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Sound for Moving Pictures

Sound for Moving Pictures
Author: Neil Hillman
Publisher: CRC Press
Total Pages: 190
Release: 2021-04-26
Genre: Music
ISBN: 1000376281
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Sound for Moving Pictures presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing and communicating all types of motion picture soundtracks; and a way for academics and practitioners to better understand and utilize the deeper, emotive capabilities available to all filmmakers through the thoughtful use of sound design. The Four Sound Areas framework presents a novel approach to sound design that enables the reader to more fully appreciate audience emotions and audience engagement, and provides a flexible, practical model that will allow professionals to more easily create and communicate soundtracks with greater emotional significance and meaning. Of obvious benefit to sound specialists, as well as motion picture professionals such as film producers, directors and picture editors, Sound for Moving Pictures also provides valuable insight for others interested in the subject; such as those involved with teaching soundtrack analysis, or those researching the wider topics of film studies and screen writing.

Sound for Moving Pictures

Sound for Moving Pictures
Author: Neil Hillman
Publisher: CRC Press
Total Pages: 171
Release: 2021-04-26
Genre: Music
ISBN: 100037629X
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Sound for Moving Pictures presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing and communicating all types of motion picture soundtracks; and a way for academics and practitioners to better understand and utilize the deeper, emotive capabilities available to all filmmakers through the thoughtful use of sound design. The Four Sound Areas framework presents a novel approach to sound design that enables the reader to more fully appreciate audience emotions and audience engagement, and provides a flexible, practical model that will allow professionals to more easily create and communicate soundtracks with greater emotional significance and meaning. Of obvious benefit to sound specialists, as well as motion picture professionals such as film producers, directors and picture editors, Sound for Moving Pictures also provides valuable insight for others interested in the subject; such as those involved with teaching soundtrack analysis, or those researching the wider topics of film studies and screen writing.

Moving Pictures

Moving Pictures
Author: Terry Pratchett
Publisher: Random House
Total Pages: 404
Release: 2012-11-05
Genre: Fiction
ISBN: 0552166677
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A zany bunch of futuristic actors -- Victor, the eternal student; Ginger, the milkmaid; Dibbler, the sausage salesman; and Gaspode, the talking dog -- embarks on an epic movie project.

Production Sound Mixing

Production Sound Mixing
Author: John J. Murphy
Publisher: Bloomsbury Publishing USA
Total Pages: 241
Release: 2015-12-17
Genre: Performing Arts
ISBN: 150130710X
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The latest hot camera is pretty irrelevant if one can't understand what's happening on screen. The key to any narrative is in the dialogue and voice over, but if this is unintelligible or difficult to hear, viewers will soon lose interest. With real world applications and a narrative to keep the reader's interest, Production Sound Mixing is the indispensable guide for film and video audio recording. Written by veteran sound mixer John J. Murphy, the book offers a step by step collaborative journey through the basic physics of sound, concluding with a practical guide of the latest techniques and equipment available to all who are interested in the best audio for their projects. Structured to mimic a 14-week semester, each chapter begins with an audio problem to be solved and ends with a solution drawn from information gleaned from past chapters. Suggested movie scenes that demonstrate the relevant audio techniques will also be included. Equally applicable to studio and location recording, the book is oriented toward commonly accessible environments such as conference rooms, hallways, beaches, car interiors, bathrooms, and so on. The intent is to allow the student to make the best of a location no matter how challenging it might be. Most importantly, this book will make one aware of the potential of sound on screen, for it is truly 50% of the viewing experience.

Film: A Very Short Introduction

Film: A Very Short Introduction
Author: Michael Wood
Publisher: Oxford University Press
Total Pages: 153
Release: 2012-01-26
Genre: Art
ISBN: 0192803530
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Offers a wealth of insight into the paradoxical nature of film, considering its role and impact on society in the 20th century as well as its future in the digital age. Original.

