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| Author | : Leonardo Cardoso |
| Publisher | : Currents in Latin American and |
| Total Pages | : 265 |
| Release | : 2019 |
| Genre | : Music |
| ISBN | : 0190660090 |
"Cardoso presents Sound-Politics in São Paulo as the first book-length treatment on controversies surrounding noise control in Latin America"--
| Author | : Leonardo de Cardoso |
| Publisher | : |
| Total Pages | : 668 |
| Release | : 2013 |
| Genre | : |
| ISBN | : |
The way a city sounds has something to do with how its residents move around and interact. It also has to do with the decisions made by the local government, as it tries to eliminate "harmful" and "unnecessary" sounds. This dissertation discusses how residents of São Paulo deal with noise conflicts and the sound-politics these mediations entail. The concept of sound-politics, which I develop throughout the dissertation, intersects with other concepts such as body politics and space politics and as such it denotes controversial sounds as instantiations of individual or collective differences. Here I focus on how state agents mediate controversial sounds. The narrative draws heavily on actor-network theory, which investigates social interaction as an open-ended and localized network made of humans and non-humans. The first part of the narrative discusses São Paulo's spatial organization, noise legislation, and the enforcement of this legislation. Drawing from ethnography at meetings designed to review noise measurement standards, and at São Paulo's anti-noise agency, I show the series of negotiations that accompany the identification and prosecution of noisemakers in the city. The second part of the dissertation looks closely at street parties that take place in the suburbs of São Paulo. Known as pancadões ("big thumps," in reference to the loudness), these parties feature funk carioca and funk ostentação, two styles of popular music, among lower class teenagers in São Paulo's suburbs. Based on fieldwork among youth, community meetings, and on interviews with police officers, I show how these parties have gone through noisification processes since they first emerged around 2008.
| Author | : Leonardo Cardoso |
| Publisher | : Oxford University Press |
| Total Pages | : 288 |
| Release | : 2019-05-07 |
| Genre | : Music |
| ISBN | : 0190660120 |
How does the state separate music from noise? How can such a filtering apparatus shape the content and form of sound production in the city? As a marker of co-presence to the hearing body, sound is always open to (or rather opens up) the politics of shared existence. In the throes of the post-dictatorship period, Brazil's legislative and executive branches implemented a series of sweeping measures to address quality of life concerns, including environmental pollution and urban inequality. In São Paulo, noise control became a recurrent controversy, growing in size and scale between the 1990s and 2010s. Together with the much-debated fear of crime and the socioeconomic and cultural tensions between the rich urban center and the poor peripheries, such ecological agendas against noise as a harmful pollutant have reconfigured the presence of environmental sounds in the city. In this book, Cardoso argues that the framing of specific sounds as unavoidable, unnecessary, or as harmful "noise" has been an effective strategy to organize spaces and administer group behavior in this rapidly expanding city. He focuses on two interrelated processes. First, the series of institutional regulatory mechanisms that turn sounds into the all-embracing "noise" susceptible to state intervention. Second, the constant attempts of interested groups in either attaching or detaching specific sounds (musical events, industrial noise, traffic noise, religious sounds, etc.) from regulatory scrutiny. Sound-politics is the dynamic that emerges from both processes - the channels through which sounds enter (and leave) the sphere of state regulation.
