Songs from Spirit
| Author | : Chad Stephen Hamill |
| Publisher | : |
| Total Pages | : 240 |
| Release | : 2008 |
| Genre | : Indian dance |
| ISBN | : |
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Songs Of Power And Prayer In The Columbia Plateau PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Songs Of Power And Prayer In The Columbia Plateau PDF full book. Access full book title Songs Of Power And Prayer In The Columbia Plateau.
Songs of Power and Prayer in the Columbia Plateau
| Author | : Chad Hamill |
| Publisher | : |
| Total Pages | : 196 |
| Release | : 2012 |
| Genre | : History |
| ISBN | : |
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Songs of Power and Prayer in the Columbia Plateau explores the role of song as a transformative force in the twentieth century, tracing a cultural, spiritual, and musical encounter that upended notions of indigeneity and the rules of engagement for Indians and priests in the Columbia Plateau. In Chad Hamill's narrative, a Jesuit and his two Indian "grandfathers"--one a medicine man, the other a hymn singer--engage in a collective search for the sacred. The priest becomes a student of the medicine man. The medicine man becomes a Catholic. The Indian hymn singer brings indigenous songs to the Catholic mass. Using song as a thread, these men weave together two worlds previously at odds, realizing a promise born two centuries earlier within the prophecies of Circling Raven and Shining Shirt. Songs of Power and Prayer reveals how song can bridge worlds: between the individual and Spirit, the Jesuits and the Indians. Whether sung in an indigenous ceremony or adapted for Catholic Indian services, song abides as a force that strengthens Native identity and acts as a conduit for power and prayer. A First Peoples: New Directions in Indigenous Studies book
Transforming Ethnomusicology Volume II
| Author | : Beverley Diamond |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 273 |
| Release | : 2021-03-23 |
| Genre | : Music |
| ISBN | : 0197517552 |
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This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The second volume focuses on the intersection of ecological and social issues and features a variety of Indigenous perspectives
Encyclopedia of Native American Music of North America
| Author | : Timothy Archambault |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 501 |
| Release | : 2013-03-27 |
| Genre | : Social Science |
| ISBN | : 0313055068 |
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This book is a one-stop reference resource for the vast variety of musical expressions of the First Peoples' cultures of North America, both past and present. Encyclopedia of Native American Music of North America documents the surprisingly varied musical practices among North America's First Peoples, both historically and in the modern context. It supplies a detailed yet accessible and approachable overview of the substantial contributions and influence of First Peoples that can be appreciated by both native and nonnative audiences, regardless of their familiarity with musical theory. The entries address how ethnomusicologists with Native American heritage are revolutionizing approaches to the discipline, and showcase how musicians with First Peoples' heritage are influencing modern musical forms including native flute, orchestral string playing, gospel, and hip hop. The work represents a much-needed academic study of First Peoples' musical cultures—a subject that is of growing interest to Native Americans as well as nonnative students and readers.
Transforming Ethnomusicology Volume I
| Author | : Beverley Diamond |
| Publisher | : Oxford University Press |
| Total Pages | : 224 |
| Release | : 2021-03-09 |
| Genre | : Social Science |
| ISBN | : 0197517633 |
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For decades, ethnomusicologists across the world have considered how to affect positive change for the communities they work with. Through illuminating case studies and reflections by a diverse array of scholars and practitioners, Transforming Ethnomusicology aims to both expand dialogues about social engagement within ethnomusicology and, at the same time, transform how we understand ethnomusicology as a discipline. The first volume of Transforming Ethnomusicology focuses on ethical practice and collaboration, examining the power relations inherent in ethnography and offering new strategies for transforming institutions and ethnographic methods. These reflections on the broader framework of ethnomusicological practice are complemented by case studies that document activist approaches to the study of music in challenging contexts of poverty, discrimination, and other unjust systems.