Sound Design for Moving Image

Sound Design for Moving Image
Author: Kahra Scott-James
Publisher: Bloomsbury Publishing
Total Pages: 192
Release: 2018-04-05
Genre: Computers
ISBN: 1474235115
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Contemporary soundtracks are often made up of hundreds of separate tracks, and thousands of individual sounds, including elements of dialogue, music and sound effects. As a result, many budding filmmakers find them a daunting prospect, and are tempted to leave sound to the last stages of post-production. 'Sound Design for Moving Image' offers a clear introduction to sound design theory and practice to help you integrate sound ideas into your productions.

The Sounds of Early Cinema

The Sounds of Early Cinema
Author: Richard Abel
Publisher: Indiana University Press
Total Pages: 350
Release: 2001-10-03
Genre: Performing Arts
ISBN: 9780253108708
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The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Contributors include Richard Abel, Rick Altman, Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, François Jost, Charlie Keil, Jeff Klenotic, Germain Lacasse, Neil Lerner, Patrick Loughney, David Mayer, Domi-nique Nasta, Bernard Perron, Jacques Polet, Lauren Rabinovitz, Isabelle Raynauld, Herbert Reynolds, Gregory A. Waller, and Rashit M. Yangirov.

Sound Design for Moving Image

Sound Design for Moving Image
Author: Kahra Scott-James
Publisher:
Total Pages: 184
Release: 2018
Genre: Motion pictures
ISBN: 9781474235129
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Contemporary soundtracks are often made up of hundreds of separate tracks, and thousands of individual sounds, including elements of dialogue, music and sound effects. As a result, many budding filmmakers find them a daunting prospect, and are tempted to leave sound to the last stages of post-production. 'Sound Design for Moving Image' offers a clear introduction to sound design theory and practice to help you integrate sound ideas into your productions.

Encyclopedia of Motion Picture Sound

Encyclopedia of Motion Picture Sound
Author: Marty McGee
Publisher: McFarland
Total Pages: 301
Release: 2010-09-15
Genre: Performing Arts
ISBN: 0786449160
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Ever since 1927, when The Jazz Singer broke the silence of the silver screen, sound has played an integral role in the development and appreciation of motion pictures. This encyclopedia covers the people, processes, innovations, facilities, manufacturers, formats and award-winning films that have made sound such a crucial part of the motion picture experience. Every film that has won a sound-related Academy Award is included here, with detailed critical commentary. Every sound mixer or editor who has been honored by the Academy has his or her own entry and filmography, and career biographies are provided for key developers including Jack Foley, Ray Dolby, George Lucas, and more.

Dialogue Editing for Motion Pictures

Dialogue Editing for Motion Pictures
Author: John Purcell
Publisher: Taylor & Francis
Total Pages: 448
Release: 2013-07-24
Genre: Performing Arts
ISBN: 1135040605
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Produce professional level dialogue tracks with industry-proven techniques and insights from an Emmy Award winning sound editor. Gain innovative solutions to common dialogue editing challenges such as room tone balancing, noise removal, perspective control, finding and using alternative takes, and even time management and postproduction politics. In Dialogue Editing for Motion Pictures, Second Edition veteran film sound editor John Purcell arms you with classic as well as cutting-edge practices to effectively edit dialogue for film, TV, and video. This new edition offers: A fresh look at production workflows, from celluloid to Digital Cinema, to help you streamline your editing Expanded sections on new software tools, workstations, and dialogue mixing, including mixing "in the box" Fresh approaches to working with digital video and to moving projects from one workstation to another An insider’s analysis of what happens on the set, and how that affects the dialogue editor Discussions about the interweaving histories of film sound technology and film storytelling Eye-opening tips, tricks, and insights from film professionals around the globe A companion website (www.focalpress.com/cw/purcell) with project files and video examples demonstrating editing techniques discussed in the book Don’t allow your dialogue to become messy, distracting, and uncinematic! Do dialogue right with John Purcell’s all-inclusive guide to this essential yet invisible art.