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| Author | : Boston Public Library. Allen A. Brown Collection of Music |
| Publisher | : |
| Total Pages | : 354 |
| Release | : 1915 |
| Genre | : Music |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 674 |
| Release | : 1902 |
| Genre | : Classified catalogs |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 890 |
| Release | : 1919 |
| Genre | : Music |
| ISBN | : |
| Author | : Enoch Pratt Free Library of Baltimore City |
| Publisher | : |
| Total Pages | : 596 |
| Release | : 1901 |
| Genre | : Libraries |
| ISBN | : |
| Author | : William S. Newman |
| Publisher | : UNC Press Books |
| Total Pages | : 881 |
| Release | : 2018-01-01 |
| Genre | : Music |
| ISBN | : 146964374X |
This volume completes Newman's monumental study of the sonata. It examines the evolution of the sonata idea from the prexcocious Romanticisms of Dussek before 1880 to the near exhaustion of Romantic music by the time of World War I. Thoroughly documented, illustrated by new extended lists of sonatas as well as the fullest bibliography of Romantic music literature yet published, the book is invaluable to musicians. Originally published in 1969. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
| Author | : G. Schirmer, Inc |
| Publisher | : |
| Total Pages | : 284 |
| Release | : 1896 |
| Genre | : Music |
| ISBN | : |
| Author | : Royal College of Music (Great Britain) |
| Publisher | : |
| Total Pages | : 380 |
| Release | : 1909 |
| Genre | : Music |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 322 |
| Release | : 1893 |
| Genre | : Music |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 828 |
| Release | : 1919 |
| Genre | : Music |
| ISBN | : |
| Author | : Peter Walls |
| Publisher | : Routledge |
| Total Pages | : 688 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 135157471X |
Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa? lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.