| Author | : James P. Woodard |
| Publisher | : |
| Total Pages | : 1026 |
| Release | : 2004 |
| Genre | : Middle class |
| ISBN | : |
| Author | : Richard Gott |
| Publisher | : |
| Total Pages | : |
| Release | : 1975 |
| Genre | : |
| ISBN | : |
| Author | : Cynthia McClintock |
| Publisher | : Oxford University Press |
| Total Pages | : 337 |
| Release | : 2018 |
| Genre | : Biography & Autobiography |
| ISBN | : 0190879750 |
During Latin America's third democratic wave, a majority of countries adopted a runoff rule for the election of the president, effectively dampening plurality voting, opening the political arena to new parties, and assuring the public that the president will never have anything less than majority support. In a region in which undemocratic political parties were common and have often been dominated by caudillos, cautious naysayers have voiced concerns about the runoff process, arguing that a proliferation of new political parties vying for power is a sign of inferior democracy. This book is the first rigorous assessment of the implications of runoff versus plurality rules throughout Latin America, and demonstrates that, in contrast to early scholarly skepticism about runoff, it has been positive for democracy in the region. Primarily through qualitative analysis for each country, the author argues that, indeed, an important advantage of runoff is the greater openness of the political arena to new parties--at the same time that measures can be taken to inhibit party proliferation. In this context, it is also the first volume to address whether or not a runoff rule with a reduced threshold (for example, 40% with a 10-point lead) is a felicitous compromise between majority runoff and plurality. The book considers the potential for the superiority of runoff to travel beyond Latin America--in particular, and rather provocatively, to the United States.
| Author | : Susan L. Brady |
| Publisher | : |
| Total Pages | : 230 |
| Release | : 1997 |
| Genre | : São Paulo (Brazil) |
| ISBN | : |
| Author | : Associate Professor of History Joel Wolfe |
| Publisher | : |
| Total Pages | : 328 |
| Release | : 2014-09-18 |
| Genre | : SOCIAL SCIENCE |
| ISBN | : 9780822379812 |
In "Working Women, Working Men," Joel Wolfe traces the complex historical development of the working class in Sao Paulo, Brazil, Latin America's largest industrial center. He studies the way in which Sao Paulo's working men and women experienced Brazil's industrialization, their struggles to gain control over their lives within a highly authoritarian political system, and their rise to political prominence in the first half of the twentieth century. Drawing on a diverse range of sources--oral histories along with union, industry, and government archival materials--Wolfe's account focuses not only on labor leaders and formal Left groups, but considers the impact of grassroots workers' movements as well. He pays particular attention to the role of gender in the often-contested relations between leadership groups and thee rank and file. Wolfe's analysis illuminates how various class and gender ideologies influenced the development of unions, industrialists' strategies, and rank-and-file organizing and protest activities. This study reveals how workers in Sao Paulo maintained a local grassroots social movement that, by the mid-1950s, succeeded in seizing control of Brazil's state-run official unions. By examining the actions of these workers in their rise to political prominence in the 1940s and 1950s, this book provides a new understanding of the sources and development of populist politics in Brazil.
| Author | : Peter P. Houtzager |
| Publisher | : |
| Total Pages | : 86 |
| Release | : 2003 |
| Genre | : Civil society |
| ISBN | : |
| Author | : Benjamin Tausig |
| Publisher | : Oxford University Press |
| Total Pages | : 208 |
| Release | : 2019-01-04 |
| Genre | : Music |
| ISBN | : 0190847557 |
Bangkok Is Ringing is an on-the-ground sound studies analysis of the political protests that transformed Thailand in 2010-11. Bringing the reader through sixteen distinct "sonic niches" where dissidents used media to broadcast to both local and diffuse audiences, the book catalogues these mass protests in a way that few movements have ever been catalogued. The Red Shirt and Yellow Shirt protests that shook Thailand took place just before other international political movements, including the Arab Spring and Occupy Wall Street. Bangkok Is Ringing analyzes the Thai protests in comparison with these, seeking to understand the logic not only of political change in Thailand, but across the globe. The book is attuned to sound in a great variety of forms. Author Benjamin Tausig traces the history and use in protest of specific media forms, including community radio, megaphones, CDs, and live concerts. The research took place over the course of sixteen months, and the author worked closely with musicians, concert promoters, activists, and rank-and-file protesters. The result is a detailed and sensitive ethnography that argues for an understanding of sound and political movements in tandem. In particular, it emphasizes the necessity of thinking through constraint as a fundamental condition of both political movements and the sound that these movements produce. In order to produce political transformations, Bangkok Is Ringing argues, dissidents must be sensitive to the ways that their sounding is constrained and channeled.
