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Harvard University Songs

Harvard University Songs
Author: Eugene Floyd Du Bois
Publisher: Legare Street Press
Total Pages: 0
Release: 2023-07-18
Genre: History
ISBN: 9781021702937

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Relive the stirring music and ancient traditions of one of America's most prestigious universities. This collection includes beloved classics like 'Fair Harvard' and 'Ten Thousand Men of Harvard, ' as well as lesser-known but equally enchanting songs of the campus. Accompanied by extensive notes and historical background, this book is a treasure trove of academic lore and artistic beauty. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Songs of Ourselves

Songs of Ourselves
Author: Joan Shelley Rubin
Publisher: Harvard University Press
Total Pages: 487
Release: 2007
Genre: History
ISBN: 0674035127

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Listen to a short interview with Joan Shelley RubinHost: Chris Gondek | Producer: Heron & Crane In the years between 1880 and 1950, Americans recited poetry at family gatherings, school assemblies, church services, camp outings, and civic affairs. As they did so, they invested poems--and the figure of the poet--with the beliefs, values, and emotions that they experienced in those settings. Reciting a poem together with others joined the individual to the community in a special and memorable way. In a strikingly original and rich portrait of the uses of verse in America, Joan Shelley Rubin shows how the sites and practices of reciting poetry influenced readers' lives and helped them to find meaning in a poet's words. Emphasizing the cultural circumstances that influenced the production and reception of poets and poetry in this country, Rubin recovers the experiences of ordinary people reading poems in public places. We see the recent immigrant seeking acceptance, the schoolchild eager to be integrated into the class, the mourner sharing grief at a funeral, the grandparent trying to bridge the generation gap--all instances of readers remaking texts to meet social and personal needs. Preserving the moral, romantic, and sentimental legacies of the nineteenth century, the act of reading poems offered cultural continuity, spiritual comfort, and pleasure. Songs of Ourselves is a unique history of literary texts as lived experience. By blurring the boundaries between "high" and "popular" poetry as well as between modern and traditional, it creates a fuller, more democratic way of studying our poetic language and ourselves.


The New Harvard Song Book

The New Harvard Song Book
Author:
Publisher:
Total Pages: 110
Release: 1892
Genre: Students' songs
ISBN:

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Songs of Harvard

Songs of Harvard
Author:
Publisher:
Total Pages: 258
Release: 1913
Genre: Students' songs
ISBN:

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Songs in Dark Times

Songs in Dark Times
Author: Amelia M. Glaser
Publisher: Harvard University Press
Total Pages: 369
Release: 2020-11-24
Genre: Literary Criticism
ISBN: 0674248457

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A probing reading of leftist Jewish poets who, during the interwar period, drew on the trauma of pogroms to depict the suffering of other marginalized peoples. Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed. The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of many national groups. The utopian Jews of Songs in Dark Times effectively globalized the pogroms in a bold and sometimes fraught literary move that asserted continuity with anti-Arab violence and black lynching. As communists and fellow travelers, the writers also sought to integrate particular experiences of suffering into a borderless narrative of class struggle. Glaser resurrects their poems from the pages of forgotten Yiddish communist periodicals, particularly the New York–based Morgn Frayhayt (Morning Freedom) and the Soviet literary journal Royte Velt (Red World). Alongside compelling analysis, Glaser includes her own translations of ten poems previously unavailable in English, including Malka Lee’s “God’s Black Lamb,” Moyshe Nadir’s “Closer,” and Esther Shumiatsher’s “At the Border of China.” These poets dreamed of a moment when “we” could mean “we workers” rather than “we Jews.” Songs in Dark Times takes on the beauty and difficulty of that dream, in the minds of Yiddish writers who sought to heal the world by translating pain.


Songs of Harvard (Classic Reprint)

Songs of Harvard (Classic Reprint)
Author: Lloyd Adams Noble
Publisher: Forgotten Books
Total Pages: 238
Release: 2018-03-21
Genre: Poetry
ISBN: 9780365219057

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Excerpt from Songs of Harvard Every production stamped specifically with the name of Harvard is pre sented here in a tangible form as a part of the present collection. Nearly every one of this class of songs has been hitherto accessible only as sheet-music, each being published separately. The first and most important duty of the compiler of this volume has been to make a complete and standardized collec tion of these songs, such as can be duplicated in no other publication. The music has been carefully revised, and the words are printed here, often for the first time, in full. But along with these songs that belong both by their tradition and by authorship solely to Harvard, to the stadium, to the torch-light procession, and to commencement-day, there is a large number of songs not originating at Harvard, but which belong to Harvard through long use and familiarity. Every student and every alumnus is familiar with most of them, and it has been the aim of the compiler to make this volume embrace every song that is dear to the hearts of Harvard men. It is almost unnecessary to say that the earlier and less voluminous so - called song books are no longer adequate, if ever they were, nor in any sense truly representative. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Three Songs, Three Singers, Three Nations

Three Songs, Three Singers, Three Nations
Author: Greil Marcus
Publisher: Harvard University Press
Total Pages: 177
Release: 2015-10-07
Genre: Biography & Autobiography
ISBN: 0674187083

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Greil Marcus delves into three distinct episodes in the history of American commonplace song and shows how each one manages to convey the uncanny sense that it was written by no one. In these seemingly anonymous productions, we discover three different ways of talking about the United States, and three separate nations within its borders.


Mondegreen

Mondegreen
Author: Volodymyr Rafeyenko
Publisher: Harvard University Press
Total Pages: 202
Release: 2022-04-19
Genre: Literary Collections
ISBN: 0674271742

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A mondegreen is something that is heard improperly by someone who then clings to that misinterpretation as fact. Fittingly, Volodymyr Rafeyenko’s novel Mondegreen: Songs about Death and Love explores the ways that memory and language construct our identity, and how we hold on to it no matter what. The novel tells the story of Haba Habinsky, a refugee from Ukraine’s Donbas region, who has escaped to the capital city of Kyiv at the onset of the Ukrainian-Russian war. His physical dislocation—and his subsequent willful adoption of the Ukrainian language—place the protagonist in a state of disorientation during which he is forced to challenge his convictions. Written in beautiful, experimental style, the novel shows how people—and cities—are capable of radical transformation and how this, in turn, affects their interpersonal relations and cultural identification. Taking on crucial topics stirred by Russian aggression that began in 2014, the novel stands out for the innovative and probing manner in which it dissects them, while providing a fresh Donbas perspective on Ukrainian identity.


The New Harvard Song Book

The New Harvard Song Book
Author: Robert Treat Whitehouse
Publisher: Andesite Press
Total Pages: 154
Release: 2015-08-08
Genre:
ISBN: 9781298553713

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.