Critically Sovereign
| Author | : Joanne Barker |
| Publisher | : Duke University Press |
| Total Pages | : 297 |
| Release | : 2017-03-30 |
| Genre | : Social Science |
| ISBN | : 0822373165 |
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Critically Sovereign traces the ways in which gender is inextricably a part of Indigenous politics and U.S. and Canadian imperialism and colonialism. The contributors show how gender, sexuality, and feminism work as co-productive forces of Native American and Indigenous sovereignty, self-determination, and epistemology. Several essays use a range of literary and legal texts to analyze the production of colonial space, the biopolitics of “Indianness,” and the collisions and collusions between queer theory and colonialism within Indigenous studies. Others address the U.S. government’s criminalization of traditional forms of Diné marriage and sexuality, the Iñupiat people's changing conceptions of masculinity as they embrace the processes of globalization, Hawai‘i’s same-sex marriage bill, and stories of Indigenous women falling in love with non-human beings such as animals, plants, and stars. Following the politics of gender, sexuality, and feminism across these diverse historical and cultural contexts, the contributors question and reframe the thinking about Indigenous knowledge, nationhood, citizenship, history, identity, belonging, and the possibilities for a decolonial future. Contributors. Jodi A. Byrd, Joanne Barker, Jennifer Nez Denetdale, Mishuana Goeman, J. Kēhaulani Kauanui, Melissa K. Nelson, Jessica Bissett Perea, Mark Rifkin
Sounding Together
| Author | : Charles Garrett |
| Publisher | : University of Michigan Press |
| Total Pages | : 367 |
| Release | : 2021-08-16 |
| Genre | : Music |
| ISBN | : 0472901303 |
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Sounding Together: Collaborative Perspectives on U.S. Music in the Twenty-21st Century is a multi-authored, collaboratively conceived book of essays that tackles key challenges facing scholars studying music of the United States in the early twenty-first century. This book encourages scholars in music circles and beyond to explore the intersections between social responsibility, community engagement, and academic practices through the simple act of working together. The book’s essays—written by a diverse and cross-generational group of scholars, performers, and practitioners—demonstrate how collaboration can harness complementary skills and nourish comparative boundary-crossing through interdisciplinary research. The chapters of the volume address issues of race, nationalism, mobility, cultural domination, and identity; as well as the crisis of the Trump era and the political power of music. Each contribution to the volume is written collaboratively by two scholars, bringing together contributors who represent a mix of career stages and positions. Through the practice of and reflection on collaboration, Sounding Together breaks out of long-established paradigms of solitude in humanities scholarship and works toward social justice in the study of music.
After the Dance, the Drums Are Heavy
| Author | : Rebecca Dirksen |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 489 |
| Release | : 2020-01-29 |
| Genre | : History |
| ISBN | : 0190928050 |
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"Haitian carnival offers a lens into popular power and politics. Political demonstrations in Haiti often manifest as musical performances. Studying carnival and political protest side by side brings insight to the musical engagement that ordinary citizens and celebrity musicians often cultivate and revere in contemporary Haiti. This book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation's highest office while methodically crafting a political product inherently entangled with his musical product. It offers deep historical perspective on the characteristics of carnivalesque verbal play-and the performative skillset of the artist (Sweet Micky) who dominated carnival for more than a decade-including vulgarities and polemics. It moreover demonstrates that the practice of leveraging the carnivalesque for expedient political function has precedence in Haiti's history. Yet there has been profound resistance to this brand of politics led by many other high-profile artists, including Matyas and Jòj, Brothers Posse, Boukman Eksperyans, and RAM. These groups have each released popular carnival songs that have contributed to the public's discussions on what civic participation and citizenship in Haiti can and should be. Author Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population in the face of challenging political and economic circumstances. After the Dance, the Drums Are Heavy centers the voices of Haitian musicians and regular citizens by extensively sharing interviews and detailed analyses of musical performance in the context of contemporary events well beyond the musical realm"--
Music and Modernity Among First Peoples of North America
| Author | : Victoria Levine Lindsay Levine |
| Publisher | : Wesleyan University Press |
| Total Pages | : 361 |
| Release | : 2021-02-01 |
| Genre | : Music |
| ISBN | : 0819578649 |
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In this wide-ranging anthology, scholars offer diverse perspectives on ethnomusicology in dialogue with critical Indigenous studies. This volume is a collaboration between Indigenous and settler scholars from both Canada and the United States. The contributors explore the intersections between music, modernity, and Indigeneity in essays addressing topics that range from hip-hop to powwow, and television soundtracks of Native Classical and experimental music. Working from the shared premise that multiple modernities exist for Indigenous peoples, the authors seek to understand contemporary musical expression from Native perspectives and to decolonize the study of Native American/First Nations music. The essays coalesce around four main themes: innovative technology, identity formation and self-representation, political activism, and translocal musical exchange. Related topics include cosmopolitanism, hybridity, alliance studies, code-switching, and ontologies of sound. Featuring the work of both established and emerging scholars, the collection demonstrates the centrality of music in communicating the complex, diverse lived experience of Indigenous North Americans in the twenty-first century.
Christian Sacred Music in the Americas
| Author | : Andrew Shenton |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 373 |
| Release | : 2021-02-17 |
| Genre | : Music |
| ISBN | : 1538148749 |
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Christian Sacred Music in the Americas explores the richness of Christian musical traditions and reflects the distinctive critical perspectives of the Society for Christian Scholarship in Music. This volume, edited by Andrew Shenton and Joanna Smolko, is a follow-up to SCSM’s Exploring Christian Song and offers a cross-section of the most current and outstanding scholarship from an international array of writers. The essays survey a broad geographical area and demonstrate the enormous diversity of music-making and scholarship within that area. Contributors utilize interdisciplinary methodologies including media studies, cultural studies, theological studies, and different analytical and ethnographical approaches to music. While there are some studies that focus on a single country, musical figure, or region, this is the first collection to represent the vast range of sacred music in the Americas and the different approaches to studying them in context.
