Songs of Ohio State University
Author | : Ohio State University Association |
Publisher | : |
Total Pages | : 250 |
Release | : 1916 |
Genre | : Songs with piano |
ISBN | : |
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Author | : Ohio State University Association |
Publisher | : |
Total Pages | : 250 |
Release | : 1916 |
Genre | : Songs with piano |
ISBN | : |
Author | : Ohio State University. Alumni Association |
Publisher | : |
Total Pages | : 232 |
Release | : 1916 |
Genre | : Ohio State University, Columbus |
ISBN | : |
Author | : Ohio State University Association |
Publisher | : Palala Press |
Total Pages | : 246 |
Release | : 2015-12-08 |
Genre | : |
ISBN | : 9781347902769 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : |
Publisher | : |
Total Pages | : 130 |
Release | : 1900 |
Genre | : Songbooks |
ISBN | : |
Author | : Paul M. Sutter |
Publisher | : |
Total Pages | : |
Release | : 2016-12-12 |
Genre | : |
ISBN | : 9781366641199 |
The life stories of the stars above, as told through the beauty, grace, and power of contemporary dance! Song of the Stars features performances by Seven Dance Company under the artistic direction of Cassia Cramer, woven together with a narration by astrophysicist Paul Sutter. In this original fusion of science and dance, you will travel through the vast cosmos, witnessing the first stars sparking a revolution from total darkness, the fatal love of two galaxies, a cataclysmic death that brings hope to a new generation, and so much more.Featuring stills from the film and accompanying narrative text.
Author | : Cleveland Alumni Association |
Publisher | : |
Total Pages | : 0 |
Release | : 19?? |
Genre | : Students' songs |
ISBN | : |
Author | : Andrew F. Jones |
Publisher | : U of Minnesota Press |
Total Pages | : 339 |
Release | : 2020-03-17 |
Genre | : Music |
ISBN | : 1452963266 |
How the Chinese pop of the 1960s participated in a global musical revolution What did Mao’s China have to do with the music of youth revolt in the 1960s? And how did the mambo, the Beatles, and Bob Dylan sound on the front lines of the Cold War in Asia? In Circuit Listening, Andrew F. Jones listens in on the 1960s beyond the West, and suggests how transistor technology, decolonization, and the Green Revolution transformed the sound of music around the globe. Focusing on the introduction of the transistor in revolutionary China and its Cold War counterpart in Taiwan, Circuit Listening reveals the hidden parallels between music as seemingly disparate as rock and roll and Maoist anthems. It offers groundbreaking studies of Mandarin diva Grace Chang and the Taiwanese folk troubadour Chen Da, examines how revolutionary aphorisms from the Little Red Book parallel the Beatles’ “Revolution,” uncovers how U.S. military installations came to serve as a conduit for the dissemination of Anglophone pop music into East Asia, and shows how consumer electronics helped the pop idol Teresa Teng bring the Maoist era to a close, remaking the contemporary Chinese soundscape forever. Circuit Listening provides a multifaceted history of Chinese-language popular music and media at midcentury. It profiles a number of the most famous and best loved Chinese singers and cinematic icons, and places those figures in a larger geopolitical and technological context. Circuit Listening’s original research and far-reaching ideas make for an unprecedented look at the role Chinese music played in the ’60s pop musical revolution.
Author | : Amy Christine Billone |
Publisher | : Ohio State University Press |
Total Pages | : 210 |
Release | : 2007 |
Genre | : Literary Criticism |
ISBN | : 0814210422 |
Silence, gender, and the sonnet revival -- Breaking "the silent Sabbath of the grave" : romantic women's sonnets and the "mute arbitress" of grief -- "In silence like to death" : Elizabeth Barrett's sonnet turn -- Sing again : Christina Rossetti and the music of silence -- "Silence, 'tis more cruel than the grave!" : Isabella Southern and the turn to the twentieth century -- Women's renunciation of the sonnet form.
Author | : Dale Ratermann |
Publisher | : Triumph Books |
Total Pages | : 214 |
Release | : 2011-09-01 |
Genre | : Travel |
ISBN | : 1617495662 |
Presented in a unique reversible-book format, this is the ultimate Ohio State University fan guide to the passionate and historic rivalry between the University of Michigan Wolverines and the Buckeyes. Full of interesting trivia, hilarious history, and inside scoops, the book relates the fantastic stories of legendary Buckeyes coaches and star players, as well as the numerous villains who have represented the maize and blue over the years. Like two books in one, this completely biased account of the rivalry proclaims the irrefutable reasons to cheer the Ohio State Buckeyes and boo the Michigan Wolverines and shows that there really is no fine line between love and hate.
Author | : Dan DiPiero |
Publisher | : University of Michigan Press |
Total Pages | : 261 |
Release | : 2022-08-31 |
Genre | : Music |
ISBN | : 047290311X |
Contingent Encounters offers a sustained comparative study of improvisation as it appears between music and everyday life. Drawing on work in musicology, cultural studies, and critical improvisation studies, as well as his own performing experience, Dan DiPiero argues that comparing improvisation across domains calls into question how improvisation is typically recognized. By comparing the music of Eric Dolphy, Norwegian free improvisers, Mr. K, and the Ingrid Laubrock/Kris Davis duo with improvised activities in everyday life (such as walking, baking, working, and listening), DiPiero concludes that improvisation appears as a function of any encounter between subjects, objects, and environments. Bringing contingency into conversation with the utopian strain of critical improvisation studies, DiPiero shows how particular social investments cause improvisation to be associated with relative freedom, risk-taking, and unpredictability in both scholarship and public discourse. Taking seriously the claim that improvisation is the same thing as living, Contingent Encounters overturns long-standing assumptions about the aesthetic and political implications of this notoriously slippery term.