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Soul Anarchy 1-4

Soul Anarchy 1-4
Author: Ace Finlay
Publisher: Lulu.com
Total Pages: 437
Release: 2019-09-06
Genre: Religion
ISBN: 0359902367

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Compendium of the first four soul anarchy books/journals.


Soul Anarchy #4

Soul Anarchy #4
Author: Ace Finlay
Publisher: Lulu.com
Total Pages: 70
Release: 2019-09-06
Genre: Religion
ISBN: 0359902189

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My 4th Journal/Paradox Work. Some of it was created before Soul Anarchy #3 but most of it came afterwards. As close to printing cost as I can get it. Enjoy: )


Soul Anarchy 2

Soul Anarchy 2
Author: Ace Finlay
Publisher: Lulu.com
Total Pages: 143
Release: 2018-12-31
Genre: Religion
ISBN: 0359328431

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Second volume of paradoxes. I recommend reading Soul Anarchy I before this because those came before these. These are pretty hardcore existential stuff so be sure you want to put these there before putting them there. Enjoy: D/ Good Searchin, Ace


Anarchy in the Pure Land

Anarchy in the Pure Land
Author: Justin Ritzinger
Publisher: Oxford University Press
Total Pages: 353
Release: 2017
Genre: History
ISBN: 0190491167

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Anarchy in the Pure Land shows that the modern Chinese reinvention of cult of Maitreya, the future Buddha, functioned as an important site for articulating a Buddhist vision of modernity.


The Columbia Granger's Dictionary of Poetry Quotations

The Columbia Granger's Dictionary of Poetry Quotations
Author: Edith P. Hazen
Publisher: Columbia University Press
Total Pages: 1172
Release: 1992
Genre: Literary Criticism
ISBN: 9780231075466

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Why do smokers claim that the first cigarette of the day is the best? What is the biological basis behind some heavy drinkers' belief that the "hair-of-the-dog" method alleviates the effects of a hangover? Why does marijuana seem to affect ones problem-solving capacity? Intoxicating Minds is, in the author's words, "a grand excavation of drug myth." Neither extolling nor condemning drug use, it is a story of scientific and artistic achievement, war and greed, empires and religions, and lessons for the future. Ciaran Regan looks at each class of drugs, describing the historical evolution of their use, explaining how they work within the brain's neurophysiology, and outlining the basic pharmacology of those substances. From a consideration of the effect of stimulants, such as caffeine and nicotine, and the reasons and consequences of their sudden popularity in the seventeenth century, the book moves to a discussion of more modern stimulants, such as cocaine and ecstasy. In addition, Regan explains how we process memory, the nature of thought disorders, and therapies for treating depression and schizophrenia. Regan then considers psychedelic drugs and their perceived mystical properties and traces the history of placebos to ancient civilizations. Finally, Intoxicating Minds considers the physical consequences of our co-evolution with drugs -- how they have altered our very being -- and offers a glimpse of the brave new world of drug therapies.


The Republic of Plato

The Republic of Plato
Author: Plato
Publisher: London ; New York : Macmillan
Total Pages: 646
Release: 1888
Genre: Political science
ISBN:

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The Republic

The Republic
Author: Plato
Publisher: Binker North
Total Pages: 632
Release: 1925
Genre: History
ISBN:

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The Republic is a Socratic dialogue, written by Plato around 380 BC, concerning justice, the order and character of the just city-state, and the just man. It is Plato's best-known work, and has proven to be one of the world's most influential works of philosophy and political theory, both intellectually and historically. In the dialogue, Socrates talks with various Athenians and foreigners about the meaning of justice and whether the just man is happier than the unjust man. They consider the natures of existing regimes and then propose a series of different, hypothetical cities in comparison, culminating in Kallipolis, a city-state ruled by a philosopher king. They also discuss the theory of forms, the immortality of the soul, and the role of the philosopher and of poetry in society. The dialogue's setting seems to be during the Peloponnesian War. In the first book, two definitions of justice are proposed but deemed inadequate.[14] Returning debts owed, and helping friends while harming enemies, are commonsense definitions of justice that, Socrates shows, are inadequate in exceptional situations, and thus lack the rigidity demanded of a definition. Yet he does not completely reject them, for each expresses a commonsense notion of justice that Socrates will incorporate into his discussion of the just regime in books II through V. At the end of Book I, Socrates agrees with Polemarchus that justice includes helping friends, but says the just man would never do harm to anybody. Thrasymachus believes that Socrates has done the men present an injustice by saying this and attacks his character and reputation in front of the group, partly because he suspects that Socrates himself does not even believe harming enemies is unjust. Thrasymachus gives his understanding of justice and injustice as "justice is what is advantageous to the stronger, while injustice is to one's own profit and advantage".[15] Socrates finds this definition unclear and begins to question Thrasymachus. Socrates then asks whether the ruler who makes a mistake by making a law that lessens their well-being, is still a ruler according to that definition. Thrasymachus agrees that no true ruler would make such an error. This agreement allows Socrates to undermine Thrasymachus' strict definition of justice by comparing rulers to people of various professions. Thrasymachus consents to Socrates' assertion that an artist is someone who does his job well, and is a knower of some art, which allows him to complete the job well. In so doing Socrates gets Thrasymachus to admit that rulers who enact a law that does not benefit them firstly, are in the precise sense not rulers. Thrasymachus gives up, and is silent from then on. Socrates has trapped Thrasymachus into admitting the strong man who makes a mistake is not the strong man in the precise sense, and that some type of knowledge is required to rule perfectly. However, it is far from a satisfactory definition of justice.


Souls of W.E.B. Du Bois

Souls of W.E.B. Du Bois
Author: Alford A. Young
Publisher: Routledge
Total Pages: 141
Release: 2019-10-25
Genre: Social Science
ISBN: 1317251660

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This work marks the recent passing of the 100th Anniversary of Du Bois' classic of African American literature. More than fifty events and celebrations were held in cities and universities around the country. It poignantly explores the relationship of Du Bois, the man, to his writings. It is written by expert team of authors including the prominent Manning Marable. "The Souls of W. E. B. Du Bois" explores the relationship of W. E. B. Du Bois' seminal book, "The Souls of Black Folk", to other works in his scholarly portfolio and to his larger project concerning race, racial identity, and the social objectives of scholarly engagement. Prominent authors consider why the classic book remains so relevant today.


Designing Dead Souls

Designing Dead Souls
Author: Susanne Fusso
Publisher: Stanford University Press
Total Pages: 224
Release: 1993
Genre: Literary Criticism
ISBN: 9780804720496

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This strikingly original work presents an integral and inclusive explanatory model for the elusive narrative strategies of Gogol's Dead Souls; in the process, it draws larger conclusions about Gogol's creative methods and aesthetic concerns. Throughout his career, Gogol manifests two seemingly contradictory urges: the urge toward order, system, clarity and wholeness, and the urge toward disorder, disruption, obscurity, and fragmentation. The author seeks to make a system, an anatomy, of Gogol's impulses toward disorder and disruption in Dead Souls in all their various and distinctive aspects. In anatomizing Gogolian disorder, she explores the mythology of creativity and lying in Gogol; his (at least literary) fear of the family; the relation between the uses of obscurity in Dead Souls and the poetry of Russian Sentimentalism, especially Zhukovskii's; Dead Souls as parable; and the mutually subversive relation between ¹ction and non¹ction in Gogol.