in Theatrical History
Author: A. M. Nagler
Publisher: Courier Corporation
Total Pages: 640
Release: 2013-04-09
Genre: Performing Arts
ISBN: 0486315541

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An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.


Dramaturgy in American Theater

Dramaturgy in American Theater
Author: Susan Jonas
Publisher: Cengage Learning
Total Pages: 622
Release: 1997
Genre: Literary Criticism
ISBN:

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This comprehensive work is truly the first textbook in the field of dramaturgy. Most of the material-much of it by leaders in all areas of the theater-was commissioned for this collection, rather than being reprinted. Its currency and importance cannot be overestimated. A review of the history of dramaturgy as a profession, together with its European antecedents, gives students a sense of historical context. Selections from respected and recognized names in theater provoke student interest and communicate the benefits of those experts' experiences.


Source Book in Theatrical History

Source Book in Theatrical History
Author: Alois M. Nagler
Publisher:
Total Pages: 611
Release: 1979
Genre:
ISBN: 9780844626383

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An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.


Popular Theatre

Popular Theatre
Author: Joel Schechter
Publisher: Routledge
Total Pages: 296
Release: 2013-10-11
Genre: Performing Arts
ISBN: 1136412131

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Bertolt Brecht turned to cabaret; Ariane Mnouchkine went to the circus; Joan Littlewood wanted to open a palace of fun. These were a few of the directors who turned to popular theatre forms in the last century, and this sourcebook accounts for their attraction. Popular theatre forms introduced in this sourcebook include cabaret, circus, puppetry, vaudeville, Indian jatra, political satire, and physical comedy. These entertainments are highly visual, itinerant, and readily understood by audiences. Popular Theatre: A Sourcebook follows them around the world, from the bunraku puppetry of Japan to the masked topeng theatre of Bali to South African political satire, the San Francisco Mime Troupe's comic melodramas, and a 'Fun Palace' proposed for London. The book features essays from the archives of The Drama Review and other research. Contributions by Roland Barthes, Hovey Burgess, Marvin Carlson, John Emigh, Dario Fo, Ron Jenkins, Joan Littlewood, Brooks McNamara, Richard Schechner, and others, offer some of the most important, informative, and lively writing available on popular theatre. Introducing both Western and non-Western popular theatre practices, the sourcebook provides access to theatrical forms which have delighted audiences and attracted stage artists around the world.


The Oxford Book of Theatrical Anecdotes

The Oxford Book of Theatrical Anecdotes
Author: Gyles Brandreth
Publisher: Oxford University Press
Total Pages: 511
Release: 2020-10-08
Genre: Performing Arts
ISBN: 0191066524

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This is the ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and covering every kind of theatrical story and experience from the age of Shakespeare and Marlowe to the age of Stoppard and Mamet, from Richard Burbage to Richard Briers, from Nell Gwynn to Daniel Day-Lewis, from Sarah Bernhardt to Judi Dench. Players, playwrights, prompters, producers—they all feature. The Oxford Book of Theatrical Anecdotes provides a comprehensive, revealing, and hugely entertaining portrait of the world of theatre across four hundred years. Many of the anecdotes are humorous: all have something pertinent and illuminating to say about an aspect of theatrical life—whether it is the art of playwriting, the craft of covering up missed cues, the drama of the First Night, the nightmare of touring, or the secret ingredients of star quality. Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier, Ellen Terry, Edith Evans, Maggie Smith, Helen Mirren—the great 'names' are all here, of course, but there are tales of the unexpected, too—and the unknown. This is a book—presented in five acts, with a suitably anecdotal and personal prologue from Gyles Brandreth—where, once in a while, the understudy takes centre-stage and Gyles Brandreth treats triumph and disaster just the same, including stories from the tattiest touring companies as well as from Broadway, the West End and theatres, large and small, in Australia, India, and across Europe.


Theatrical Worlds (Beta Version)

Theatrical Worlds (Beta Version)
Author: Charles Mitchell
Publisher: Orange Grove Texts Plus
Total Pages: 0
Release: 2014
Genre: Arts
ISBN: 9781616101664

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"From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues form across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well." -- Open Textbook Library.


A Sourcebook of Feminist Theatre and Performance

A Sourcebook of Feminist Theatre and Performance
Author: Carol Martin
Publisher: Psychology Press
Total Pages: 348
Release: 1996
Genre: Feminism and theater
ISBN: 9780415106450

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This outstanding collection includes key texts by theorists such as Elin Diamond, Peggy Phelan and Lynda Hart and interviews with practitioners including Anna Deveare Smith and Robbie McCauley.


Theatre/Theory/Theatre

Theatre/Theory/Theatre
Author:
Publisher: Rowman & Littlefield
Total Pages: 496
Release: 2003-11-01
Genre: Performing Arts
ISBN: 1476848807

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From Aristotle's ÊPoeticsÊ to Vaclav Havel the debate about the nature and function of theatre has been marked by controversy. Daniel Gerould's landmark work ÊTheatre/Theory/TheatreÊ collects history's most influential Eastern and Western dramatic theorists ä poets playwrights directors and philosophers ä whose ideas about theatre continue to shape its future. In complete texts and choice excerpts spanning centuries we see an ongoing dialogue and exchange of ideas between actors and directors like Craig and Meyerhold and writers such as Nietzsche and Yeats. Each of Gerould's introductory essays shows fascinating insight into both the life and the theory of the author. From Horace to Soyinka Corneille to Brecht this is an indispensable compendium of the greatest dramatic theory ever written.